Astounding Stories of Super-Science February 1930 by Various (love letters to the dead .TXT) 📕

"How much?" asked Jenks.

"As much as you want."

"All right—five hundred dollars."

"How you going to prove your contention?"

"By stop watches, and your men can hold the watches. We'll bet that a pistol shot can be heard two miles away quicker than it can be heard a quarter of a mile away."

"Sound travels about a fifth of a mile a second. The rate varies slightly according to temperature," explained Linane. "At the freezing point the rate is 1,090 feet per second and increases a little over one foot for every degree Fahrenheit."

"Hot or cold," breezed Jenks, "I am betting you five hundred dollars that sound can travel two miles quicker than a quarter-mile."

"You're on, you damned idiot!" shouted the completely exasperated Linane.

Jenks let Linane's friends hold the watches and his friend held the money. Jenks was to fire the shot.

Jenks fired the shot in front of a microphone on a football field. One of Linane's friends picked the sound up instantaneously on a three-tube radio set two miles away. The other watch holder was standing in the open a quarter of a mile away and his watch showed a second and a fraction.

All hands agreed that Jenks had won the bet fairly. Linane never exactly liked Jenks after that.

Then Jenks rather aggravated matters by a habit. Whenever Linane would make a very positive statement Jenks would look owl-eyed and say: "Mr. Linane, I'll have to sound you out about that." The heavy accent on the word "sound" nettled Linane somewhat.

Linane never completely forgave Jenks for putting over this "fast one." Socially they were always more or less at loggerheads, but neither let this feeling interfere with their work. They worked together faithfully enough and each recognized the ability of the other.

And so it was that Linane and Jenks, their heads together, worked all night in an attempt to find some cause that[253] would tie responsibility for the disaster on mother nature.

They failed to find it and, sleepy-eyed, they were forced to admit failure, so far.

The newspapers, to whom Muller had said that he would not shirk any responsibility, began a hue and cry for the arrest of all parties in any way concerned with the direction of the building of the Colossus.

When the death list from the crash and subway wreck reached 97, the press waxed nasty and demanded the arrest of Muller, Linane and Jenks in no uncertain tones.

Half dead from lack of sleep, the three men were taken by the police to the district attorney's offices and, after a strenuous grilling, were formally placed under arrest on charges of criminal negligence. They put up a $50,000 bond in each case and were permitted to go and seek further to find the cause of what the newspapers now began calling the "Colossal Failure."

Several days were spent by Linane and Jenks in examining the wreckage which was being removed from Times Square, truckload after truckload, to a point outside the city. Here it was again sorted and examined and piled for future disposal.

So far as could be found every brick, stone and ounce of material used in the building was perfect. Attorneys, however, assured Linane, Jenks and Muller that they would have to find the real cause of the disaster if they were to escape possible long prison sentences.

Night after night Jenks courted sleep, but it would not come. He began to grow wan and haggard.

Jenks took to walking the streets at night, mile after mile, thinking, always thinking, and searching his mind for a solution of the mystery.

It was evening. He had walked past the scene of the Colossus crash several times. He found himself on a side street. He looked up and saw in electric lights:

TOWN HALL

Munsterbergen, the Mad Musician
Concert Here To-night.

He took five dollars from his pocket and bought a ticket. He entered with the crowd and was ushered to a seat. He looked neither to the right or left. His eyes were sunken, his face lined with worry.

Something within Jenks caused him to turn slightly. He was curiously aware of a beautiful girl who sat beside him. She had a mass of golden hair which seemed to defy control. It was wild, positively tempestuous. Her eyes were deep blue and her skin as white as fleecy clouds in spring. He was dimly conscious that those glorious eyes were troubled.

She glanced at him. She was aware that he was suffering. A great surge of sympathy welled in her heart. She could not explain the feeling.

A great red plush curtain parted in the center and drew in graceful folds to the edges of the proscenium. A small stage was revealed.

A tousle-headed man with glaring, beady black eyes, dressed in black evening clothes stepped forward and bowed. Under his arm was a violin. He brought the violin forward. His nose, like the beak of some great bird, bobbed up and down in acknowledgment of the plaudits which greeted him. His long nervous fingers began to caress the instrument and his lips began to move.

Jenks was aware that he was saying something, but was not at all interested. What he said was this:

"Maybe, yes, I couldn't talk so good English, but you could understood it, yes? Und now I tell you dot I never play the compositions of any man. I axtemporize exgloosively. I chust blay und blay, und maybe you should listen, yes? If I bleeze you I am chust happy."

Jenks' attention was drawn to him. He noted his wild appearance.

"He sure looks mad enough," mused Jenks.

[254]

The violinist flipped the fiddle up under his chin. He drew the bow over the strings and began a gentle melody that reminded one of rain drops falling on calm waters.

Jenks forgot his troubles. He forgot everything. He slumped in his seat and his eyes closed. The rain continued falling from the strings of the violin.

Suddenly the melody changed to a glad little lilting measure, as sweet as love itself. The sun was coming out again and the birds began to sing. There was the trill of a canary with the sun on its cage. There was the song of the thrush, the mocking-bird and the meadow lark. These blended finally into a melodious burst of chirping melody which seemed a chorus of the wild birds of the forest and glen. Then the lilting love measure again. It tore at the heart strings, and brought tears to one's eyes.

Unconsciously the girl next to Jenks leaned towards him. Involuntarily he leaned to meet her. Their shoulders touched. The cloud of her golden hair came to rest against his dark locks. Their hands found each other with gentle pressure. Both were lost to the world.

Abruptly the music changed. There was a succession of broken treble notes that sounded like the crackling of flames. Moans deep and melancholy followed. These grew more strident and prolonged, giving place to abject howls, suggesting the lamentations of the damned.

The hands of the boy and girl gripped tensely. They could not help shuddering.

The violin began to produce notes of a leering, jeering character, growing more horrible with each measure until they burst in a loud guffaw of maniacal laughter.

The whole performance was as if someone had taken a heaven and plunged it into a hell.

The musician bowed jerkily, and was gone.

There was no applause, only wild exclamations. Half the house was on its feet. The other half sat as if glued to chairs.

The boy and the girl were standing, their hands still gripping tensely.

"Come, let's get out of here," said Jenks. The girl took her wrap and Jenks helped her into it. Hand in hand they fled the place.

In the lobby their eyes met, and for the first time they realized they were strangers. Yet deep in their hearts was a feeling that their fates had been sealed.

"My goodness!" burst from the girl.

"It can't be helped now," said Jenks decisively.

"What can't be helped?" asked the girl, although she knew in her heart.

"Nothing can be helped," said Jenks. Then he added: "We should know each other by this time. We have been holding hands for an hour."

The girl's eyes flared. "You have no right to presume on that situation," she said.

Jenks could have kicked himself. "Forgive me," he said. "It was only that I just wanted so to know you. Won't you let me see you home?"

"You may," said the girl simply, and she led the way to her own car.

They drove north.

Their bodies seemed like magnets. They were again shoulder to shoulder, holding hands.

"Will you tell me your name?" pleaded Jenks.

"Surely," replied the girl. "I am Elaine Linane."

"What?" exploded Jenks. "Why, I work with a Linane, an engineer with the Muller Construction Company."

"He is my father," she said.

"Why, we are great friends," said the boy. "I am Jenks, his assistant—at least we work together."

"Yes, I have heard of you," said the girl. "It is strange, the way we met. My father admires your work, but I am afraid you are not great friends." The girl had forgotten her troubles.[255] She chuckled. She had heard the way Jenks had "sounded" her father out.

Jenks was speechless. The girl continued:

"I don't know whether to like you or to hate you. My father is an old dear. You were cruel to him."

Jenks was abject. "I did not mean to be," he said. "He rather belittled me without realizing it. I had to make my stand. The difference in our years made him take me rather too lightly. I had to compel his notice, if I was to advance."

"Oh!" said the girl.

"I am sorry—so sorry."

"You might not have been altogether at fault," said the girl. "Father forgets at times that I have grown up. I resent being treated like a child, but he is the soul of goodness and fatherly care."

"I know that," said Jenks.

Every engineer knows his mathematics. It was this fact, coupled with what the world calls a "lucky break," that solved the Colossus mystery. Nobody can get around the fact that two and two make four.

Jenks had happened on accomplishment to advance in the engineering profession, and it was well for him that he had reached a crisis. He had never believed in luck or in hunches, so it was good for him to be brought face to face with the fact that sometimes the footsteps of man are guided. It made him begin to look into the engineering of the universe, to think more deeply, and to acknowledge a Higher Power.

With Linane he had butted into a stone wall. They were coming to know what real trouble meant. The fact that they were innocent did not make the steel bars of a cage any more attractive. Their troubles began to wrap about them with the clammy intimacy of a shroud. Then came the lucky break.

Next to his troubles, Jenks' favorite topic was the Mad Musician. He tried to learn all he could about this uncanny character at whose concert he had met the girl of his life. He learned two facts that made him perk up and think.

One was that the Mad Musician had had offices and a studio in the Colossus and was one of the first to move in. The other was that the Mad Musician took great delight in shattering glassware with notes of or vibrations from a violin. Nearly everyone knows that a glass tumbler can be shattered by the proper note sounded on a violin. The Mad Musician took delight in this trick. Jenks courted his acquaintance, and saw him shatter a row of glasses of different sizes by sounding different notes on his fiddle. The glasses crashed one after another like gelatine balls hit by the bullets of an expert rifleman.

Then Jenks, the engineer who knew his mathematics, put two and two together. It made four, of course.

"Listen, Linane," he said to his co-worker: "this fiddler is crazier than a flock of cuckoos. If he can crack crockery with violin sound vibrations, is it not possible, by carrying the vibrations to a much higher power, that he could crack a pile of stone, steel, brick and cement, like the Colossus?"

"Possible, but hardly probable. Still," Linane mused, "when you think about it, and put two and two together.... Let's go after him and see what he is doing now."

Both jumped for their coats and hats. As they fared forth, Jenks cinched his argument:

"If a madman takes delight in breaking glassware with a vibratory wave or vibration, how much more of a thrill would he get by crashing a mountain?"

"Wild, but unanswerable," said Linane.

Jenks had been calling on the Mad Musician at his country place. "He had a studio in the Colossus," he reminded Linane. "He must have re-opened somewhere else in town. I wonder where."

[256] "Musicians are great union men," said Linane. "Phone the union."

Teddy Jenks did, but the union gave the last known town address as the Colossus.

"He would remain in the same district around Times Square," reasoned Jenks. "Let's page out the big buildings and see if he is not preparing to crash another one."

"Fair enough," said Linane, who was too busy with the problem at hand to choose his words.

Together the engineers started a canvass of the big buildings in the theatrical district. After four or five had been searched without result they entered the 30-story Acme Theater building.

Here they learned that the Mad Musician had leased a four-room suite just a few days before. This suite was on the fifteenth floor, just half way up in the big structure.

They went to the manager of the building and frankly stated their suspicions. "We want to enter that suite when the tenant