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pipes of silver, pipes of ivory and pipes of jade. Some were carved to represent the heads of demons, some had the bodies of serpents wreathed about them; others were encrusted with precious gems, and filled the night with the venomous sheen of emeralds, the blood-rays of rubies and golden glow of topaz, while the spear-points of diamonds flashed a challenge to the stars.

โ€œDo you command that the pipes be lighted?โ€ asked the harsh voice.

Rita desired to answer, โ€œNo,โ€ but heard herself saying, โ€œYes.โ€

Thereupon, from a thousand bowls, linking that lonely palm to the remote horizon, a thousand elfin fires aroseโ€”blue-tongued and spirituous. Grey pencilings of smoke stole straightly upward to the sky, so that look where she would Rita could discern nothing but these countless thin, faintly wavering, vertical lines of vapor.

The dimensions of the lacquered casket had increased so vastly as to conceal the kneeling figure of Mrs. Sin, and staring at it wonderingly, Rita suddenly perceived that it was not an ordinary casket. She knew at last why its shape had struck her as being unusual.

It was a Chinese coffin.

The smell of the burning opium was stifling her. Those remorseless threads of smoke were closing in, twining themselves about her throat. It was becoming cold, too, and the moonlight was growing dim. The position of the moon had changed, of course, as the night had stolen on towards morning, and now it hung dimly before her. The smoke obscured it.

But was this smoke obscuring the moon? Rita moved her hands for the first time since she had found herself under the palm tree, weakly fending off those vaporous tentacles which were seeking to entwine themselves about her throat. Of course, it was not smoke obscuring the moon, she decided; it was a lamp, upheld by an ivory figureโ€”a lamp with a Chinese shade.

A subdued roaring sound became audible; and this was occasioned by the gas fire, burning behind the Japanese screen on which gaily plumaged birds sported in the branches of golden palms. Rita raised her hands to her eyes. Mist obscured her sight. Swiftly, now, reality was asserting itself and banishing the phantasmagoria conjured up by chandu.

In her dim, cushioned corner Mollie Gretna lay back against the wall, her face pale and her weak mouth foolishly agape. Cyrus Kilfane was indistinguishable from the pile of rugs amid which he sprawled by the table, and of Sir Lucien Pyne nothing was to be seen but the outstretched legs and feet which projected grotesquely from a recess. Seated, oriental fashion, upon an improvised divan near the grand piano and propped up by a number of garish cushions, Rita beheld Mrs. Sin. The long bamboo pipe had fallen from her listless fingers. Her face wore an expression of mystic rapture like that characterizing the features of some Chinese Buddhas.

Fear, unaccountable but uncontrollable, suddenly seized upon Rita. She felt weak and dizzy, but she struggled partly upright.

โ€œLucy!โ€ she whispered.

Her voice was not under control, and once more she strove to call to Pyne.

โ€œLucy!โ€ came the hoarse whisper again.

The fire continued its muted roaring, but no other sound answered to the appeal. A horror of the companionship in which she found herself thereupon took possession of the girl. She must escape from these sleepers, whose spirits had been expelled by the potent necromancer, opium, from these empty tenements whose occupants had fled. The idea of the cool night air in the open streets was delicious.

She staggered to her feet, swaying drunkenly, but determined to reach the door. She shuddered, because of a feeling of internal chill which assailed her, but step by step crept across the room, opened the door, and tottered out into the hallway. There was no sound in the flat. Presumably Kilfane's man had retired, or perhaps he, too, was a devotee.

Rita's fur coat hung upon the rack, and although her fingers appeared to have lost all their strength and her arm to have become weak as that of an infant, she succeeded in detaching the coat from the hook. Not pausing to put it on, she opened the door and stumbled out on to the darkened landing. Whereas her first impulse had been to awaken someone, preferably Sir Lucien, now her sole desire was to escape undetected.

She began to feel less dizzy, and having paused for a moment on the landing, she succeeded in getting her coat on. Then she closed the door as quietly as possible, and clutching the handrail began to grope her way downstairs. There was only one flight, she remembered, and a short passage leading to the street door. She reached the passage without mishap, and saw a faint light ahead.

The fastenings gave her some trouble, but finally her efforts were successful, and she found herself standing in deserted Duke Street. There was no moon, but the sky was cloudless. She had no idea of the time, but because of the stillness of the surrounding streets she knew that it must be very late. She set out for her flat, walking slowly and wondering what explanation she should offer if a constable observed her.

Oxford Street showed deserted as far as the eye could reach, and her light footsteps seemed to awaken a hundred echoes. Having proceeded for some distance without meeting anyone, she observedโ€”and experienced a childish alarmโ€”the head-lights of an approaching car. Instantly the idea of hiding presented itself to her, but so rapidly did the big automobile speed along the empty thoroughfare that Rita was just passing a street lamp as the car raced by, and she must therefore have been clearly visible to the occupants.

Never for a moment glancing aside, Rita pressed on as quickly as she could. Then her vague alarm became actual terror. She heard the brakes being applied to the car, and heard the gritty sound of the tires upon the roadway as the vehicle's headlong progress was suddenly checked. She had been seenโ€”perhaps recognized, and whoever was in the car proposed to return to speak to her.

If her strength had allowed she would have run, but now it threatened to desert her altogether and she tottered weakly. A pattering of footsteps came from behind. Someone was running back to overtake her. Recognizing escape to be impossible, Rita turned just as the runner came up with her.

โ€œRita!โ€ he cried, rather breathlessly. โ€œMiss Dresden!โ€

She stood very still, looking at the speaker.

It was Monte Irvin.





CHAPTER XV. METAMORPHOSIS

As Irvin seized her hands and looked at her eagerly, half-fearfully, Rita achieved sufficient composure to speak.

โ€œOh, Mr. Irvin,โ€ she said, and found that her voice was not entirely normal, โ€œwhat must you thinkโ€”โ€

He continued to hold her hands, and:

โ€œI think you are very indiscreet to be out alone at three o'clock in the morning,โ€ he answered gently. โ€œI was recalled to London by urgent business, and returned by roadโ€”fortunately, since I have met you.โ€

โ€œHow can I

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