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commissions of officers only on the higher ones. That seems to me the correct way, and I don’t relinquish the hope of winning for it the approval of the greatest general and most tasteful connoisseur of life.”

“If the new cook keeps his promise, certainly not,” replied Charles, entering into his sister’s tone. “De Rye asserts that he is peerless. We shall see. As to the senses, they all have an equal share in enabling us to receive our impressions and form an opinion from them. Why should the tongue and the palate—But stay! Who the devil can philosophize with such twinges in the foot?”

“Besides, that can be done much better,” replied the Queen, patting the sufferer’s arm affectionately, “while the five unequal brothers are performing the duties of their offices. The saints be praised! Here we are at the bottom. No, Carlos, no! Not through the chapel! The stone flags there are so hard and cold.”

As she spoke she guided him around it into the dining-room, where a large table stood ready for the monarch’s personal suite and a smaller one for his sister and himself.

The tortured sovereign, still under the influence of the suffering which he had endured, crossed himself and sat down. Quijada and young Count Tassis, the Emperor’s favourite page, placed the gouty foot in the most comfortable position, and Count Buren, the chamberlain, presented the menu. Charles instantly scanned the list of dishes, and his face clouded still more as he missed the highly seasoned game pasty which the culinary artist had proposed and he had approved. Queen Mary had ordered that it should be omitted, because Dr. Mathys had pronounced it poison for the gouty patient, and she confessed the offence.

This was done with the frank affection with which she treated her brother, but Charles, after the first few words, interrupted her, harshly forbidding any interference, even hers, in matters which concerned himself alone, and in the same breath commanded Count Buren to see that the dish should still be made. Then, as if to show his sister how little he cared for her opposition, he seized the crystal jug with his own hand, without waiting for the cup-bearer behind him, filled the goblet with fiery Xeres wine, and hurriedly drained it, though the leech had forbidden him, while suffering from the gout, to do more than moisten his lips with the heating liquor.

The eyes of the royal huntress, though she was by no means unduly soft-hearted, grew dim with tears. This was her brother’s gratitude for the faithful care which she bestowed upon him! Who could tell whether her surprise, instead of pleasing him, might not rouse his anger? He was still frowning as though the greatest injury had been inflicted upon him, and his sister’s tearful eyes led him to exclaim wrathfully, as if he wished to palliate his unchivalrous indignation to a lady:

“I am deprived of one pleasure after another, and the little enjoyment remaining is lessened wherever it can be. Who has heavier loads of anxiety to endure?—yet you spoil my recreation during the brief hours when I succeed in casting off the burden.”

Here he paused and obstinately grasped the golden handle of the pitcher again. The Queen remained silent. Contradiction would have made the obdurate sovereign empty another goblet also. Even a look of entreaty would have been out of place on this occasion. So she fixed her eyes mutely and sadly upon her silver plate; but even her silence irritated the Emperor, and he was about to give fresh expression to his ill-humour, when the doors of the chapel opposite to him opened, and the surprise began.

The signal for the commencement of the singing had been the delivery of the first dish from the steward to one of the great nobles, who presented it to their Majesties.

The Queen’s face brightened, and tears of heartfelt joy, instead of grief and disappointment, now moistened her eyes, for if ever a surprise had accomplished the purpose desired it was this one.

Charles was gazing, as if the gates of Paradise had opened before him, toward the chapel doors, whence Maestro Gombert’s Benedictio Mensae, a melody entirely new to him, was pouring like a holy benediction, devout yet cheering, sometimes solemn, anon full of joy.

The lines of anxiety vanished from his brow as if at the spell of a magician. The dull eyes gained a brilliant, reverent light, the bent figure straightened itself. He seemed to his sister ten years younger. She saw in his every feature how deeply the music had affected him.

She knew her imperial brother. Had not his heart and soul been fully absorbed by the flood of pure and noble tones which so unexpectedly streamed toward him, his eyes would have been at least briefly attracted by the dish which Count Krockow more than once presented, for it contained an oyster ragout which a mounted messenger had brought that noon from the Baltic Sea to the city on the Danube.

Yet many long minutes elapsed ere he noticed the dish, though it was one of his favourite viands. Barbara’s song stirred the imperial lover of music at the nocturnal banquet just as it had thrilled the great musicians a few hours before. He thought that he had never heard anything more exquisite, and when the Benedictio Mensa: died away he clasped his sister’s hand, raised it two or three times to his lips, and thanked her with such affectionate warmth that she blessed the accomplishment of her happy idea, and willingly forgot the unpleasant moments she had just undergone.

Now, as if completely transformed, he wished to be told who had had the lucky thought of summoning his orchestra and her boy choir, and how the plan had been executed; and when he had heard the story, he fervently praised the delicacy of feeling and true sportsmanlike energy of her strong and loving woman’s heart.

The court orchestra gave its best work, and so did the new head cook. The pheasant stuffed with snails and the truffle sauce with it seemed delicious to the sovereign, who called the dish a triumph of the culinary art of the Netherlands. The burden of anxieties and the pangs inflicted by the gout seemed to be forgotten, and when the orchestra ceased he asked to hear the boy choir again.

This time it gave the most beautiful portion of Joscluin de Pres’s hymn to the Virgin, “Ecce tu pulchra es”; and when Barbara’s “Quia amore langueo” reached his ear and heart with its love-yearning melody, he nodded to his sister with wondering delight, and then listened, as if rapt from the world, until the last notes of the motet died away.

Where had Appenzelder discovered the marvellous boy who sang this “Quia amore langueo”? He sent Don Luis Quijada to assure the leader and the young singer of his warmest approbation, and then permitted the Queen also to seek the choir and its leader to ask whom the latter had succeeded in obtaining in the place of the lad from Cologne, whom he had often heard sing the “tu pulchra es,” but with incomparably less depth of feeling.

When she returned she informed the Emperor of the misfortune which had befallen the two boys, and how successful Appenzelder had been in the choice of a substitute. Yet she still concealed the fact that a girl was now the leader of his choir, for, kindly as her brother nodded to her when she took her place at the table again, no one could tell how he would regard this anomaly.

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