American library books ยป Fiction ยป File No. 113 by Emile Gaboriau (classic literature books TXT) ๐Ÿ“•

Read book online ยซFile No. 113 by Emile Gaboriau (classic literature books TXT) ๐Ÿ“•ยป.   Author   -   Emile Gaboriau



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connected with this name, and at the same time on a footing with the Fauvel family which would give him the privilege of entering M. Fauvelโ€™s chamber, then, and not until then, will you discover the guilty party. On that day the problem will be solved.โ€

Self-sufficient and vain, like all famous men, M. Lecoq had never had a pupil, and never wished to have one. He worked alone, because he hated assistants, wishing to share neither the pleasures of success nor the pain of defeat.

Thus Fanferlot, who knew his patronโ€™s character, was surprised to hear him giving advice, who heretofore had only given orders.

He was so puzzled, that in spite of his pre-occupation he could not help betraying his surprise.

โ€œPatron,โ€ he ventured to say, โ€œyou seem to take a great interest in this affair, you have so deeply studied it.โ€

M. Lecoq started nervously, and replied, frowning:

โ€œYou are too curious, Master Squirrel; be careful that you do not go too far. Do you understand?โ€

Fanferlot began to apologize.

โ€œThat will do,โ€ interrupted M. Lecoq. โ€œIf I choose to lend you a helping hand, it is because it suits my fancy to do so. It pleases me to be the head, and let you be the hand. Unassisted, with your preconceived ideas, you never would have found the culprit; if we two together donโ€™t find him, my name is not Lecoq.โ€

โ€œWe shall certainly succeed if you interest yourself in the case.โ€

โ€œYes, I am interested in it, and during the last four days I have discovered many important facts. But listen to me. I have reasons for not appearing in this affair. No matter what happens, I forbid your mentioning my name. If we succeed, all the success must be attributed to you. And, above all, donโ€™t try to find out what I choose to keep from you. Be satisfied with what explanations I give you. Now, be careful.โ€

These conditions seemed quite to suit Fanferlot.

โ€œI will obey your instructions, and be discreet.โ€

โ€œI shall rely upon you. Now, to begin, you must carry this photograph to the judge of instruction. I know M. Patrigent is much perplexed about this case. Explain to him, as if it were your own discovery, what I have just shown you; repeat for his benefit the scene we have acted, and I am convinced that this evidence will determine him to release the cashier. Prosper must be at liberty before I can commence my operations.โ€

โ€œOf course, patron, but must I let him know that I suspect anyone besides the banker or cashier?โ€

โ€œCertainly. Justice must not be kept in ignorance of your intention of following up this affair. M. Patrigent will tell you to watch Prosper; you will reply that you will not lose sight of him. I myself will answer for his being in safe-keeping.โ€

โ€œSuppose he asks me about Gypsy?โ€

M. Lecoq hesitated for a moment.

โ€œTell him,โ€ he finally said, โ€œthat you persuaded her, in the interest of Prosper, to live in a house where she can watch someone whom you suspect.โ€

Fanferlot was joyously picking up his hat to go, when M. Lecoq checked him by waving his hand, and said:

โ€œI have not finished. Do you know how to drive a carriage and manage horses?โ€

โ€œWhy, patron, can you ask this of a man who used to be a rider in the Bouthor Circus?โ€

โ€œVery well. As soon as the judge dismisses you, return home immediately, make yourself a wig and the complete dress of a valet; and, having dressed yourself, take this letter to the Agency on Delorme Street.โ€

โ€œBut, patronโ€”โ€

โ€œThere must be no but, my friend; the agent will send you to M. de Clameran, who is looking for a valet, his man having left him yesterday.โ€

โ€œExcuse me if I venture to suggest that you are making a mistake. This Clameran is not the cashierโ€™s friend.โ€

โ€œWhy do you always interrupt me?โ€ said M. Lecoq imperiously. โ€œDo what I tell you, and donโ€™t disturb your mind about the rest. Clameran is not a friend of Prosperโ€™s, I know; but he is the friend and protector of Raoul de Lagors. Why so? Whence the intimacy of these two men of such different ages? That is what I must find out. I must also find out who this forge-master is who lives in Paris, and never goes to attend to his furnaces. A jolly fellow, who takes it into his head to live at the Hotel du Louvre, in the midst of a tumultuous, ever-changing crowd, is a fellow difficult to watch. Through you I will have an eye upon him. He has a carriage, you are to drive it; and you will soon be able to give me an account of his manner of life, and of the sort of people with whom he associates.โ€

โ€œYou shall be obeyed, patron.โ€

โ€œAnother thing. M. de Clameran is irritable and suspicious. You will be presented to him under the name of Joseph Dubois. He will demand your certificate of good character. Here are three, which state that you have lived with the Marquis de Sairmeuse and the Count de Commarin, and that you have just left the Baron de Wortschen, who went to Germany the other day. Now keep your eyes open; be careful of your dress and manners. Be polite, but not excessively so. And, above all things, donโ€™t be obsequious; it might arouse suspicion.โ€

โ€œI understand, patron. Where shall I report to you?โ€

โ€œI will call on you every day. Until I tell you differently, donโ€™t step foot in this house; you might be followed. If anything important should happen, send a note to your wife, and she will inform me. Go, and be prudent.โ€

The door closed on Fanferlot as M. Lecoq passed into his bedroom.

In the twinkling of an eye he had divested himself of the appearance of a police officer. He took off his stiff cravat and gold spectacles, and removed the close wig from his thick black hair. The official Lecoq had disappeared, leaving in his place the genuine Lecoq whom nobody knewโ€”a handsome young man, with a bold, determined manner, and brilliant, piercing eyes.

But he only remained himself for an instant. Seated before a dressing-table covered with more cosmetics, paints, perfumes, false hair, and other unmentionable shams, than are to be found on the toilet-tables of our modern belles, he began to undo the work of nature, and make himself a new face.

He worked slowly, handling his brushes with great care. But in an hour he had accomplished one of his daily masterpieces. When he had finished, he was no longer Lecoq: he was the large gentleman with red whiskers, whom Fanferlot had failed to recognize.

โ€œWell,โ€ he said, casting a last look in the mirror, โ€œI have forgotten nothing: I have left nothing to chance. All my plans are fixed; and I shall make some progress to-day,

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