The Sleeper Awakes by H. G. Wells (i read a book txt) đź“•
He closed the door noiselessly. The house door was standing open, and he went out beyond the porch, and stood where the monkshood rose at the corner of the garden bed. From this point he could see the stranger through the open window, still and dim, sitting head on hand. He had not moved.
A number of children going along the road stopped and regarded the artist curiously. A boatman exchanged civilities with him. He felt that possibly his circumspect attitude and position looked peculiar and unaccountable. Smoking, perhaps, might seem more natural. He drew pipe and pouch from his pocket, filled the pipe slowly.
"I wonder," ... he said, with a scarcely perceptible loss of complacency. "At any rate one must give him a chance
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Asano glanced at this passage as they went past, stopped, went back to it, and turned to Graham with a smile. “Here, Sire,” he said, “is something—will be familiar to you at least—and yet—. But I will not tell you. Come!”
He led the way along a closed passage that presently became cold. The reverberation of their feet told that this passage was a bridge. They came into a circular gallery that was glazed in from the outer weather, and so reached a circular chamber which seemed familiar, though Graham could not recall distinctly when he had entered it before. In this was a ladder—the first ladder he had seen since his awakening—up which they went, and came into a high, dark, cold place in which was another almost vertical ladder. This they ascended, Graham still perplexed.
But at the top he understood, and recognised the metallic bars to which he clung. He was in the cage under the ball of St. Paul’s. The dome rose but a little way above the general contour of the city, into the still twilight, and sloped away, shining greasily under a few distant lights, into a circumambient ditch of darkness.
Out between the bars he looked upon the wind-clear northern sky and saw the starry constellations all unchanged. Capella hung in the west, Vega was rising, and the seven glittering points of the Great Bear swept overhead in their stately circle about the Pole.
He saw these stars in a clear gap of sky. To the east and south the great circular shapes of complaining wind-wheels blotted out the heavens, so that the glare about the Council House was hidden. To the southwest hung Orion, showing like a pallid ghost through a tracery of iron-work and interlacing shapes above a dazzling coruscation of lights. A bellowing and siren screaming that came from the flying stages warned the world that one of the aeroplanes was ready to start. He remained for a space gazing towards the glaring stage. Then his eyes went back to the northward constellations.
For a long time he was silent. “This,” he said at last, smiling in the shadow, “seems the strangest thing of all. To stand in the dome of St. Paul’s and look once more upon these familiar, silent stars!”
Thence Graham was taken by Asano along devious ways to the great gambling and business quarters where the bulk of the fortunes in the city were lost and made. It impressed him as a well-nigh interminable series of very high halls, surrounded by tiers upon tiers of galleries into which opened thousands of offices, and traversed by a complicated multitude of bridges, footways, aerial motor rails, and trapeze and cable leaps. And here more than anywhere the note of vehement vitality, of uncontrollable, hasty activity, rose high. Everywhere was violent advertisement, until his brain swam at the tumult of light and colour. And Babble Machines of a peculiarly rancid tone were abundant and filled the air with strenuous squealing and an idiotic slang. “Skin your eyes and slide,” “Gewhoop, Bonanza,” “Gollipers come and hark!”
The place seemed to him to be dense with people either profoundly agitated or swelling with obscure cunning, yet he learnt that the place was comparatively empty, that the great political convulsion of the last few days had reduced transactions to an unprecedented minimum. In one huge place were long avenues of roulette tables, each with an excited, undignified crowd about it; in another a yelping Babel of white-faced women and red-necked leathery-lunged men bought and sold the shares of an absolutely fictitious business undertaking which, every five minutes, paid a dividend of ten per cent, and cancelled a certain proportion of its shares by means of a lottery wheel.
These business activities were prosecuted with an energy that readily passed into violence, and Graham approaching a dense crowd found at its centre a couple of prominent merchants in violent controversy with teeth and nails on some delicate point of business etiquette. Something still remained in life to be fought for. Further he had a shock at a vehement announcement in phonetic letters of scarlet flame, each twice the height of a man, that “WE ASSURE THE PROPRAIET’R. WE ASSURE THE PROPRAIET’R.”
“Who’s the proprietor?” he asked.
“You.”
“But what do they assure me?” he asked. “What do they assure me?”
“Didn’t you have assurance?”
Graham thought. “Insurance?”
“Yes—Insurance. I remember that was the older word. They are insuring your life. Dozands of people are taking out policies, myriads of lions are being put on you. And further on other people are buying annuities. They do that on everybody who is at all prominent. Look there!”
A crowd of people surged and roared, and Graham saw a vast black screen suddenly illuminated in still larger letters of burning purple. “Anuetes on the Propraiet’r—x 5 pr. G.” The people began to boo and shout at this, a number of hard breathing, wild-eyed men came running past, clawing with hooked fingers at the air. There was a furious crush about a little doorway.
Asano did a brief, inaccurate calculation. “Seventeen per cent, per annum is their annuity on you. They would not pay so much per cent, if they could see you now, Sire. But they do not know. Your own annuities used to be a very safe investment, but now you are sheer gambling, of course. This is probably a desperate bid. I doubt if people will get their money.”
The crowd of would-be annuitants grew so thick about them that for some time they could move neither forward nor backward. Graham noticed what appeared to him to be a high proportion of women among the speculators, and was reminded again of the economic independence of their sex. They seemed remarkably well able to take care of themselves in the crowd, using their elbows with particular skill, as he learnt to his cost. One curly-headed person caught in the pressure for a space, looked steadfastly at him several times, almost as if she recognised him, and then, edging deliberately towards him, touched his hand with her arm in a scarcely accidental manner, and made it plain by a look as ancient as Chaldea that he had found favour in her eyes. And then a lank, grey-bearded man, perspiring copiously in a noble passion of self-help, blind to all earthly things save that glaring bait, thrust between them in a cataclysmal rush towards that alluring “X 5 pr. G.”
“I want to get out of this,” said Graham to Asano. “This is not what I came to see. Show me the workers. I want to see the people in blue. These parasitic lunatics—”
He found himself wedged into a straggling mass of people.
CHAPTER XXI. — THE UNDER-SIDE
From the Business Quarter they presently passed by the running ways into a remote quarter of the city, where the bulk of the manufactures was done. On their way the platforms crossed the Thames twice, and passed in a broad viaduct across one of the great roads that entered the city from the North. In both cases his impression was swift and in both very vivid. The river was a broad wrinkled glitter of black sea water, overarched by buildings, and vanishing either way into a blackness starred with receding lights. A string of black barges passed seaward, manned by blue-clad men. The road was a long and very broad and high tunnel, along which big-wheeled machines drove noiselessly and swiftly. Here, too, the distinctive blue of the Labour Department was in abundance. The smoothness of the double tracks, the largeness and the lightness of the big pneumatic wheels in proportion to the vehicular body, struck Graham most vividly. One lank and very high carriage with longitudinal metallic rods hung with the dripping carcasses of many hundred sheep arrested his attention unduly. Abruptly the edge of the archway cut and blotted out the picture.
Presently they left the way and descended by a lift and traversed a passage that sloped downward, and so came to a descending lift again. The appearance of things changed. Even the pretence of architectural ornament disappeared, the lights diminished in number and size, the architecture became more and more massive in proportion to the spaces as the factory quarters were reached. And in the dusty biscuit-making place of the potters, among the felspar mills, in the furnace rooms of the metal workers, among the incandescent lakes of crude Eadhamite, the blue canvas clothing was on man, woman and child.
Many of these great and dusty galleries were silent avenues of machinery, endless raked out ashen furnaces testified to the revolutionary dislocation, but wherever there was work it was being done by slow-moving workers in blue canvas. The only people not in blue canvas were the overlookers of the work-places and the orange-clad Labour Police. And fresh from the flushed faces of the dancing halls, the voluntary vigours of the business quarter, Graham could note the pinched faces, the feeble muscles, and weary eyes of many of the latter-day workers. Such as he saw at work were noticeably inferior in physique to the few gaily dressed managers and forewomen who were directing their labours. The burly labourers of the old Victorian times had followed that dray horse and all such living force producers, to extinction; the place of his costly muscles was taken by some dexterous machine. The latter-day labourer, male as well as female, was essentially a machine-minder and feeder, a servant and attendant, or an artist under direction.
The women, in comparison with those Graham remembered, were as a class distinctly plain and flat-chested. Two hundred years of emancipation from the moral restraints of Puritanical religion, two hundred years of city life, had done their work in eliminating the strain of feminine beauty and vigour from the blue canvas myriads. To be brilliant physically or mentally, to be in any way attractive or exceptional, had been and was still a certain way of emancipation to the drudge, a line of escape to the Pleasure City and its splendours and delights, and at last to the Euthanasy and peace. To be steadfast against such inducements was scarcely to be expected of meanly nourished souls. In the young cities of Graham’s former life, the newly aggregated labouring mass had been a diverse multitude, still stirred by the tradition of personal honour and a high morality; now it was differentiating into an instinct class, with a moral and physical difference of its own—even with a dialect of its own.
They penetrated downward, ever downward, towards the working places. Presently they passed underneath one of the streets of the moving ways, and saw its platforms running on their rails far overhead, and chinks of white lights between the transverse slits. The factories that were not working were sparsely lighted; to Graham they and their shrouded aisles of giant machines seemed plunged in gloom, and even where work was going on the illumination was far less brilliant than upon the public ways.
Beyond the blazing lakes of Eadhamite he came to the warren of the jewellers, and, with some difficulty and by using his signature, obtained admission to these galleries. They were high and dark, and rather cold. In the first a few men were making ornaments of gold filigree, each man at a little bench by himself, and with a little shaded light. The long vista of light patches, with the nimble fingers brightly lit and moving among the gleaming yellow coils, and the intent face like the face of a ghost, in each shadow, had the oddest effect.
The work was beautifully executed, but without any strength of modelling or drawing, for the most part intricate grotesques or the ringing of the changes on a geometrical motif. These workers wore a peculiar white uniform without pockets or sleeves. They assumed this on coming to work, but at night they were stripped and examined before they left the premises of the Department.
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