The Man Who Laughs by Victor Hugo (mobile ebook reader .txt) 📕

inspires you with no haste to obtain it. Josiana wanted to remain free, David to remain young. To have no tie until as late as possible appeared to him to be a prolongation of youth. Middle-aged young men abounded in those rakish times. They grew gray as young fops. The wig was an accomplice: later on, powder became the auxiliary. At fifty-five Lord Charles Gerrard, Baron Gerrard, one of the Gerrards of Bromley, filled London with his successes. The young and pretty Duchess of Buckingham, Countess of Coventry, made a fool of herself for love of the handsome Thomas Bellasys, Viscount Falconberg, who was sixty-seven. People quoted the famous verses of Corneille, the septuagenarian, to a girl of twenty—"Marquise, si mon visage." Women, too, had their successes in the autumn of life. Witness Ninon and Marion. Such were the models of the day.

Josiana and David carried on a flirtation of a particular shade. They did not love, they pleased, each other. To be at each other's side sufficed them. Why hasten the conclusion? The novels of those days carried lovers and engaged couples to that kind of stage which was the most becoming. Besides, Josiana, while she knew herself to be a bastard, felt herself a princess, and carried her authority over him with a high tone in all their arrangements. She had a fancy for Lord David. Lord David was handsome, but that was over and above the bargain. She considered him to be fashionable.

To be fashionable is everything. Caliban, fashionable and magnificent, would distance Ariel, poor. Lord David was handsome, so much the better. The danger in being handsome is being insipid; and that he was not. He betted, boxed, ran into debt. Josiana thought great things of his horses, his dogs, his losses at play, his mistresses. Lord David, on his side, bowed down before the fascinations of the Duchess Josiana—a maiden without spot or scruple, haughty, inaccessible, and audacious. He addressed sonnets to her, which Josiana sometimes read. In these sonnets he declared that to possess Josiana would be to rise to the stars, which did not prevent his always putting the ascent off to the following year. He waited in the antechamber outside Josiana's heart; and this suited the convenience of both. At court all admired the good taste of this delay. Lady Josiana said, "It is a bore that I should be obliged to marry Lord David; I, who would desire nothing better than to be in love with him!"

Josiana was "the flesh." Nothing could be more resplendent. She was very tall—too tall. Her hair was of that tinge which might be called red gold. She was plump, fresh, strong, and rosy, with immense boldness and wit. She had eyes which were too intelligible. She had neither lovers nor chastity. She walled herself round with pride. Men! oh, fie! a god only would be worthy of her, or a monster. If virtue consists in the protection of an inaccessible position, Josiana possessed all possible virtue, but without any innocence. She disdained intrigues; but she would not have been displeased had she been supposed to have engaged in some, provided that the objects were uncommon, and proportioned to the merits of one so highly placed. She thought little of her reputation, but much of her glory. To appear yielding, and to be unapproachable, is perfection. Josiana felt herself majestic and material. Hers was a cumbrous beauty. She usurped rather than charmed. She trod upon hearts. She was earthly. She would have been as much astonished at being proved to have a soul in her bosom as wings on her back. She discoursed on Locke; she was polite; she was suspected of knowing Arabic.

To be "the flesh" and to be woman are two different things. Where a woman is vulnerable, on the side of pity, for instance, which so readily turns to love, Josiana was not. Not that she was unfeeling. The ancient comparison of flesh to marble is absolutely false. The beauty of flesh consists in not being marble: its beauty is to palpitate, to tremble, to blush, to bleed, to have firmness without hardness, to be white without being cold, to have its sensations and its infirmities; its beauty is to be life, and marble is death.

Flesh, when it attains a certain degree of beauty, has almost a claim to the right of nudity; it conceals itself in its own dazzling charms as in a veil. He who might have looked upon Josiana nude would have perceived her outlines only through a surrounding glory. She would have shown herself without hesitation to a satyr or a eunuch. She had the self-possession of a goddess. To have made her nudity a torment, ever eluding a pursuing Tantalus, would have been an amusement to her.

The king had made her a duchess, and Jupiter a Nereid—a double irradiation of which the strange, brightness of this creature was composed. In admiring her you felt yourself becoming a pagan and a lackey. Her origin had been bastardy and the ocean. She appeared to have emerged from the foam. From the stream had risen the first jet of her destiny; but the spring was royal. In her there was something of the wave, of chance, of the patrician, and of the tempest. She was well read and accomplished. Never had a passion approached her, yet she had sounded them all. She had a disgust for realizations, and at the same time a taste for them. If she had stabbed herself, it would, like Lucretia, not have been until afterwards. She was a virgin stained with every defilement in its visionary stage. She was a possible Astarte in a real Diana. She was, in the insolence of high birth, tempting and inaccessible. Nevertheless, she might find it amusing to plan a fall for herself. She dwelt in a halo of glory, half wishing to descend from it, and perhaps feeling curious to know what a fall was like. She was a little too heavy for her cloud. To err is a diversion. Princely unconstraint has the privilege of experiment, and what is frailty in a plebeian is only frolic in a duchess. Josiana was in everything—in birth, in beauty, in irony, in brilliancy—almost a queen. She had felt a moment's enthusiasm for Louis de Bouffles, who used to break horseshoes between his fingers. She regretted that Hercules was dead. She lived in some undefined expectation of a voluptuous and supreme ideal.

Morally, Josiana brought to one's mind the line—