A Dozen Ways Of Love by Lily Dougall (lightweight ebook reader txt) 📕

so narrow and so deeply drifted that he did not believe it to be the public road he sought. 'Some farm, hidden in the level maple bush just seen through the falling snow, sends an occasional cart to the village by this by-path,' so he reassured himself; and the pony, who had spied the track first and paused to have time to consider it, at the word of command obediently plodded its continuous route. A quarter of a mile farther on the traveller saw something on the road in front; as the sound of his pony's jangling bells approached, a horse lifted its head and shook its own bells. The horse, the sleigh which it ought to have been drawing, were standing still, full in the centre of the road. The first thought, that it was cheering to come upon the trace of another wayfarer, was checked by the gloomy idea that some impassable drift must bar the way.

The other sleigh was a rough wooden platform on runners. Upon it a man, wrapped in a ragged buffalo-skin, lay prostrate. The Englishman jumped to the ground and waded till he could lay his hand upon the recumbent figure.

At the touch the man jumped fiercely, and shook himself from sleep. Warm, luxurious sleep, only that, seemed to have enthralled him. His cheeks were red, his aquiline nose, red also, suggested some amount of strong drink; but his black eyes were bright, showing that the senses were wholly alive. He looked defiant, inquiring. He was a French-Canadian, apparently a _habitant_, but he understood the English questions addressed to him. The curious thing was that he seemed to have no reason for stopping. When he had with difficulty made way for the gentleman to pass him on the road, he followed slowly, as it seemed reluctantly. A mile farther on the Englishman, now far in front, suspected that the other had again stopped, and wondered much. The man's face had impressed him; the high cheek bones, the aquiline nose, the clearness of the eye and complexion--these had not expressed dull folly.

Now the Englishman came to another cross road, wider but more deeply drifted than the track he was on. He turned into it and ploughed the drifts. When he reached the shore, where the land undulated, the drifts were still deeper. There were no trees here; he could see no house; there was hardly any evidence, except the evergreen branches stuck in the sides, that the road had ever been trodden. The March dusk had now fallen, yet not darkly. The full moon was beyond the clouds, and whatever wave of light came from declining day or rising night was held in by, and reflected softly from, the storm of pearl. After some debate he turned back to the lake and his former road. It must lead somewhere; he pressed steadily on toward the western end of the lake.

The western shore was level; he hardly knew when he was upon the land. The glimmering night blinded the traveller; no ray of candle light was in sight. He began to think that he was destined to see his horse slowly buried, and himself to fight, as long as might be, a losing battle with the fiends of the air.

At last the plodding pony stopped again resolutely. Long lines of Lombardy poplars here met the road. They were but as the ghosts of trees; their stately shape, their regular succession, inspired him with some sentiment of romance which he did not stay to define. He dimly discerned shrubs as if planted in a pleasure-ground. Wading and fumbling he found a paling and a gate. The pony turned off the high road with renewed courage in its motion; the Englishman, letting loose the rein, found himself drawn slowly up a long avenue of the ghostly poplar trees. The road was straight, the land was flat, the poplars were upright. The simplicity affected him with the notion that he was coming to an enchanted palace. The pony approached the door of a large house, dim to the sight; its huge pointed tin roof, its stone sides, mantled as they were with snowflakes and fringed with icicles at eaves and lintels, hardly gave a dark outline in the glimmering storm. The rays of light which twinkled through chinks of shutters might be analogous to the stars produced by a stunned brain; it seemed to the Englishman that if he went up and tried to knock on the door the ghostly house, the ghostly poplar avenue, would vanish. The thought was born of the long monotony of a danger which had called for no activity of brain or muscle on his part. The pony knew better; it stopped before the door.

The traveller stood in a small porch raised a step or two from the ground. The door was opened by a middle-aged Frenchwoman clad in a peasant's gown of bluish-grey. Behind her, holding a lamp a little above her head, stood a young girl, large, womanly in form, with dimpled softness of face, and dressed in a rich but quaint garment of amber colour. With raised and statuesque wrist she held the lamp aloft to keep the light from dazzling her eyes. She was looking through the doorway with the quiet interest of responsibility, nothing of which was expressed in the servant's furrowed countenance.

'Is the master of the house at home?'

'There is no master.'

The girl spoke with a mellow voice and with a manner of soft dignity; yet, having regarded the stranger, there leaped into her face, as it seemed to him, behind the outward calm of the dark eyes and dimpling curves, a certain excited interest and delight. The current of thought thus revealed contrasted with the calm which she instinctively turned to him, as the words which an actor speaks aside contrast with those which are not soliloquy.

With more hesitation, more obvious modesty, he said--

'May I speak to the mistress of the house?'

'I am the mistress.'

He could but look upon her more intently. She could not have been more than eighteen years of age. Her hair had the soft and loose manner of lying upon her head that is often seen in hair which has, till lately, been allowed to hang loose to the winds. Her dress, folded over the full bosom and sweeping to the ground in ample curves, was, little as he could have described a modern fashion, even to his eyes evidently fantastic--such as a child might don at play. Above all, as evidence of her youth, there was that inward quiver of delight at his appearance and presence, veiled perfectly, but seen behind the veil, as one may detect glee rising in the heart of a child even though it be upon its formal behaviour.

'Can you tell me if there is any house within reach where I can stop for the night?' He gave a succinct account of his journey, the lost road, the increasing storm. 'My horse is dead tired, but it might go a mile or so farther.'

The serving-woman, evincing some little curiosity, received from the girl an interpretation in low and rapid French. The woman expressed by her gestures some pity for man and beast. The girl replied with gentle brevity--

'We know that the roads are snowed up. The next house is three miles farther on.'

He hesitated, but his necessity was obvious.

'I am afraid I must beg for a night's shelter.'

He had been wondering a good deal what she would say, how she would accede, and then he perceived that her dignity knew no circumlocution. 'I will send the man for your horse.' She said it with hardly a moment's pause.

The woman gave him a small broom, an implement to the use of which he had grown accustomed, and disappeared upon the errand. The girl stood still in her statuesque pose of light-bearer. The young man busied himself in brushing the snow from cap and coat and boots. As he brushed himself he felt elation in the knowledge, not ordinarily uppermost, that he was a good-looking fellow and a gentleman.


CHAPTER II

'My name is Courthope.' The visitor, denuded of coat and cap, presented his card, upon which was written, 'Mr. George Courthope.'

He began telling his hostess whence he came and what was his business. A quarry which a dead relative had bequeathed to him had had sufficient attraction to bring him across the sea and across this railless region. His few words of self-introduction were mingled with and followed by regrets for his intrusion, expressions of excessive gratitude. All the time his mind was questioning amazedly.

By the time the speeches which he deemed necessary were finished, he had followed the girl into a spacious room, furnished in the large gay style of the fifties, brilliantly lit, as if for a festival, and warmed by a log fire of generous dimensions. Having led him in, listening silently the while, and put her additional lamp upon the table, she now spoke, with no _empressement_, almost with a manner of _insouciance_.

'You are perfectly welcome; my father would never have wished his house to be inhospitable.'

With her words his own apologies seemed to lose their significance; he felt a little foolish, and she, with some slight evidence of childish awkwardness, seemed to seek a pretext for short escape.

'I will tell my sister.' These words came with more abruptness, as if the interior excitement was working itself to the surface.

The room was a long one. She went out by a door at the farther end, and, as with intense curiosity he watched her quickly receding form, he noticed that when she thought herself out of his sight she entered the other room with a skip. At that same end of the room hung a full-length portrait of a gentleman. It was natural that Courthope should walk towards it, trying to become acquainted with some link in the train of circumstances which had raised this enchanted palace in the wilderness; he had not followed to hear, but he overheard.

'Eliz, it's a _real_ young man!'

'No! you are only making up, and' (here a touch of querulousness) 'I've often told you that I don't like make-ups that one wants too much to be true. I'll only have the Austens and Sir Charles and Evelina and----'

'Eliz! He's _not_ a make-up; the fairies have sent him to our party. Isn't it just fairilly entrancing? He has a curly moustache and a nice nose. He's English, like father. He says "cawn't," and "shawn't," and "heah," and "theyah,"--genuine, no affectation. Oh' (here came a little gurgle of joy), 'and to-night, too! It's the first _perfectly_ joyful thing that has _ever_ come to us.'

Courthope moved quietly back and stood before the blazing logs, looking down into them with a smile of pure pleasure upon his lips.

It was not long before the door, which she had left ajar, was re-opened, and a light-wheeled chair was pushed into the room. It contained a slight, elfin-like girl, white-faced, flaxen-haired, sharp-featured, and arrayed in gorgeous crimson. The elder sister pushed from behind. The little procession wore an air of triumphant satisfaction, still tempered by the proprieties.

'This is my sister,' said the mistress of the house.

'I am very glad to see you, Mr. Courthope.' The tones of Eliz were sharp and thin. She was evidently acting a part, as with the air of a very grand lady she held out her hand.

He was somewhat dazzled. He felt it not inappropriate to ask if he had entered fairyland. Eliz would have answered him with fantastic affirmative, but the