The Hand in the Dark by Arthur J. Rees (amazing books to read txt) 📕

jobs with nothing to do, with a kind of official standing thrown in, and the chance of meeting plenty of young officers over on leave from the front, with money to burn and hungry for pretty English faces. It is difficult to find out anything about these bachelor girls. They have no homes—only a place to sleep in—they confide in nobody, and their men friends will never give them away. Almost any woman will give away a man, but I have never yet known a man give away a woman."

"If Mrs. Heredith was that type of girl, it is possible that some early episode or forgotten flirtation in her past life is mixed up with the mystery of her death."

"You think that, do you?" asked Merrington regarding his companion attentively.

"How else can we explain Nepcote's appearance in the mystery, except on the ground that he may have murdered her for the necklace? It is important to bear in mind that Nepcote knew her in her single days. If she had a secret she has taken it to the grave with her. There remains Nepcote, who is deeply implicated in the case in some way. You may learn something from him if you can catch him and induce him to speak, though I must confess I find it difficult to reconcile the supposition that he committed the murder with the known circumstances of the case."

"There I agree with you," exclaimed Merrington. "What is Hazel Rath's position if we admit any such supposition? Nothing has yet come to light to shake the evidence which points to her as the person who murdered Mrs. Heredith."

"Does she still refuse to speak?"

"Yes. She is as obstinate as a mule and as mute as a fish. I sent a very clever woman detective down to the gaol at Lewes to try and coax her to say something, but she could get nothing out of her. She said she had no statement to make, and nothing whatever to say. She refused to go beyond that."

"She may have some strong reason for keeping silence," remarked Colwyn thoughtfully. "Arrested persons sometimes remain silent under a grave charge because they are anxious to keep certain knowledge in their possession from the police. Nepcote's implication in the case lends colour to the theory that Hazel Rath may be keeping silent for some such purpose."

"In order to shield Nepcote?"

"It is possible, though I do not think we are in a position to infer that much without further knowledge. But now that we know that Nepcote is connected with the case I certainly think that a strong effort should be made to induce Hazel Rath to speak."

"It is not to be done," replied Merrington, with an emphatic shake of the head. "The girl is not to be drawn."

"Have you told her about the recent developments of the case?"

"About Nepcote, do you mean?"

"Yes."

"Certainly not," replied Merrington, in a tone of outraged officialism. "To give the girl that piece of information before I know what it means would place such a powerful weapon in the hands of the lawyer for the defence that I should have to withdraw the charge against Hazel Rath at the next police court proceedings if I did not arrest Nepcote in the meantime. I do not want any dramatic developments—as the idiotic newspapers call it—in my cases. There is a certain amount of public sympathy with this girl already."

"I think you stand to gain more than you lose by telling her that Nepcote is suspected."

"I prefer to arrest Nepcote first. We may get him at any moment, and then, I hope, we shall find out where we stand in this case. But what do you mean by saying that I have more to gain than lose by telling the girl about him?"

"If she is keeping silent to shield Nepcote, she is likely to reveal the truth when she knows that there is nothing more to be gained by silence. She will then begin to think of herself. In my opinion, you have now an excellent weapon in your hand to force her to speak."

"Can we go so far as to assume that she is keeping silence to shield him? Let us assume that they went to Mrs. Heredith's room together for the purpose of murder and robbery. The girl, we will suppose, fired the shot and Nepcote escaped from the window with the necklace. Is Hazel Rath likely to reveal such a story when she knows it will not save herself?"

"Your assumptions carry you too far," returned Colwyn. "Our presumptive knowledge does not take us that distance. Till Nepcote's share in the case is explained it is useless indulging in speculations outside our premises. Let us defer inferences until we have marshalled more facts. We do not know whether more than one pair of eyes witnessed the murder of Mrs. Heredith; the theory that Hazel Rath fired the shot is merely a presumption of fact, and not an actual certainty. Much is still hidden in this case, and the question is, can Hazel Rath enlighten us? As she and Nepcote are now both implicated, it seems to me that the best inducement to get her to speak is by letting her know that you have arrested Nepcote. In my opinion, the experiment is well worth trying."

Merrington rose to his feet and paced across the room, pondering over the proposal.

"I am inclined to believe you are right," he said. "At any rate, I shall go down to Lewes to-morrow and put it to the test. I would ask you to accompany me, but it would be a little irregular."

"I shall be content to learn the result," Colwyn answered.

CHAPTER XXIII

There are moments when the human brain refuses to receive communication from its peripheries, and the rapidity of thought becomes so slow that it can be measured by minutes. The stage of consciousness on which life's drama is solitarily played for every human being is too circumscribed to expand all at once for the reception of a strange and unexpected image. Such moments follow in, the wake of a great shock, like a black curtain descending on a lighted scene. When the curtain begins to rise again it is on a darkened stage, on which the objects are seen dimly at first, then clearer as returning intelligence, working slowly for the accommodation of the new setting, places the fresh impression in order with the throng of previously existing ideas.

Such a moment seemed to have come to Hazel Rath as she stood looking at Merrington, who sat in an easy chair on the other side of the table confronting her with the tangible perception of his massive presence, reinforced by the weight of an authority which, if not so perceptible, was sufficiently apparent in the stolid blue back of a policeman on duty outside the glass door, and in the barred windows of the little room to which she had been brought to receive the news which had just been conveyed to her. But she gave no sign of having heard, or, at least, understood the import of Merrington's relation. Her dark eyes wandered around the little office, and slowly returned to the face of the big man who was watching her so closely. Her look, which at first had been one of utter bewilderment, now revealed a trace of incredulity which suggested a returning power for the assimilation of ideas. But she did not speak.

"Have you nothing to say?" Merrington demanded. He had been a silent listener to many criminal confessions in his time, but in the unusual reversion of roles he was becoming unreasonably angry with the girl for not repaying his confidence with her own story.

His loud hectoring voice startled her, and seemed to accelerate the mechanism of her mind into the association of her surroundings with her position.

"Why did you bring me here to torture me?" she cried, with a sudden rush of shrill utterance which was, in its way, almost as pitiful and surprising as her previous silence. "Oh, why cannot you leave me alone?"

She threw her arms out wildly, then, as if realizing the futility of gesture, dropped them helplessly to her sides. There was something in the action which suggested a bird trying to stretch its wings in a cramped cage. Her quivering lips, tense facial muscles, and strained yet restless bearing plainly revealed an unbalanced temperament, bending beneath the weight of a burden too heavy and sustained. As an experienced police official, Merrington was well versed in the little signs which indicate the breaking point of imprisonment in those unused to it. He saw that Hazel Rath had reached a state in which kindness and consideration, but no other means, might induce her to tell all she knew.

"Come now, my good girl," he said in a gentle pleasant voice which would have astonished Caldew beyond measure if he had heard it, "nobody wants to torture you. On the contrary, I have come down from London purposely to help you."

He paused for a moment in order to allow this remark to sink into her mind and then went on:

"I do not think that you quite understood what I have been trying to tell you. I will tell you again, and I wish you to listen to me for your own sake."

He glanced at her again, and satisfied that he had now gained her attention, repeated the news he had endeavoured to tell her previously. The story, which he embellished with additional details as he went on, was a practical demonstration of the trick of conveying a false impression without telling an actual untruth. Merrington's sole aim was to convince Hazel that further silence on her part was useless, so, to that end, he used the incident of his visit to Nepcote's flat in a way to suggest that Nepcote's admission of the ownership of the revolver amounted to an admission of his own complicity in the murder.

It was an adroit narration—Merrington conceded that much to himself, not without some pride in his own creation—but he was not prepared for its immediate and overmastering effect on the girl. She listened to him with an intensity of interest which was in the strangest contrast with her former inattention and indifference. When Merrington reached the point of his revelations by telling her about the missing necklace in order to assure her that the police were aware that Nepcote had gained more from the commission of the crime than she had, she surprised him by springing to her feet, her eyes blazing with excitement.

"I knew it would be proved that I am innocent," she exclaimed. "Now I can tell you all I know."

"It is the very best course you can pursue," responded Merrington with emphasis.

"I know it—I see it now! Oh, I have been very foolish. But I—" A burst of hysterical tears choked further utterance.

Merrington waited patiently until she recovered herself. He was troubled by no qualms of gentlemanly etiquette at watching the distress of the distraught girl sobbing wildly at the little table between them. There is a wide difference between pampered beauty in distress and a female prisoner in self-abasement. So he waited composedly enough until she lifted her head and regarded him with dark wistful eyes through a glitter of tears.

"You had better tell me all," he said.

"Yes, I will tell you everything now," she quickly replied.

"Before you do so it is my duty to warn you that any statement you make may be used in evidence against you at your trial," Merrington said, with a swift resumption of his official manner. "At the same time, I think you will be acting in your own interest by keeping nothing back."

"I quite understand. But it is such a strange story that I hardly know how to begin."

"Tell me everything from the first. That will be the best way."

"That night I went up to Mrs. Heredith's room just to see her," she commenced, almost in a whisper. "My mother had told me earlier in the evening that she was alone in her room suffering from a headache. I thought I would take the opportunity while the others were at dinner to go up to her room and ask her if she wanted anything. So I left my mother's room and walked quietly down the hall to the left wing. There was nobody about. All the guests were at dinner, and the servants were busy in the kitchen and the dining-room.

"When I got upstairs I noticed that Mrs. Heredith's door was open a little, and I saw that there was no light in the room. I thought that strange until I remembered she had been suffering from a bad headache, and probably had turned off the light to rest her head. I did not knock because I thought she might be asleep. I was just