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me to Naples. Then I go with the little boats on the sea—fishing, carrying people—" He flourished his hand as if to make her understand all the things that must be wordless. He smiled at her—but there was a faint, poignant sadness and remoteness in him, a beauty of old fatality, and ultimate indifference to fate.

"And were you very poor?"

"Poor?—why yes! Nothing. Rags—no shoes—bread, little fish from the sea—shell-fish—"

His hands flickered, his eyes rested on her with a profound look of knowledge. And it seemed, in spite of all, one state was very much the same to him as another, poverty was as much life as affluence. Only he had a sort of jealous idea that it was humiliating to be poor, and so, for vanity's sake, he would have possessions. The countless generations of civilization behind him had left him an instinct of the world's meaninglessness. Only his little modern education made money and independence an idée fixe. Old instinct told him the world was nothing. But modern education, so shallow, was much more efficacious than instinct. It drove him to make a show of himself to the world. Alvina watching him, as if hypnotized, saw his old beauty, formed through civilization after civilization; and at the same time she saw his modern vulgarianism, and decadence.

"And when you go back, you will go back to your old village?" she said.

He made a gesture with his head and shoulders, evasive, non-committal.

"I don't know, you see," he said.

"What is the name of it?"

"Pescocalascio." He said the word subduedly, unwillingly.

"Tell me again," said Alvina.

"Pescocalascio."

She repeated it.

"And tell me how you spell it," she said.

He fumbled in his pocket for a pencil and a piece of paper. She rose and brought him an old sketch-book. He wrote, slowly, but with the beautiful Italian hand, the name of his village.

"And write your name," she said.

"Marasca Francesco," he wrote.

"And write the name of your father and mother," she said. He looked at her enquiringly.

"I want to see them," she said.

"Marasca Giovanni," he wrote, and under that "Califano Maria."

She looked at the four names, in the graceful Italian script. And one after the other she read them out. He corrected her, smiling gravely. When she said them properly, he nodded.

"Yes," he said. "That's it. You say it well."

At that moment Miss Pinnegar came in to say Mrs. Rollings had seen another of the young men riding down the street.

"That's Gigi! He doesn't know how to come here," said Ciccio, quickly taking his hat and going out to find his friend.

Geoffrey arrived, his broad face hot and perspiring.

"Couldn't you find it?" said Alvina.

"I find the house, but I couldn't find no door," said Geoffrey.

They all laughed, and sat down to tea. Geoffrey and Ciccio talked to each other in French, and kept each other in countenance. Fortunately for them, Madame had seen to their table-manners. But still they were far too free and easy to suit Miss Pinnegar.

"Do you know," said Ciccio in French to Geoffrey, "what a fine house this is?"

"No," said Geoffrey, rolling his large eyes round the room, and speaking with his cheek stuffed out with food. "Is it?"

"Ah—if it was hers, you know—"

And so, after tea, Ciccio said to Alvina:

"Shall you let Geoffrey see the house?"

The tour commenced again. Geoffrey, with his thick legs planted apart, gazed round the rooms, and made his comments in French to Ciccio. When they climbed the stairs, he fingered the big, smooth mahogany bannister-rail. In the bedroom he stared almost dismayed at the colossal bed and cupboard. In the bath-room he turned on the old-fashioned, silver taps.

"Here is my room—" said Ciccio in French.

"Assez éloigné!" replied Gigi. Ciccio also glanced along the corridor.

"Yes," he said. "But an open course—"

"Look, my boy—if you could marry this—" meaning the house.

"Ha, she doesn't know if it hers any more! Perhaps the debts cover every bit of it."

"Don't say so! Na, that's a pity, that's a pity! La pauvre fille—pauvre demoiselle!" lamented Geoffrey.

"Isn't it a pity! What dost say?"

"A thousand pities! A thousand pities! Look, my boy, love needs no havings, but marriage does. Love is for all, even the grasshoppers. But marriage means a kitchen. That's how it is. La pauvre demoiselle; c'est malheur pour elle."

"That's true," said Ciccio. "Et aussi pour moi. For me as well."

"For thee as well, cher! Perhaps—" said Geoffrey, laying his arm on Ciccio's shoulder, and giving him a sudden hug. They smiled to each other.

"Who knows!" said Ciccio.

"Who knows, truly, my Cic'."

As they went downstairs to rejoin Alvina, whom they heard playing on the piano in the drawing-room, Geoffrey peeped once more into the big bedroom.

"Tu n'es jamais monté si haut, mon beau. Pour moi, ça serait difficile de m'élever. J'aurais bien peur, moi. Tu te trouves aussi un peu ébahi, hein? n'est-ce pas?"

"Y'a place pour trois," said Ciccio.

"Non, je crĂŞverais, lĂ  haut. Pas pour moi!"

And they went laughing downstairs.

Miss Pinnegar was sitting with Alvina, determined not to go to Chapel this evening. She sat, rather hulked, reading a novel. Alvina flirted with the two men, played the piano to them, and suggested a game of cards.

"Oh, Alvina, you will never bring out the cards tonight!" expostulated poor Miss Pinnegar.

"But, Miss Pinnegar, it can't possibly hurt anybody."

"You know what I think—and what your father thought—and your mother and Miss Frost—"

"You see I think it's only prejudice," said Alvina.

"Oh very well!" said Miss Pinnegar angrily.

And closing her book, she rose and went to the other room.

Alvina brought out the cards, and a little box of pence which remained from Endeavour harvests. At that moment there was a knock. It was Mr. May. Miss Pinnegar brought him in, in triumph.

"Oh!" he said. "Company! I heard you'd come, Miss Houghton, so I hastened to pay my compliments. I didn't know you had company. How do you do, Francesco! How do you do, Geoffrey. Comment allez-vous, alors?"

"Bien!" said Geoffrey. "You are going to take a hand?"

"Cards on Sunday evening! Dear me, what a revolution! Of course, I'm not bigoted. If Miss Houghton asks me—"

Miss Pinnegar looked solemnly at Alvina.

"Yes, do take a hand, Mr. May," said Alvina.

"Thank you, I will then, if I may. Especially as I see those tempting piles of pennies and ha'pennies. Who is bank, may I ask? Is Miss Pinnegar going to play too?"

But Miss Pinnegar had turned her poor, bowed back, and departed.

"I'm afraid she's offended," said Alvina.

"But why? We don't put her soul in danger, do we now? I'm a good Catholic, you know, I can't do with these provincial little creeds. Who deals? Do you, Miss Houghton? But I'm afraid we shall have a rather dry game? What? Isn't that your opinion?"

The other men laughed.

"If Miss Houghton would just allow me to run round and bring something in. Yes? May I? That would be so much more cheerful. What is your choice, gentlemen?"

"Beer," said Ciccio, and Geoffrey nodded.

"Beer! Oh really! Extraor'nary! I always take a little whiskey myself. What kind of beer? Ale?—or bitter? I'm afraid I'd better bring bottles. Now how can I secrete them? You haven't a small travelling case, Miss Houghton? Then I shall look as if I'd just been taking a journey. Which I have—to the Sun and back: and if that isn't far enough, even for Miss Pinnegar and John Wesley, why, I'm sorry."

Alvina produced the travelling case.

"Excellent!" he said. "Excellent! It will hold half-a-dozen beautifully. Now—" he fell into a whisper—"hadn't I better sneak out at the front door, and so escape the clutches of the watch-dog?"

Out he went, on tip-toe, the other two men grinning at him. Fortunately there were glasses, the best old glasses, in the side cupboard in the drawing room. But unfortunately, when Mr. May returned, a corkscrew was in request. So Alvina stole to the kitchen. Miss Pinnegar sat dumped by the fire, with her spectacles and her book. She watched like a lynx as Alvina returned. And she saw the tell-tale corkscrew. So she dumped a little deeper in her chair.

"There was a sound of revelry by night!" For Mr. May, after a long depression, was in high feather. They shouted, positively shouted over their cards, they roared with excitement, expostulation, and laughter. Miss Pinnegar sat through it all. But at one point she could bear it no longer.

The drawing-room door opened, and the dumpy, hulked, faded woman in a black serge dress stood like a rather squat avenging angel in the doorway.

"What would your father say to this?" she said sternly.

The company suspended their laughter and their cards, and looked around. Miss Pinnegar wilted and felt strange under so many eyes.

"Father!" said Alvina. "But why father?"

"You lost girl!" said Miss Pinnegar, backing out and closing the door.

Mr. May laughed so much that he knocked his whiskey over.

"There," he cried, helpless, "look what she's cost me!" And he went off into another paroxysm, swelling like a turkey.

Ciccio opened his mouth, laughing silently.

"Lost girl! Lost girl! How lost, when you are at home?" said Geoffrey, making large eyes and looking hither and thither as if he had lost something.

They all went off again in a muffled burst.

"No but, really," said Mr. May, "drinking and card-playing with strange men in the drawing-room on Sunday evening, of cauce it's scandalous. It's terrible! I don't know how ever you'll be saved, after such a sin. And in Manchester House, too—!" He went off into another silent, turkey-scarlet burst of mirth, wriggling in his chair and squealing faintly: "Oh, I love it, I love it! You lost girl! Why of cauce she's lost! And Miss Pinnegar has only just found it out. Who wouldn't be lost? Why even Miss Pinnegar would be lost if she could. Of cauce she would! Quite natch'ral!"

Mr. May wiped his eyes, with his handkerchief which had unfortunately mopped up his whiskey.

So they played on, till Mr. May and Geoffrey had won all the pennies, except twopence of Ciccio's. Alvina was in debt.

"Well I think it's been a most agreeable game," said Mr. May. "Most agreeable! Don't you all?"

The two other men smiled and nodded.

"I'm only sorry to think Miss Houghton has lost so steadily all evening. Really quite remarkable. But then—you see—I comfort myself with the reflection 'Lucky in cards, unlucky in love.' I'm certainly hounded with misfortune in love. And I'm sure Miss Houghton would rather be unlucky in cards than in love. What, isn't it so?"

"Of course," said Alvina.

"There, you see, of cauce! Well, all we can do after that is to wish her success in love. Isn't that so, gentlemen? I'm sure we are all quite willing to do our best to contribute to it. Isn't it so, gentlemen? Aren't we all ready to do our best to contribute to Miss Houghton's happiness in love? Well then, let us drink to it." He lifted his glass, and bowed to Alvina. "With every wish for your success in love, Miss Houghton, and your devoted servant—" He bowed and drank.

Geoffrey made large eyes at her as he held up his glass.

"I know you'll come out all right in love, I know," he said heavily.

"And you, Ciccio? Aren't you drinking?" said Mr. May.

Ciccio held up his glass, looked at Alvina, made a little mouth at her, comical, and drank his beer.

"Well," said Mr. May, "beer must confirm it, since words won't."

"What time is it?" said Alvina. "We must have supper."

It was past nine o'clock. Alvina rose and went to the kitchen, the men trailing after her. Miss Pinnegar was not there. She was not anywhere.

"Has she gone to bed?" said Mr. May. And he crept stealthily upstairs on tip-toe, a comical, flush-faced, tubby little man. He was familiar with the house. He returned prancing.

"I heard her cough," he said. "There's a light under her door. She's gone to bed. Now haven't I always said she was a good soul? I shall drink her health. Miss Pinnegar—" and he bowed stiffly in the direction of the stairs—"your health, and a good night's rest."

After which, giggling gaily, he seated himself at the head of the table and began to carve the cold mutton.

"And where are the Natcha-Kee-Tawaras this week?" he asked. They told him.

"Oh?

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