The Bravo by James Fenimore Cooper (reading books for 5 year olds .txt) 📕

worldly purpose--and to bestow power without any other responsibility than that which is exacted by the selfishness of caste! Jacopo--poor Jacopo! thou shalt be my servitor--I am lord of my own seignories, and once rid of this specious Republic, I charge myself with the care of thy safety and fortunes. Be at peace as respects thy conscience: I have interest near the Holy See, and thou shalt not want absolution!"

The gratitude of the Bravo was more vivid in feeling than in expression. He kissed the hand of Don Camillo, but it was with a reservation of self-respect that belonged to the character of the man.

"A system like this of Venice," continued the musing noble, "leaves none of us masters of our own acts. The wiles of such a combination are stronger than the will. It cloaks its offences against right in a thousand specious forms, and it enlists the support of every man under the pretence of a sacrifice for the common good. We often fancy ourselves simple dealers in some justifiable state intrigue, when in truth we are deep in sin. Falsehood is the parent of all crimes, and in no case has it a progeny so numerous as that in which its own birth is derived from the state. I fear I may have made sacrifices to this treacherous influence, I could wish forgotten."

Though Don Camillo soliloquized, rather than addressed his companion, it was evident, by the train of his thoughts, that the narrative of Jacopo had awakened disagreeable reflections on the manner in which he had pushed his own claims with the Senate. Perhaps he felt the necessity of some apology to one who, though so much his inferior in rank, was so competent to appreciate his conduct, and who had just denounced, in the strongest language, his own fatal subserviency to the arts of that irresponsible and meretricious body.

Jacopo uttered a few words of a general nature, but such as had a tendency to quiet the uneasiness of his companion; after which, with a readiness that proved him qualified for the many delicate missions with which he had been charged, he ingeniously turned the discourse to the recent abduction of Donna Violetta, with the offer of rendering his new employer all the services in his power to regain his bride.

"That thou mayest know all thou hast undertaken," rejoined Don Camillo, "listen, Jacopo, and I will conceal nothing from thy shrewdness."

The Duke of Sant' Agata now briefly, but explicitly, laid bare to his companion all his own views and measures with respect to her he loved, and all those events with which the reader has already become acquainted.

The Bravo gave great attention to the minutest parts of the detail, and more than once, as the other proceeded, he smiled to himself, like a man who was able to trace the secret means by which this or that intrigue had been effected. The whole was just related, when the sound of a footstep announced the return of Gino.


CHAPTER XVIII.

"Pale she looked,
Yet cheerful; though methought, once, if not twice.
She wiped away a tear that would be coming."
ROGERS.


The hours passed as if naught had occurred, within the barriers of the city, to disturb their progress. On the following morning men proceeded to their several pursuits, of business or of pleasure, as had been done for ages, and none stopped to question his neighbor of the scene which might have taken place during the night. Some were gay, and others sorrowing; some idle, and others occupied; here one toiled, there another sported; and Venice presented, as of wont, its noiseless, suspicious, busy, mysterious, and yet stirring throngs, as it had before done at a thousand similar risings of the sun.

The menials lingered around the water-gate of Donna Violetta's palace with distrustful but cautious faces, scarce whispering among themselves their secret suspicions of the fate of their mistress. The residence of the Signor Gradenigo presented its usual gloomy magnificence, while the abode of Don Camillo Monforte betrayed no sign of the heavy disappointment which its master had sustained. The Bella Sorrentina still lay in the port, with a yard on deck, while the crew repaired its sails in the lazy manner of mariners who work without excitement.

The Lagunes were dotted with the boats of fishermen, and travellers arrived and departed from the city by the well known channels of Fusina and Mestre. Here, some adventurer from the north quitted the canals on his return towards the Alps, carrying with him a pleasing picture of the ceremonies he had witnessed, mingled with some crude conjectures of that power which predominated in the suspected state; and there, a countryman of the Main sought his little farm, satisfied with the pageants and regatta of the previous day. In short, all seemed as usual, and the events we have related remained a secret with the actors, and that mysterious council which had so large a share in their existence.

As the day advanced, many a sail was spread for the pillars of Hercules or the genial Levant, and feluccas, mystics, and golettas, went and came as the land or sea-breeze prevailed. Still the mariner of Calabria lounged beneath the awning which sheltered his deck, or took his siesta on a pile of old sails, which were ragged with the force of many a hot sirocco. As the sun fell, the gondolas of the great and idle began to glide over the water; and when the two squares were cooled by the air of the Adriatic, the Broglio began to fill with those privileged to pace its vaulted passage. Among these came the Duke of Sant' Agata, who, though an alien to the laws of the Republic, being of so illustrious descent, and of claims so equitable, was received among the senators, in their moments of ease, as a welcome sharer in this vain distinction. He entered the Broglio at the wonted hour, and with his usual composure, for he trusted to his secret influence at Rome, and something to the success of his rivals, for impunity. Reflection had shown Don Camillo that, as his plans were known to the council, they would long since have arrested him had such been their intention; and it had also led him to believe that the most efficient manner of avoiding the personal consequences of his adventure was to show confidence in his own power to withstand them. When he appeared, therefore, leaning on the arm of a high officer of the papal embassy, and with an eye that spoke assurance in himself, he was greeted, as usual, by all who knew him, as was due to his rank and expectations. Still Don Camillo walked among the patricians of the Republic with novel sensations. More than once he thought he detected, in the wandering glances of those with whom he conversed, signs of their knowledge of his frustrated attempt; and more than once, when he least suspected such scrutiny, his countenance was watched, as if the observer sought some evidence of his future intentions. Beyond this none might have discovered that an heiress of so much importance had been so near being lost to the state, or, on the other hand, that a bridegroom had been robbed of his bride. Habitual art, on the part of the state, and resolute but wary intention, on the part of the young noble, concealed all else from observation.

In this manner the day passed, not a tongue in Venice, beyond those which whispered in secret, making any allusion to the incidents of our tale.

Just as the sun was setting a gondola swept slowly up to the water-gate of the ducal palace. The gondolier landed, fastened his boat in the usual manner to the stepping-stones, and entered the court. He wore a mask, for the hour of disguise had come, and his attire was so like the ordinary fashion of men of his class, as to defeat recognition by its simplicity. Glancing an eye about him, he entered the building by a private door.

The edifice in which the Doges of Venice dwelt still stands a gloomy monument of the policy of the Republic, furnishing evidence, in itself, of the specious character of the prince whom it held. It is built around a vast but gloomy court, as is usual with nearly all of the principal edifices of Europe. One of its fronts forms a side of the piazzetta so often mentioned, and another lines the quay next the port. The architecture of these two exterior faces of the palace renders the structure remarkable. A low portico, which forms the Broglio, sustains a row of massive oriental windows, and above these again lies a pile of masonry, slightly relieved by apertures, which reverses the ordinary uses of the art. A third front is nearly concealed by the cathedral of St. Mark, and the fourth is washed by its canal. The public prison of the city forms the other side of this canal, eloquently proclaiming the nature of the government by the close approximation of the powers of legislation and of punishment. The famous Bridge of Sighs is the material, and we might add the metaphorical, link between the two. The latter edifice stands on the quay, also, and though less lofty and spacious, in point of architectural beauty it is the superior structure, though the quaintness and unusual style of the palace are most apt to attract attention.

The masked gondolier soon reappeared beneath the arch of the water-gate, and with a hurried step he sought his boat. It required but a minute to cross the canal, to land on the opposite quay, and to enter the public door of the prison. It would seem that he had some secret means of satisfying the vigilance of the different keepers, for bolts were drawn, and doors unlocked, with little question, wherever he presented himself. In this manner he quickly passed all the outer barriers of the place, and reached a part of the building which had the appearance of being fitted for the accommodation of a family. Judging from the air of all around him, those who dwelt there took the luxury of their abode but little into the account, though neither the furniture nor the rooms were wanting in most of the necessaries suited to people of their class and the climate, and in that age.

The gondolier had ascended a private stairway, and he was now before a door which had none of those signs of a prison that so freely abounded in other parts of the building. He paused to listen, and then tapped with singular caution.

"Who is without?" asked a gentle female voice, at the same instant that the latch moved and fell again, as if she within waited to be assured of the character of her visitor before she opened the door.

"A friend to thee, Gelsomina," was the answer.

"Nay, here all are friends to the keepers, if words can be believed. You must name yourself, or go elsewhere for your answer."

The gondolier removed the mask a little, which had altered his voice as well as concealed his face.

"It is I, Gessina," he said, using the diminutive of her name.

The bolts grated, and the door was hurriedly opened.

"It is wonderful that I did not know thee, Carlo!" said the female, with eager simplicity; "but thou takest so many disguises of late, and so counterfeitest strange voices, that thine own mother might