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- Author: Maurice Leblanc
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M. Desmalions did not reply. He finished reading the letter. Then he read it again, with the attention of a man weighing every word. Lastly, he read aloud:
"MONSIEUR LE PRÉFET:"A chance correspondence has revealed to me the existence of an unknown heir of the Roussel family. It was only to-day that I was able to procure the documents necessary for identifying this heir; and, owing to unforeseen obstacles, it is only at the last moment that I am able to send them to you by the person whom they concern. Respecting a secret which is not mine and wishing, as a woman, to remain outside a business in which I have been only accidentally involved, I beg you, Monsieur le Préfet, to excuse me if I do not feel called upon to sign my name to this letter."
So Perenna had seen rightly and events were justifying his forecast. Some one was putting in an appearance within the period indicated. The claim was made in good time. And the very way in which things were happening at the exact moment was curiously suggestive of the mechanical exactness that had governed the whole business.
The last question still remained: who was this unknown person, the possible heir, and therefore the five or six fold murderer? He was waiting in the next room. There was nothing but a wall between him and the others. He was coming in. They would see him. They would know who he was.
The Prefect suddenly rang the bell.
A few tense seconds elapsed. Oddly enough, M. Desmalions did not remove his eyes from Perenna. Don Luis remained quite master of himself, but restless and uneasy at heart.
The door opened. The messenger showed some one in.
It was Florence Levasseur.
CHAPTER SIXTEEN WEBER TAKES HIS REVENGEDon Luis was for one moment amazed. Florence Levasseur here! Florence, whom he had left in the train under Mazeroux's supervision and for whom it was physically impossible to be back in Paris before eight o'clock in the evening!
Then, despite his bewilderment, he at once understood. Florence, knowing that she was being followed, had drawn them after her to the Gare Saint-Lazare and simply walked through the railway carriage, getting out on the other platform, while the worthy Mazeroux went on in the train to keep his eye on the traveller who was not there.
But suddenly the full horror of the situation struck him. Florence was here to claim the inheritance; and her claim, as he himself had said, was a proof of the most terrible guilt.
Acting on an irresistible impulse, Don Luis leaped to the girl's side, seized her by the arm and said, with almost malevolent force:
"What are you doing here? What have you come for? Why did you not let me know?"
M. Desmalions stepped between them. But Don Luis, without letting go of the girl's arm, exclaimed:
"Oh, Monsieur le Préfet, don't you see that this is all a mistake? The person whom we are expecting, about whom I told you, is not this one. The other is keeping in the background, as usual. Why it's impossible that Florence Levasseur—"
"I have no preconceived opinion on the subject of this young lady," said the Prefect of Police, in an authoritative voice. "But it is my duty to question her about the circumstances that brought her here; and I shall certainly do so."
He released the girl from Don Luis's grasp and made her take a seat. He himself sat down at his desk; and it was easy to see how great an impression the girl's presence made upon him. It afforded so to speak an illustration of Don Luis's argument.
The appearance on the scene of a new person, laying claim to the inheritance, was undeniably, to any logical mind, the appearance on the scene of a criminal who herself brought with her the proofs of her crimes. Don Luis felt this clearly and, from that moment, did not take his eyes off the Prefect of Police.
Florence looked at them by turns as though the whole thing was the most insoluble mystery to her. Her beautiful dark eyes retained their customary serenity. She no longer wore her nurse's uniform; and her gray gown, very simply cut and devoid of ornaments, showed her graceful figure. She was grave and unemotional as usual.
M. Desmalions said:
"Explain yourself, Mademoiselle."
She answered:
"I have nothing to explain, Monsieur le Préfet. I have come to you on an errand which I am fulfilling without knowing exactly what it is about."
"What do you mean? Without knowing what it is about?"
"I will tell you, Monsieur le Préfet. Some one in whom I have every confidence and for whom I entertain the greatest respect asked me to hand you certain papers. They appear to concern the question which is the object of your meeting to-day."
"The question of awarding the Mornington inheritance?"
"Yes."
"You know that, if this claim had not been made in the course of the present sitting, it would have had no effect?"
"I came as soon as the papers were handed to me."
"Why were they not handed to you an hour or two earlier?"
"I was not there. I had to leave the house where I am staying, in a hurry."
Perenna did not doubt that it was his intervention that upset the enemy's plans by causing Florence to take to flight.
The Prefect continued:
"So you are ignorant of the reasons why you received the papers?"
"Yes, Monsieur le Préfet."
"And evidently you are also ignorant of how far they concern you?"
"They do not concern me, Monsieur le Préfet."
M. Desmalions smiled and, looking into Florence's eyes, said, plainly:
"According to the letter that accompanies them, they concern you intimately. It seems that they prove, in the most positive manner, that you are descended from the Roussel family and that you consequently have every right to the Mornington inheritance."
"I?"The cry was a spontaneous exclamation of astonishment and protest.
And she at once went on, insistently:
"I, a right to the inheritance? I have none at all, Monsieur le Préfet, none at all. I never knew Mr. Mornington. What is this story? There is some mistake."
She spoke with great animation and with an apparent frankness that would have impressed any other man than the Prefect of Police. But how could he forget Don Luis's arguments and the accusation made beforehand against the person who would arrive at the meeting?
"Give me the papers," he said.
She took from her handbag a blue envelope which was not fastened down and which he found to contain a number of faded documents, damaged at the folds and torn in different places.
He examined them amid perfect silence, read them through, studied them thoroughly, inspected the signatures and the seals through a magnifying glass, and said:
"They bear every sign of being genuine. The seals are official."
"Then, Monsieur le Préfet—?" said Florence, in a trembling voice.
"Then, Mademoiselle, let me tell you that your ignorance strikes me as most incredible."
And, turning to the solicitor, he said:
"Listen briefly to what these documents contain and prove. Gaston Sauverand, Cosmo Mornington's heir in the fourth line, had, as you know, an elder brother, called Raoul, who lived in the Argentine Republic. This brother, before his death, sent to Europe, in the charge of an old nurse, a child of five who was none other than his daughter, a natural but legally recognized daughter whom he had had by Mlle. Levasseur, a French teacher at Buenos Ayres.
"Here is the birth certificate. Here is the signed declaration written entirely in the father's hand. Here is the affidavit signed by the old nurse. Here are the depositions of three friends, merchants or solicitors at Buenos Ayres. And here are the death certificates of the father and mother.
"All these documents have been legalized and bear the seals of the French consulate. For the present, I have no reason to doubt them; and I am bound to look upon Florence Levasseur as Raoul Sauverand's daughter and Gaston Sauverand's niece."
"Gaston Sauvarand's niece? … His niece?" stammered Florence.
The mention of a father whom she had, so to speak, never known, left her unmoved. But she began to weep at the recollection of Gaston Sauverand, whom she loved so fondly and to whom she found herself linked by such a close relationship.
Were her tears sincere? Or were they the tears of an actress able to play her part down to the slightest details? Were those facts really revealed to her for the first time? Or was she acting the emotions which the revelation of those facts would produce in her under natural conditions?
Don Luis observed M. Desmalions even more narrowly than he did the girl, and tried to read the secret thoughts of the man with whom the decision lay. And suddenly he became certain that Florence's arrest was a matter resolved upon as definitely as the arrest of the most monstrous criminal. Then he went up to her and said:
"Florence."
She looked at him with her tear-dimmed eyes and made no reply.
Slowly, he said:
"To defend yourself, Florence—for, though I am sure you do not know it, you are under that obligation—you must understand the terrible position in which events have placed you.
"Florence, the Prefect of Police has been led by the logical outcome of those events to come to the final conclusion that the person entering this room with an evident claim to the inheritance is the person who killed the Mornington heirs. You entered the room, Florence, and you are undoubtedly Cosmo Mornington's heir."
He saw her shake from head to foot and turn as pale as death.
Nevertheless, she uttered no word and made no gesture of protest.
He went on:
"It is a formal accusation. Do you say nothing in reply?"
She waited some time and then declared:
"I have nothing to say. The whole thing is a mystery. What would you have me reply? I do not understand!"
Don Luis stood quivering with anguish in front of her. He stammered:
"Is that all? Do you accept?"
After a second, she said, in an undertone:
"Explain yourself, I beg of you. What you mean, I suppose, is that, if I do not reply, I accept the accusation?"
"Yes."
"And then?"
"Arrest—prison—"
"Prison!"
She seemed to be suffering hideously. Her beautiful features were distorted with fear. To her mind, prison evidently represented the torments undergone by Marie and Sauverand. It must mean despair, shame, death, all those horrors which Marie and Sauverand had been unable to avoid and of which she in her turn would become the victim.
An awful sense of hopelessness overcame her, and she moaned:
"How tired I am! I feel that there is nothing to be done! I am stifled by the mystery around me! Oh, if I could only see and understand!"
There was another long pause. Leaning over her, M. Desmalions studied her face with concentrated attention. Then, as she did not speak, he put his hand to the bell on his table and struck it three times.
Don Luis did not stir from where he stood, with his eyes despairingly fixed on Florence. A battle was raging within him between his love and generosity, which led him to believe the girl, and his reason, which obliged him to suspect her. Was she innocent or guilty? He did not know. Everything was against her. And yet why had he never ceased to love her?
Weber entered, followed by his men. M. Desmalions spoke to him and pointed to Florence. Weber went up to her.
"Florence!" said Don Luis.
She looked at him and looked at Weber and his men; and, suddenly, realizing what was coming, she retreated, staggered for a moment, bewildered and fainting, and fell back in Don Luis's arms:
"Oh, save me, save me! Do save me!"
The action was so natural and unconstrained, the cry of distress so clearly denoted the alarm which only the innocent can feel, that Don Luis was promptly convinced. A fervent belief in her lightened his heart. His doubts, his caution, his hesitation, his anguish: all these vanished before a certainty that dashed upon him like an irresistible wave. And he cried:
"No, no, that must not be! Monsieur le Préfet, there are things that cannot be permitted—"
He stooped over Florence, whom he was holding so firmly in his arms that nobody could have taken her from him. Their eyes met. His face was close to
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