The Last Days of Pompeii by Baron Edward Bulwer Lytton Lytton (best book reader .txt) 📕

saved Ione?' returned the Neapolitan, in a voice too low for the ear of Glaucus.

'Noble Ione, I have neither beauty nor station; I am a child, and a slave, and blind. The despicable are ever safe.'

It was with a pained, and proud, and indignant tone that Nydia made this humble reply; and Ione felt that she only wounded Nydia by pursuing the subject. She remained silent, and the bark now floated into the sea.

'Confess that I was right, Ione,' said Glaucus, 'in prevailing on thee not to waste this beautiful noon in thy chamber—confess that I was right.'

'Thou wert right, Glaucus,' said Nydia, abruptly.

'The dear child speaks for thee,' returned the Athenian. 'But permit me to move opposite to thee, or our light boat will be over-balanced.'

So saying, he took his seat exactly opposite to Ione, and leaning forward, he fancied that it was her breath, and not the winds of summer, that flung fragrance over the sea.

'Thou wert to tell me,' said Glaucus, 'why for so many days thy door was closed to me?'

'Oh, think of it no more!' answered Ione, quickly; 'I gave my ear to what I now know was the malice of slander.'

'And my slanderer was the Egyptian?'

Ione's silence assented to the question.

'His motives are sufficiently obvious.'

'Talk not of him,' said Ione, covering her face with her hands, as if to shut out his very thought.

'Perhaps he may be already by the banks of the slow Styx,' resumed Glaucus; 'yet in that case we should probably have heard of his death. Thy brother, methinks, hath felt the dark influence of his gloomy soul. When we arrived last night at thy house he left me abruptly. Will he ever vouchsafe to be my friend?'

'He is consumed with some secret care,' answered Ione, tearfully. 'Would that we could lure him from himself! Let us join in that tender office.'

'He shall be my brother,' returned the Greek.

'How calmly,' said Ione, rousing herself from the gloom into which her thoughts of Apaecides had plunged her—'how calmly the clouds seem to repose in heaven; and yet you tell me, for I knew it not myself, that the earth shook beneath us last night.'

'It did, and more violently, they say, than it has done since the great convulsion sixteen years ago: the land we live in yet nurses mysterious terror; and the reign of Pluto, which spreads beneath our burning fields, seems rent with unseen commotion. Didst thou not feel the earth quake, Nydia, where thou wert seated last night? and was it not the fear that it occasioned thee that made thee weep?'

'I felt the soil creep and heave beneath me, like some monstrous serpent,' answered Nydia; 'but as I saw nothing, I did not fear: I imagined the convulsion to be a spell of the Egyptian's. They say he has power over the elements.'

'Thou art a Thessalian, my Nydia,' replied Glaucus, 'and hast a national right to believe in magic.

'Magic!—who doubts it?' answered Nydia, simply: 'dost thou?'

'Until last night (when a necromantic prodigy did indeed appal me), methinks I was not credulous in any other magic save that of love!' said Glaucus, in a tremulous voice, and fixing his eyes on Ione.

'Ah!' said Nydia, with a sort of shiver, and she awoke mechanically a few pleasing notes from her lyre; the sound suited well the tranquility of the waters, and the sunny stillness of the noon.

'Play to us, dear Nydia, said Glaucus—'play and give us one of thine old Thessalian songs: whether it be of magic or not, as thou wilt—let it, at least, be of love!'

'Of love!' repeated Nydia, raising her large, wandering eyes, that ever thrilled those who saw them with a mingled fear and pity; you could never familiarize yourself to their aspect: so strange did it seem that those dark wild orbs were ignorant of the day, and either so fixed was their deep mysterious gaze, or so restless and perturbed their glance, that you felt, when you encountered them, that same vague, and chilling, and half-preternatural impression, which comes over you in the presence of the insane—of those who, having a life outwardly like your own, have a life within life—dissimilar—unsearchable—unguessed!

'Will you that I should sing of love?' said she, fixing those eyes upon Glaucus.

'Yes,' replied he, looking down.

She moved a little way from the arm of Ione, still cast round her, as if that soft embrace embarrassed; and placing her light and graceful instrument on her knee, after a short prelude, she sang the following strain:

NYDIA'S LOVE-SONG I The Wind and the Beam loved the Rose, And the Rose loved one; For who recks the wind where it blows? Or loves not the sun? II None knew whence the humble Wind stole, Poor sport of the skies— None dreamt that the Wind had a soul, In its mournful sighs! III Oh, happy Beam! how canst thou prove That bright love of thine? In thy light is the proof of thy love. Thou hast but—to shine! IV How its love can the Wind reveal? Unwelcome its sigh; Mute—mute to its Rose let it steal— Its proof is—to die!

'Thou singest but sadly, sweet girl,' said Glaucus; 'thy youth only feels as yet the dark shadow of Love; far other inspiration doth he wake, when he himself bursts and brightens upon us.

'I sing as I was taught,' replied Nydia, sighing.

'Thy master was love-crossed, then—try thy hand at a gayer air. Nay, girl, give the instrument to me.' As Nydia obeyed, her hand touched his, and, with that slight touch, her breast heaved—her cheek flushed. Ione and Glaucus, occupied with each other, perceived not those signs of strange and premature emotions, which preyed upon a heart that, nourished by imagination, dispensed with hope.

And now, broad, blue, bright, before them, spread that halcyon sea, fair as at this moment, seventeen centuries from that date, I behold it rippling on the same divinest shores. Clime that yet enervates with a soft and Circean spell—that moulds us insensibly, mysteriously, into harmony with thyself, banishing the thought of austerer labor, the voices of wild ambition, the contests and the roar of life; filling us with gentle and subduing