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magical, and the whole system of signs, wonders, and omens? There are no dreams, or presages, or obscure allusions to future events?

Author. Not a Cock-lane scratch, my son—not one bounce on the drum of Tedworth—not so much as the poor tick of a solitary death-watch in the wainscot. All is clear and above board—a Scots metaphysician might believe every word of it.

Captain. And the story is, I hope, natural and probable; commencing strikingly, proceeding naturally, ending happily—like the course of a famed river, which gushes from the mouth of some obscure and romantic grotto—then gliding on, never pausing, never precipitating its course, visiting, as it were, by natural instinct, whatever worthy subjects of interest are presented by the country through which it passes—widening and deepening in interest as it flows on; and at length arriving at the final catastrophe as at some mighty haven, where ships of all kinds strike sail and yard?

Author. Hey! hey! what the deuce is all this? Why, 'tis Ercles' vein, and it would require some one much more like Hercules than I, to produce a story which should gush, and glide, and never pause, and visit, and widen, and deepen, and all the rest on't. I should be chin-deep in the grave, man, before I had done with my task; and, in the meanwhile, all the quirks and quiddities which I might have devised for my reader's amusement, would lie rotting in my gizzard, like Sancho's suppressed witticisms, when he was under his master's displeasure.—There never was a novel written on this plan while the world stood.

Captain. Pardon me—Tom Jones.

Author. True, and perhaps Amelia also. Fielding had high notions of the dignity of an art which he may be considered as having founded. He challenges a comparison between the Novel and the Epic. Smollett, Le Sage, and others, emancipating themselves from the strictness of the rules he has laid down, have written rather a history of the miscellaneous adventures which befall an individual in the course of life, than the plot of a regular and connected epopeia, where every step brings us a point nearer to the final catastrophe. These great masters have been satisfied if they amused the reader upon the road; though the conclusion only arrived because the tale must have an end—just as the traveller alights at the inn, because it is evening.

Captain. A very commodious mode of travelling, for the author at least. In short, sir, you are of opinion with Bayes—“What the devil does the plot signify, except to bring in fine things?”

Author. Grant that I were so, and that I should write with sense and spirit a few scenes unlaboured and loosely put together, but which had sufficient interest in them to amuse in one corner the pain of body; in another, to relieve anxiety of mind; in a third place, to unwrinkle a brow bent with the furrows of daily toil; in another, to fill the place of bad thoughts, or to suggest better; in yet another, to induce an idler to study the history of his country; in all, save where the perusal interrupted the discharge of serious duties, to furnish harmless amusement,—might not the author of such a work, however inartificially executed, plead for his errors and negligences the excuse of the slave, who, about to be punished for having spread the false report of a victory, saved himself by exclaiming—“Am I to blame, O Athenians, who have given you one happy day?”

Captain. Will your goodness permit me to mention an anecdote of my excellent grandmother?

Author. I see little she can have to do with the subject, Captain Clutterbuck.

Captain. It may come into our dialogue on Bayes's plan.—The sagacious old lady—rest her soul!—was a good friend to the church, and could never hear a minister maligned by evil tongues, without taking his part warmly. There was one fixed point, however, at which she always abandoned the cause of her reverend protege—it was so soon as she learned he had preached a regular sermon against slanderers and backbiters.

Author. And what is that to the purpose?

Captain. Only that I have heard engineers say, that one may betray the weak point to the enemy, by too much ostentation of fortifying it.

Author. And, once more I pray, what is that to the purpose?

Captain. Nay, then, without farther metaphor, I am afraid this new production, in which your generosity seems willing to give me some concern, will stand much in need of apology, since you think proper to begin your defence before the case is on trial.-The story is hastily huddled up, I will venture a pint of claret.

Author. A pint of port, I suppose you mean?

Captain. I say of claret—good claret of the Monastery. Ah, sir, would you but take the advice of your friends, and try to deserve at least one-half of the public favour you have met with, we might all drink Tokay!

Author. I care not what I drink, so the liquor be wholesome.

Captain. Care for your reputation, then,—for your fame.

Author. My fame?—I will answer you as a very ingenious, able, and experienced friend, being counsel for the notorious Jem MacCoul, replied to the opposite side of the bar, when they laid weight on his client's refusing to answer certain queries, which they said any man who had a regard for his reputation would not hesitate to reply to. “My client,” said he-by the way, Jem was standing behind him at the time, and a rich scene it was so unfortunate as to have no regard for his reputation; and I should deal very uncandidly with the Court, should I say he had any that was worth his attention."—I am, though from very different reasons, in Jem's happy state of indifference. Let fame follow those who have a substantial shape. A shadow—and an impersonal author is nothing better—can cast no shade.

Captain. You are not now, perhaps, so impersonal as here-tofore. These Letters to the Member for the University of Oxford—Author. Show the wit, genius, and delicacy of the author, which I heartily wish to see engaged on a subject of more importance; and show, besides, that the preservation of my character of incongnito has engaged early talent in the discussion of a curious question of evidence. But a cause, however ingeniously pleaded, is not therefore gained. You may remember, the neatly-wrought chain of circumstantial evidence, so artificially brought forward to prove Sir Philip Francis's title to the Letters of Junius, seemed at first irrefragable; yet the influence of the reasoning has passed away, and Junius, in the general opinion, is as much unknown as ever. But on this subject I will not be soothed or provoked into saying one word more. To say who I am not, would be one step towards saying who I am; and as I desire not, any more than a certain justice of peace mentioned by Shenstone, the noise or report such things make in the world, I shall continue to be silent on a subject, which, in my opinion, is very undeserving the noise that has been made about it, and still more unworthy of the serious employment of such ingenuity as has been displayed by the young letter-writer.

Captain. But allowing, my dear sir, that you care not for your personal reputation, or for that of any literary person upon whose shoulders your faults may be visited, allow me to say, that common gratitude to the public, which has received

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