American library books Β» Fiction Β» Wieland; Or, The Transformation: An American Tale by Charles Brockden Brown (best fiction books of all time .txt) πŸ“•

Read book online Β«Wieland; Or, The Transformation: An American Tale by Charles Brockden Brown (best fiction books of all time .txt) πŸ“•Β».   Author   -   Charles Brockden Brown



1 ... 50 51 52 53 54 55 56 57 58 ... 65
Go to page:
the possession of it. The girl, likewise, informed me, that among your other singularities, it was not uncommon for you to leave your bed, and walk forth for the sake of night-airs and starlight contemplations.

"I desired to prevent this inconvenience. I found you easily swayed by fear. I was influenced, in my choice of means, by the facility and certainty of that to which I had been accustomed. All that I forsaw was, that, in future, this spot would be cautiously shunned by you.

"I entered the recess with the utmost caution, and discovered, by your breathings, in what condition you were. The unexpected interpretation which you placed upon my former proceeding, suggested my conduct on the present occasion. The mode in which heaven is said by the poet, to interfere for the prevention of crimes, [**] was somewhat analogous to my province, and never failed to occur to me at seasons like this. It was requisite to break your slumbers, and for this end I uttered the powerful monosyllable, "hold! hold!" My purpose was not prescribed by duty, yet surely it was far from being atrocious and inexpiable. To effect it, I uttered what was false, but it was well suited to my purpose. Nothing less was intended than to injure you. Nay, the evil resulting from my former act, was partly removed by assuring you that in all places but this you were safe.

* BILOQUIUM, or ventrilocution. Sound is varied according to the variations of direction and distance. The art of the ventriloquist consists in modifying his voice according to all these variations, without changing his place. See the work of the Abbe de la Chappelle, in which are accurately recorded the performances of one of these artists, and some ingenious, though unsatisfactory speculations are given on the means by which the effects are produced. This power is, perhaps, given by nature, but is doubtless improvable, if not acquirable, by art. It may, possibly, consist in an unusual flexibility or exertion of the bottom of the tongue and the uvula. That speech is producible by these alone must be granted, since anatomists mention two instances of persons speaking without a tongue. In one case, the organ was originally wanting, but its place was supplied by a small tubercle, and the uvula was perfect. In the other, the tongue was destroyed by disease, but probably a small part of it remained. This power is difficult to explain, but the fact is undeniable. Experience shews that the human voice can imitate the voice of all men and of all inferior animals. The sound of musical instruments, and even noises from the contact of inanimate substances, have been accurately imitated. The mimicry of animals is notorious; and Dr. Burney (Musical Travels) mentions one who imitated a flute and violin, so as to deceive even his ears. **β€”Peeps through the blanket of the dark, and cries Hold! Hold!β€”SHAKESPEARE.





Chapter XXIII

"My morals will appear to you far from rigid, yet my conduct will fall short of your suspicions. I am now to confess actions less excusable, and yet surely they will not entitle me to the name of a desperate or sordid criminal.

"Your house was rendered, by your frequent and long absences, easily accessible to my curiosity. My meeting with Pleyel was the prelude to direct intercourse with you. I had seen much of the world, but your character exhibited a specimen of human powers that was wholly new to me. My intercourse with your servant furnished me with curious details of your domestic management. I was of a different sex: I was not your husband; I was not even your friend; yet my knowledge of you was of that kind, which conjugal intimacies can give, and, in some respects, more accurate. The observation of your domestic was guided by me.

"You will not be surprized that I should sometimes profit by your absence, and adventure to examine with my own eyes, the interior of your chamber. Upright and sincere, you used no watchfulness, and practised no precautions. I scrutinized every thing, and pried every where. Your closet was usually locked, but it was once my fortune to find the key on a bureau. I opened and found new scope for my curiosity in your books. One of these was manuscript, and written in characters which essentially agreed with a short-hand system which I had learned from a Jesuit missionary.

"I cannot justify my conduct, yet my only crime was curiosity. I perused this volume with eagerness. The intellect which it unveiled, was brighter than my limited and feeble organs could bear. I was naturally inquisitive as to your ideas respecting my deportment, and the mysteries that had lately occurred.

"You know what you have written. You know that in this volume the key to your inmost soul was contained. If I had been a profound and malignant impostor, what plenteous materials were thus furnished me of stratagems and plots!

"The coincidence of your dream in the summer-house with my exclamation, was truly wonderful. The voice which warned you to forbear was, doubtless, mine; but mixed by a common process of the fancy, with the train of visionary incidents.

"I saw in a stronger light than ever, the dangerousness of that instrument which I employed, and renewed my resolutions to abstain from the use of it in future; but I was destined perpetually to violate my resolutions. By some perverse fate, I was led into circumstances in which the exertion of my powers was the sole or the best means of escape.

"On that memorable night on which our last interview took place, I came as usual to Mettingen. I was apprized of your engagement at your brother's, from which you did not expect to return till late. Some incident suggested the design of visiting your chamber. Among your books which I had not examined, might be something tending to illustrate your character, or the history of your family. Some intimation had been dropped by you in discourse, respecting a performance of your father, in which some important transaction in his life was recorded.

"I was desirous of seeing this book; and such was my habitual attachment to mystery, that I preferred the clandestine perusal of it. Such were the motives that induced me to make this attempt. Judith had disappeared, and finding the house unoccupied, I supplied myself with a light, and proceeded to your chamber.

"I found it easy, on experiment, to lock and unlock your closet door without the aid of a key. I shut myself in this recess, and was busily exploring your shelves, when I heard some one enter the room below. I was at a loss who it could be, whether you or your servant. Doubtful, however, as I was, I conceived it prudent to extinguish the light. Scarcely was this done, when some one entered the chamber. The footsteps were easily distinguished to be yours.

"My situation was now full of danger and perplexity. For some time, I cherished the hope that you would leave the room so long as to afford me an opportunity of escaping. As the hours passed, this hope gradually deserted me. It was plain that you had retired for the night.

"I knew not how soon you might find occasion to enter the closet. I was alive to all the horrors of detection, and ruminated without ceasing, on the behaviour which it would be proper, in case of detection, to adopt. I was unable to discover any consistent method of accounting for my being thus immured.

1 ... 50 51 52 53 54 55 56 57 58 ... 65
Go to page:

Free e-book: Β«Wieland; Or, The Transformation: An American Tale by Charles Brockden Brown (best fiction books of all time .txt) πŸ“•Β»   -   read online now on website american library books (americanlibrarybooks.com)

Comments (0)

There are no comments yet. You can be the first!
Add a comment