Devereux — Complete by Baron Edward Bulwer Lytton Lytton (best interesting books to read txt) 📕

IN WHICH THE HERO SHOWS DECISION ON MORE POINTS THAN ONE.—MORE OF ISORA’S CHARACTER IS DEVELOPED.

To use the fine image in the “Arcadia,” it was “when the sun, like a noble heart, began to show his greatest countenance in his lowest estate,” that I arrived at Isora’s door. I had written to her once, to announce my uncle’s death and the day of my return: but I had not mentioned in my letter my reverse of fortunes; I reserved that communication till it could be softened by our meeting. I saw by the countenance of the servant who admitted me that all was well: so I asked no question; I flew up the stairs; I broke into Isora’s chamber, and in an instant she was in my arms. Ah, Love, Love! wherefore art thou so transitory a pilgrim on the earth,—an evening cloud which hovers on our horizon, drinking the hues of the sun, that grows ominously brighter as it verges to the shadow and the night, and which, the moment that sun is set, wanders on in darkness or descends in tears?

“And now, my bird of Paradise,” said I, as we sat alone in the apartment I had fitted up as the banqueting-room, and on which, though small in its proportions, I had lavished all the love of luxury and of show which made one of my most prevailing weaknesses, “and now how has time passed with you since we parted?”

“Need you ask, Morton? Ah, have you ever noted a poor dog deserted by its master, or rather not deserted, for that you know is not my case yet,” added Isora, playfully, “but left at home while the master went abroad? have you noted how restless the poor animal is; how it refuses all company and all comfort; how it goes a hundred times a day into the room which its master is wont mostly to inhabit; how it creeps on the sofa or the chair which the same absent idler was accustomed to press; how it selects some article of his very clothing, and curls jealously around it, and hides and watches over it as I have hid and watched over this glove, Morton? Have you ever noted that humble creature whose whole happiness is the smile of one being, when the smile was away,—then, Morton, you can tell how my time has passed during your absence.”

I answered Isora by endearments and by compliments. She turned away from the latter.

“Never call me those fine names, I implore you,” she whispered; “call me only by those pretty pet words by which I know you will never call any one else. Bee and bird are my names, and mine only; but beauty and angel are names you have given or may give to a hundred others! Promise me, then, to address me only in your own language.”

“I promise, and lo, the seal to the promise. But tell me, Isora, do you not love these rare scents that make an Araby of this unmellowed clime? Do you not love the profusion of light which reflects so dazzling a lustre on that soft cheek; and those eyes which the ancient romancer* must have dreamed of when he wrote so prettily of ‘eyes that seemed a temple where love and beauty were married?’ Does not yon fruit take a more tempting hue, bedded as it is in those golden leaves? Does not sleep seem to hover with a downier wing over those sofas on which the limbs of a princess have been laid? In a word, is there not in luxury and in pomp a spell which no gentler or wiser mind would disdain?”

* Sir Philip Sydney, who, if we may judge from the number of quotations from his works scattered in this book, seems to have been an especial favourite with Count Devereux.—ED.

“It may be so!” said Isora, sighing; “but the splendour which surrounds us chills and almost terrifies me. I think that every proof of your wealth and rank puts me further from you: then, too, I have some remembrance of the green sod, and the silver rill, and the trees upon which the young winds sing and play; and I own that it is with the country, and not the town, that all my ideas of luxury are wed.”

“But the numerous attendants, the long row of liveried hirelings, through which you may pass, as through a lane, the caparisoned steeds, the stately equipage, the jewelled tiara, the costly robe which matrons imitate and envy, the music, which lulls you to sleep, the lighted show, the gorgeous stage,—all these, the attributes or gifts of wealth, all these that you have the right to hope you will one day or other command, you will own are what you could very reluctantly forego.”

“Do you think so, Morton? Ah, I wish you were of my humble temper: the more we limit and concentre happiness, the more certain, I think, we are of securing it; they who widen the circle encroach upon the boundaries of danger; and they who freight their wealth upon a hundred vessels are more liable, Morton, are they not? to the peril of the winds and the waves than they who venture it only upon one.”

“Admirably reasoned, my little sophist; but if the one ship sink?”

“Why, I would embark myself in it as well as my wealth, and should sink with it.”

“Well, well, Isora, your philosophy will, perhaps, soon be put to the test. I will talk to you to-morrow of business.”

“And why not to-night?”

“To-night, when I have just returned! No, to-night I will only talk to you of love!”

As may be supposed, Isora was readily reconciled to my change of circumstances; and indeed that sum which seemed poverty to me appeared positive wealth to her. But perhaps few men are by nature and inclination more luxurious and costly than myself; always accustomed to a profuse expenditure at my uncle’s, I fell insensibly and con amore, on my debut in London, into all the extravagances of the age. Sir William, pleased rather than discontented with my habits, especially as they were attended with some eclat, pressed upon me proofs of his generosity which, since I knew his wealth and considered myself his heir, I did not scruple to accept, and at the time of my return to London after