American library books » Fiction » The American by Henry James (free e reader txt) 📕

Read book online «The American by Henry James (free e reader txt) 📕».   Author   -   Henry James



1 ... 59 60 61 62 63 64 65 66 67 68
Go to page:
than the one he had brought. Everything was over, and he too at last could rest. He walked down through narrow, winding streets to the edge of the Seine again, and there he saw, close above him, the soft, vast towers of Notre Dame. He crossed one of the bridges and stood a moment in the empty place before the great cathedral; then he went in beneath the grossly-imaged portals. He wandered some distance up the nave and sat down in the splendid dimness. He sat a long time; he heard far-away bells chiming off, at long intervals, to the rest of the world. He was very tired; this was the best place he could be in. He said no prayers; he had no prayers to say. He had nothing to be thankful for, and he had nothing to ask; nothing to ask, because now he must take care of himself. But a great cathedral offers a very various hospitality, and Newman sat in his place, because while he was there he was out of the world. The most unpleasant thing that had ever happened to him had reached its formal conclusion, as it were; he could close the book and put it away. He leaned his head for a long time on the chair in front of him; when he took it up he felt that he was himself again. Somewhere in his mind, a tight knot seemed to have loosened. He thought of the Bellegardes; he had almost forgotten them. He remembered them as people he had meant to do something to. He gave a groan as he remembered what he had meant to do; he was annoyed at having meant to do it; the bottom, suddenly, had fallen out of his revenge. Whether it was Christian charity or unregenerate good nature—what it was, in the background of his soul—I don’t pretend to say; but Newman’s last thought was that of course he would let the Bellegardes go.

If he had spoken it aloud he would have said that he didn’t want to hurt them. He was ashamed of having wanted to hurt them. They had hurt him, but such things were really not his game. At last he got up and came out of the darkening church; not with the elastic step of a man who had won a victory or taken a resolve, but strolling soberly, like a good-natured man who is still a little ashamed.

Going home, he said to Mrs. Bread that he must trouble her to put back his things into the portmanteau she had unpacked the evening before. His gentle stewardess looked at him through eyes a trifle bedimmed. “Dear me, sir,” she exclaimed, “I thought you said that you were going to stay forever.”

“I meant that I was going to stay away forever,” said Newman kindly. And since his departure from Paris on the following day he has certainly not returned. The gilded apartments I have so often spoken of stand ready to receive him; but they serve only as a spacious residence for Mrs. Bread, who wanders eternally from room to room, adjusting the tassels of the curtains, and keeps her wages, which are regularly brought her by a banker’s clerk, in a great pink Sèvres vase on the drawing-room mantelshelf.

Late in the evening Newman went to Mrs. Tristram’s and found Tom Tristram by the domestic fireside. “I’m glad to see you back in Paris,” this gentleman declared. “You know it’s really the only place for a white man to live.” Mr. Tristram made his friend welcome, according to his own rosy light, and offered him a convenient résumé of the Franco-American gossip of the last six months. Then at last he got up and said he would go for half an hour to the club. “I suppose a man who has been for six months in California wants a little intellectual conversation. I’ll let my wife have a go at you.”

Newman shook hands heartily with his host, but did not ask him to remain; and then he relapsed into his place on the sofa, opposite to Mrs. Tristram. She presently asked him what he had done after leaving her. “Nothing particular,” said Newman.

“You struck me,” she rejoined, “as a man with a plot in his head. You looked as if you were bent on some sinister errand, and after you had left me I wondered whether I ought to have let you go.”

“I only went over to the other side of the river—to the Carmelites,” said Newman.

Mrs. Tristram looked at him a moment and smiled. “What did you do there? Try to scale the wall?”

“I did nothing. I looked at the place for a few minutes and then came away.”

Mrs. Tristram gave him a sympathetic glance. “You didn’t happen to meet M. de Bellegarde,” she asked, “staring hopelessly at the convent wall as well? I am told he takes his sister’s conduct very hard.”

“No, I didn’t meet him, I am happy to say,” Newman answered, after a pause.

“They are in the country,” Mrs. Tristram went on; “at—what is the name of the place?—Fleurières. They returned there at the time you left Paris and have been spending the year in extreme seclusion. The little marquise must enjoy it; I expect to hear that she has eloped with her daughter’s music-master!”

Newman was looking at the light wood-fire; but he listened to this with extreme interest. At last he spoke: “I mean never to mention the name of those people again, and I don’t want to hear anything more about them.” And then he took out his pocket-book and drew forth a scrap of paper. He looked at it an instant, then got up and stood by the fire. “I am going to burn them up,” he said. “I am glad to have you as a witness. There they go!” And he tossed the paper into the flame.

Mrs. Tristram sat with her embroidery needle suspended. “What is that paper?” she asked.

Newman leaning against the fireplace, stretched his arms and drew a longer breath than usual. Then after a moment, “I can tell you now,” he said. “It was a paper containing a secret of the Bellegardes—something which would damn them if it were known.”

Mrs. Tristram dropped her embroidery with a reproachful moan. “Ah, why didn’t you show it to me?”

“I thought of showing it to you—I thought of showing it to everyone. I thought of paying my debt to the Bellegardes that way. So I told them, and I frightened them. They have been staying in the country as you tell me, to keep out of the explosion. But I have given it up.”

Mrs. Tristram began to take slow stitches again. “Have you quite given it up?”

“Oh yes.”

“Is it very bad, this secret?”

“Yes, very bad.”

“For myself,” said Mrs. Tristram, “I am sorry you have given it up. I should have liked immensely to see your paper. They have wronged me too, you know, as your sponsor and guarantee, and it would have served for my revenge as well. How did you come into possession of your secret?”

“It’s a long story. But honestly, at any rate.”

“And they knew you were master of it?”

“Oh, I told them.”

“Dear me, how interesting!” cried Mrs. Tristram. “And you humbled them at your feet?”

Newman was silent a moment. “No, not at all. They pretended not to care—not to be afraid. But I know they did care—they were afraid.”

“Are you very sure?”

Newman stared a moment. “Yes, I’m sure.”

Mrs. Tristram resumed her slow stitches. “They defied you, eh?”

“Yes,” said Newman, “it was about that.”

“You tried by the threat of exposure to make them retract?” Mrs. Tristram pursued.

“Yes, but they wouldn’t. I gave them their choice, and they chose to take their chance of bluffing off the charge and convicting me of fraud. But they were frightened,” Newman added, “and I have had all the vengeance I want.”

“It is most provoking,” said Mrs. Tristram, “to hear you talk of the ‘charge’ when the charge is burnt up. Is it quite consumed?” she asked, glancing at the fire.

Newman assured her that there was nothing left of it. “Well then,” she said, “I suppose there is no harm in saying that you probably did not make them so very uncomfortable. My impression would be that since, as you say, they defied you, it was because they believed that, after all, you would never really come to the point. Their confidence, after counsel taken of each other, was not in their innocence, nor in their talent for bluffing things off; it was in your remarkable good nature! You see they were right.”

Newman instinctively turned to see if the little paper was in fact consumed; but there was nothing left of it.








End of the Project Gutenberg EBook of The American, by Henry James

*** END OF THIS PROJECT GUTENBERG EBOOK THE AMERICAN ***

***** This file should be named 177-h.htm or 177-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.net/1/7/177/

Produced by Pauline J. Iacono, John Hamm and David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  “Project Gutenberg” is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation (“the Foundation”
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a
1 ... 59 60 61 62 63 64 65 66 67 68
Go to page:

Free e-book: «The American by Henry James (free e reader txt) 📕»   -   read online now on website american library books (americanlibrarybooks.com)

Comments (0)

There are no comments yet. You can be the first!
Add a comment