Only a Girl's Love by Charles Garvice (the rosie project TXT) 📕

must go on as if I had never dropped from the clouds to be a burden upon you."

"My child!" he murmured, reproachfully.

"Or to make you uncomfortable. I could not bear that, uncle."

"No, no!" he said, "I will alter nothing, Stella; we will be happy, you and I."

"Very happy," she murmured, softly.

He wandered to the window, and stood looking out; and, unseen by him, she drew a chair up and cleared it of the litter, and unconsciously he sat down.

Then she glided to and fro, wandering round the room noiselessly, looking at the curious lumber, and instinctively picking up the books and putting them in something like order on the almost empty shelves.

Every now and then she took up one of the pictures which stood with their faces to the wall, and her gaze would wander from it to the painter sitting in the moonlight, his white hair falling on his shoulders, his thin, nervous hands clasped on his knee.

She, who had spent her life in the most artistic city of the world, knew that he was a great painter, and, child-woman as she was, wondered why the world permitted him to remain unknown and unnoticed. She had yet to learn that he cared as little for fame as he did for wealth, and to be allowed to live for[9] his art and dream in peace was all he asked from the world in which he lived but in which he took no part. Presently she came back to the window, and stood beside him; he started slightly and put out his hand, and she put her thin white one into it. The moon rose higher in the heavens, and the old man raised his other hand and pointed to it in silence.

As he did so, Stella saw glide into the scene—as it was touched by the moonbeams—a large white building rearing above the trees on the hill-top, and she uttered an exclamation of surprise.

"What house is that, uncle? I had no idea one was there until this moment!"

"That is Wyndward Hall, Stella," he replied, dreamily; "it was hidden by the shadow and the clouds."

"What a grand place!" she murmured. "Who lives there uncle?"

"The Wyndwards," he answered, in the same musing tone, "the Wyndwards. They have lived there for hundreds of years, Stella. Yes, it is a grand place."

"We should call it a palace in Italy, uncle."

"It is a palace in England, but we are more modest. They are contented to call it the Hall. An old place and an old race."

"Tell me about them," she said, quietly. "Do you know them—are they friends of yours?"

"I know them. Yes, they are friends, as far as there be any friendship between a poor painter and the Lord of Wyndward. Yes, we are friends; they call them proud, but they are not too proud to ask James Etheridge to dinner occasionally; and they accuse him of pride because he declines to break the stillness of his life by accepting their hospitality. Look to the left there, Stella. As far as you can see stretch the lands of Wyndward—they run for miles between the hills there."

"They have some reason to be proud," she murmured, with a smile. "But I like them because they are kind to you."

He nodded.

"Yes, the earl would be more than kind, I think——"

"The earl?"

"Yes, Lord Wyndward, the head of the family; the Lord of Wyndward they call him. They have all been called Lords of Wyndward by the people here, who look up to them as if they were something more than human."

"And does he live there alone?" she asked, gazing at the gray stone mansion glistening in the moonlight.

"No, there is a Lady Wyndward, and a daughter—poor girl."

"Why do you say poor girl?" asked Stella.

"Because all the wealth of the race would not make her otherwise than an object of tender pity. She is an invalid; you see that window—the one with the light in it?"

"Yes," Stella said.

"That is the window of her room; she lies there on a sofa, looking down the valley all the day!"

[10]

CHAPTER II.

"Poor girl!" murmured Stella. There was silence for a moment. "And those three live there all alone?" she said.

"Not always," he replied, musingly. "Sometimes, not often, the son Leycester comes down. He is Viscount Trevor."

"The son," said Stella. "And what is he like?"

The question seemed to set some train of thought in action; the old man relapsed into silence for a few minutes. Then suddenly but gently he rose, and going to the other end of the room, fetched a picture from amongst several standing against the wall, and held it toward her.

"That is Lord Leycester," he said.

Stella took the canvas in her hand, and held it to the light, and an exclamation broke involuntarily from her lips.

"How beautiful he is!"

The old man took the picture from her, and resting it on his knees, gazed at it musingly.

"Yes," he said, "it is a grand face; one does not see such a face often."

Stella leant over the chair and looked at it with a strange feeling of interest and curiosity, such as no simply beautiful picture would have aroused.

It was not the regularity of the face, with its clear-cut features and its rippling chestnut hair, that, had it been worn by a Wyndward of a hundred years ago, would have fallen in rich curls upon the square, well-formed shoulders. It was not the beauty of the face, but a something indefinable in the carriage of the head and the expression of the full, dark eyes that attracted, almost fascinated, her.

It was in a voice almost hushed by the indescribable effect produced by the face, that she said:

"And he is like that?"

"It is lifelike," he answered. "I, who painted it, should not say it, but it is like him nevertheless—that is Leycester Wyndward. Why did you ask?"

Stella hesitated.

"Because—I scarcely know. It is such a strange face, uncle. The eyes—what is it in the eyes that makes me almost unable to look away from them?"

"The reflection of a man's soul, Stella," he said.

It was a strange answer, and the girl looked down at the strange face interrogatively.

"The reflection of a man's soul, Stella. The Wyndwards have always been a wild, reckless, passionate race; here, in this village, they have innumerable legends of the daring deeds of the lords of Wyndward. Murder, rapine, and high-handed tyranny in the olden times, wild license and desperate profligacy in these modern ones; but of all the race this Leycester Wyndward is the wildest and most heedless. Look at him, Stella, you see him here in his loose shooting-jacket, built by Poole; with the diamond pin in his irreproachable scarf, with his hair cut to the regulation length: I see him in armor with his sword upraised[11] to watch the passionate fire of his eyes. There is a picture in the great gallery up yonder of one of the Wyndwards clad just so, in armor of glittering steel, with one foot on the body of a prostrate foe, one hand upraised to strike the death-dealing blow of his battle-ax. Yes, Leycester Wyndward should have lived four centuries back."

Stella smiled.

"Has he committed many murders, uncle, burnt down many villages?"

The old man started and looked up at the exquisite face, with its arch smile beaming in the dark eyes and curving the red, ripe lips, and smiled in response.

"I was dreaming, Stella; an odd trick of mine. No, men of his stamp are sadly circumscribed nowadays. We have left them no vent for their natures now, excepting the gambling-table, the turf, and——" he roused suddenly. "Yes, it's a beautiful face, Stella, but it belongs to a man who has done more harm in his day than all his forefathers did before him. It is rather a good thing that Wyndward Hall stands so firmly, or else Leycester would have melted it at ecarte and baccarat long ago."

"Is he so bad then?" murmured Stella.

Her uncle smiled.

"Bad is a mild word, Stella; and yet—look at the face again. I have seen it softened by a smile such as might have been worn by an innocent child; I have heard those lips laugh as—as women are supposed to laugh before this world has driven all laughter out of them; and when those eyes smile there is no resisting them for man or woman."

He stopped suddenly and looked up.

"I am wandering on like an old mill. Put the picture away, Stella."

She took it from him and carried it across the room, but stood for a moment silently regarding it by the lamp light. As she did so, a strange fancy made her start and set the picture on the table suddenly. It seemed to her as if the dark eyes had suddenly softened in their intense fixed gaze and smiled at her.

It was the trick of a warm, imaginative temperament, and it took possession of her so completely that with a swift gesture she laid her hand over the dark eyes and so hid them.

Then, with a laugh at her own folly, she put the picture against the wall and went back to the window and sat beside the old man.

"Tell me about your past life, Stella," he said, in a low voice.

"It seems to me as if you had always been here. You have a quiet way of speaking and moving about, child."

"I learnt that while papa was ill," she said, simply. "Sometimes he would sit for hours playing softly, and I did not wish to disturb him."

"I remember, I remember," he murmured. "Stella, the world should have known something of him; he was a born musician."

"He used to say the same of you, uncle; you should have been a famous artist."

[12]

The old man looked up with a smile.

"My child, there are many men whom the world knows nothing of—luckily for them. Your father and I were dreamers, both; the world likes men of action. Can you play?"

She rose and stood for a moment hesitating. In the corner of the room there was a small chamber organ—one of those wonderful instruments which in a small space combine the grand tones of a cathedral organ with the melodious softness of a flute. It was one of the few luxuries which the artist had permitted himself, and he was in the habit of playing snatches of Verdi and Rossini, of Schubert and Mozart, when the fading light compelled him to lay the brush aside.

Stella went up to it softly and seated herself, and presently began to play. She attempted no difficult fugue or brilliant march, but played a simple Florentine vesper hymn, which she had heard floating from the devout lips of the women kneeling before the altar of the great church in Florence, and presently began to sing it.

The old man started as the first clear bird-like notes rose softly upon the evening air, and then covering his face with his hands went straight to dreamland.

The vesper hymn died softly, slowly out, and she rose, but with a gesture of his hand he motioned her to remain at the organ.

"You have your father's voice, Stella; sing again."

She sang a pleasant ditty this time, with a touch of pathos in the refrain, and hearing a slight noise as she finished, looked round, and saw the old man rise, and with quivering lips turn toward the door.

The young girl's sweet voice had brought back the past and its dead too plainly, and he had gone out lest she should see his emotion.

Stella rose and went to the window, and stood looking into the night. The moonlight was glinting the river in the distance, and falling in great masses upon the lawn at her feet. Half unconsciously she opened the window, and stepping out, found herself in a small garden, beautifully kept and fragrant with violets; her love for flowers was a passion, and she stepped on to the path in search of them. The path led in zigzag fashion to a little wooden gate, by which the garden was entered from the lane. Stella found some violets, and looking about in search of further treasure store, saw a bunch of lilac blossom growing in the lane side.

To open the gate and run lightly up the side of the bank was the impulse of the moment, and she obeyed it; there were still deeper masses of flowers a little further down, and she was walking toward them when she heard the sound of a horse galloping toward her.

For a moment she was so startled by the unexpected sound that she stood looking toward the direction whence it came, and in that moment a horse and rider turned the corner and made full pelt for the spot where she was standing. Stella glanced back toward the little white gate to discover that it was