London Pride, Or, When the World Was Younger by M. E. Braddon (fiction books to read .TXT) 📕

only once in her life, she would like to see London—the King, the two Queens, Whitehall, and Somerset House. She would like to see all the splendour of Court and city; and then to taste the placid retirement of the house in the valley, and to be her father's housekeeper and companion.

Another letter from Hyacinth announced the death of Mazarin.

"The Cardinal is no more. He died in the day of success, having got the better of all his enemies. A violent access of gout was followed by an affection of the chest which proved fatal. His sick-room was crowded with courtiers and sycophants, and he was selling sinecures up to the day of his death. Fareham says his death-bed was like a money-changer's counter. He was passionately fond of hocca, the Italian game which he brought into fashion, and which ruined half the young men about the Court. The counterpane was scattered with money and playing cards, which were only brushed aside to make room for the last Sacraments. My Lord Clarendon declares that his spirits never recovered from the shock of his Majesty's restoration, which falsified all his calculations. He might have made his favourite niece Queen of England; but his Italian caution restrained him, and the beautiful Hortense has to put up with a new-made duke—a title bought with her uncle's money—to whom the Cardinal affianced her on his death-bed. He was a remarkable man, and so profound a dissembler that his pretended opposition to King Louis' marriage with his niece Olympe Mancini would have deceived the shrewdest observer, had we not all known that he ardently desired the union, and that it was only his fear of Queen Anne's anger which prevented it. Her Spanish pride was in arms at the notion, and she would not have stopped short at revolution to prevent or to revenge such an alliance.

"This was perhaps the only occasion upon which she ever seriously opposed Mazarin. With him expires all her political power. She is now as much a cypher as in the time of the late King, when France had only one master, the great Cardinal. He who is just dead, Fareham says, was but a little Richelieu; and he recalls how when the great Cardinal died people scarce dared tell one another of his death, so profound was the awe in which he was held. He left the King a nullity, and the Queen all powerful. She was young and beautiful then, you see; her husband was marked for death, her son was an infant. All France was hers—a kingdom of courtiers and flatterers. And now she is old and ailing; and Mazarin being gone, the young King will submit to no minister who claims to be anything better than a clerk or a secretary. Colbert he must tolerate—for Colbert means prosperity—but Colbert will have to obey. My friend, the Duchesse de Longueville, who is now living in strict retirement, writes me the most exquisite letters; and from her I hear all that happens in that country which I sometimes fancy is more my own than the duller climate where my lot is now cast. Fifteen years at the French Court have made me in heart and mind almost a Frenchwoman; nor can I fail to be influenced by my maternal ancestry. I find it difficult sometimes to remember my English, when conversing with the clod-hoppers of Oxfordshire, who have no French, yet insist, for finery's sake, upon larding their rustic English with French words.

"All that is most agreeable in our court is imitated from the Palais Royal and the Louvre.

"'Whitehall is but the shadow of a shadow,' says Fareham, in one of his philosophy fits, preaching upon the changes he has seen in Paris and London. And, indeed, it is strange to have lived through two revolutions, one so awful in its final catastrophe that it dwarfs the other, yet both terrible; for I, who was a witness of the sufferings of Princes and Princesses during the two wars of the Fronde, am not inclined to think lightly of a civil war which cost France some of the flower of her nobility, and made her greatest hero a prisoner and an exile for seven years of his life.

"But oh, my dear, it was a romantic time! and I look back and am proud to have lived in it. I was but twelve years old at the siege of Paris; but I was in Madame de Longueville's room, at the Hôtel de Ville, while the fighting was going on, and the officers, in their steel cuirasses, coming in from the thick of the strife. Such a confusion of fine ladies and armed men—breast-plates and blue scarves—fiddles squeaking in the salon, trumpets sounding in the square below!"

* * * * *

In a letter of later date Lady Fareham expatiated upon the folly of her sister's spiritual guides.

"I am desolated, ma mie, by the absurd restriction which forbids you to profit by my New Year's gift. I thought, when I sent you all the volumes of la Scudèry's enchanting romance, I had laid up for you a year of enjoyment, and that, touched by the baguette of that exquisite fancy, your convent walls would fall, like those of Jericho at the sound of Jewish trumpets, and you would be transported in imagination to the finest society in the world—the company of Cyrus and Mandane—under which Oriental disguise you are shown every feature of mind and person in Condé and his heroic sister, my esteemed friend, the Duchesse de Longueville. As I was one of the first to appreciate Mademoiselle Scudèry's genius, and to detect behind the name of the brother the tender sentiments and delicate refinement of the sister's chaster pen, so I believe I was the first to call the Duchesse 'Mandane,' a sobriquet which soon became general among her intimates.

"You are not to read 'Le Grand Cyrus," your aunt tells you, because it is a romance! That is to say, you are forbidden to peruse the most faithful history of your own time, and to familiarise yourself with the persons and minds of great people whom you may never be so fortunate as to meet in the flesh. I myself, dearest Ange, have had the felicity to live among these princely persons, to revel in the conversations of the Hôtel de Rambouillet—not, perhaps, as our grandmother would have told you, in its most glorious period—but at least while it was still the focus of all that is choicest in letters and in art. Did we not hear M. Poquelin read his first comedy before it was represented by Monsieur's company in the beautiful theatre at the Palais Royal, built by Richelieu, when it was the Palais Cardinal? Not read 'Le Grand Cyrus,' and on the score of morality! Why, this most delightful book was written by one of the most moral women in Paris—one of the chastest—against whose reputation no word of slander has ever been breathed! It must, indeed, be confessed that Sapho is of an ugliness which would protect her even were she not guarded by the aegis of genius. She is one of those fortunate unfortunates who can walk through the furnace of a Court unscathed, and leave a reputation for modesty in an age that scarce credits virtue in woman.

"I fear, dear child, that these narrow-minded restrictions of your convent will leave you of a surpassing ignorance, which may cover you with confusion when you find yourself in fine company. There are accomplishments without which youth is no more admired than age and grey hairs; and to sparkle with wit or astonish with learning is a necessity for a woman of quality. It is only by the advantages of education that we can show ourselves superior to such a hussy as Albemarle's gutter-bred duchess, who was the faithless wife of a sailor or barber—I forget which—and who hangs like a millstone upon the General's neck now that he has climbed to the zenith. To have perfect Italian and some Spanish is as needful as to have fine eyes and complexion nowadays. And to dance admirably is a gift indispensable to a lady. Alas! I fear that those little feet of yours—I hope they are small—have never been taught to move in a coranto or a contre-danse, and that you will have to learn the alphabet of dancing at an age when most women are finished performers. The great Condé, while winning sieges and battles that surpassed the feats of Greeks and Romans, contrived to make himself the finest dancer of his day, and won more admiration in high-bred circles by his graceful movements, which every one could understand and admire, than by prodigies of valour at Dunkirk or Nordlingen."

The above was one of Lady Fareham's most serious letters. Her pen was exercised, for the most part, in a lighter vein. She wrote of the Court beauties, the Court jests—practical jokes some of them, which our finer minds of to-day would consider in execrable taste—such jests as we read of in Grammont's memoirs, which generally aimed at making an ugly woman ridiculous, or an injured husband the sport and victim of wicked lover and heartless wife. No sense of the fitness of things constrained her ladyship from communicating these Court scandals to her guileless sister. Did they not comprise the only news worth anybody's attention, and relate to the only class of people who had any tangible existence for Lady Fareham? There were millions of human beings, no doubt, living and acting and suffering on the surface of the earth, outside the stellary circles of which Louis and Charles were the suns; but there was no interstellar medium of sympathy to convey the idea of those exterior populations to Hyacinth's mind. She knew of the populace, French or English, as of something which was occasionally given to become dangerous and revolutionary, which sometimes starved and sometimes died of the plague, and was always unpleasing to the educated eye.

Masquerades, plays, races at Newmarket, dances, duels, losses at cards—Lady Fareham touched every subject, and expatiated on all; but she had usually more to tell of the country she had left than of that in which she was living.

"Here everything is on such a small scale, si mesquin!" she wrote. "Whitehall covers a large area, but it is only a fine banqueting hall and a labyrinth of lodgings, without suite or stateliness. The pictures in the late King's cabinet are said to be the finest in the world, but they are a kind of pieces for which I care very little—Flemish and Dutch chiefly—with a series of cartoons by Raphael, which connoisseurs affect to admire, but which, did they belong to me, I would gladly exchange for a set of Mortlake tapestries.

"His Majesty here builds ships, while the King of France builds palaces. I am told Louis is spending millions on the new palace at Versailles, an ungrateful site—no water, no noble prospect as at St. Germain, no population. The King likes the spot all the better, Madame tells me, because he has to create his own landscape, to conjure lakes and cataracts out of dry ground. The buildings have been but two years in progress, and it must be long before these colossal foundations are crowned with the edifice which Louis and his architect, Mansart, have planned. Colbert is furious at this squandering of vast sums on a provincial palace, while the Louvre, the birthplace and home of dynasties, remains unfinished.

"The King's reason for disliking St. Germain—a château his mother has always loved—has in it something childish and fantastic, if, as my dear duchess declares, he hates the place only because he can see the towers of St. Denis from the terrace, and is thus hourly reminded of death and the grave. I can hardly believe that a being of such superior intelligence could be governed by any such horror of man's inevitable end. I would far sooner attribute the vast expenditure of Versailles to the common love of monarchs and great men for building houses too large for their necessities. Indeed, it was but yesterday that Fareham took me to see the palace—for I can call it by no meaner name—that Lord Clarendon is building for himself in the open country at the top of St. James's Street. It promises to be the finest house in town, and, although not covering so much ground as Whitehall, is judged far superior to that inchoate mass in its fine proportions and the perfect symmetry of its saloons and galleries. There is a garden a-making, projected by Mr. Evelyn, a great authority on