The Vicomte De Bragelonne by Alexandre Dumas (each kindness read aloud TXT) 📕

Whilst the Comte de la Fere with Raoul visits the new buildings he has erected, and the new horses he has bought, with the reader's permission we will lead him back to the city of Blois, and make him a witness of the unaccustomed activity which pervades that city.

It was in the hotels that the surprise of the news brought by Raoul was most sensibly felt.

In fact, the king and the court at Blois, that is to say, a hundred horsemen, ten carriages, two hundred horses, as many lackeys as masters--where was this crowd to be housed? Where were to be lodged all the gentry of the neighborhood, who would gather in two or three hours after the news had enlarged the circle of its report, like the increasing circumferences produced by a stone thrown into a placid lake?

Blois, as peaceful in the morning, as we have seen, as the calmest lake in the world, at the announcement of the royal arrival, was suddenly filled with the tumult and buzzing of a swarm of bees.

All the servants of the castle, under the inspection of the officers, were sent into the city in quest of provisions, and ten horsemen were dispatched to the preserves of Chambord to seek for game, to the fisheries of Beuvron for fish, and to the gardens of Cheverny for fruits and flowers.

Precious tapestries, and lusters with great gilt chains, were drawn from the cupboards; an army of the poor were engaged in sweeping the courts and washing the stone fronts, whilst their wives went in droves to the meadows beyond the Loire, to gather green boughs and field-flowers. The whole city, not to be behind in this luxury of cleanliness, assumed its best toilette with the help of brushes, brooms, and water. The gutters of the upper town, swollen by these continued ablutions, became rivers at the bottom of the city, and the pavement, generally very muddy, it must be allowed, took a clean face, and absolutely shone in the friendly rays of the sun.

Next the music was to be provided; drawers were emptied; the shop-keepers did a glorious trade in wax, ribbons, and sword-knots; housekeepers laid in stores of bread, meat, and spices. Already numbers of the citizens whose houses were furnished as if for a siege, having nothing more to do, donned their festive clothes, and directed their course towards the city gate, in order to be the first to signal or see the cortege. They knew very well that the king would not arrive before night, perhaps not before the next morning. Yet what is expectation but a kind of folly, and what is that folly but an excess of hope?

In the lower city, at scarcely a hundred paces from the Castle of the States, between the mall and the castle, in a sufficiently handsome street, then called the Rue Vieille, and which must, in fact, have been very old, stood a venerable edifice, with pointed gables, of squat but large dimensions, ornamented with three windows looking into the street on the first floor, with two in the second, and with a little oeil de boeuf in the third.

On the sides of this triangle had recently been constructed a parallelogram of considerable size, which encroached upon the street remorselessly, according to the familiar uses of the building of that period. The street was narrowed by a quarter by it, but then the house was enlarged by a half; and was not that a sufficient compensation?

Tradition said that this house with the pointed gables was inhabited, in the time of Henry III., by a councilor of state whom Queen Catherine came, some say to visit, and others to strangle. However that may be, the good lady must have stepped with a circumspect foot over the threshold of this building.

After the councilor had died--whether by strangulation or naturally is of no consequence--the house had been sold, then abandoned, and lastly isolated from the other houses of the street. Towards the middle of the reign of Louis XIII. only, an Italian named Cropoli, escaped from the kitchens of the Marechal d'Ancre, came and took possession of this house. There he established a little hostelry, in which was fabricated a macaroni so delicious that people came from miles round to fetch it or eat it.

So famous had the house become for it, that when Mary de Medici was a prisoner, as we know, in the castle of Blois, she once sent for some.

It was precisely on the day she had escaped by the famous window. The dish of macaroni was left upon the table, only just tasted by the royal mouth.

This double favor, of a strangulation and a macaroni, conferred upon the triangular house, gave poor Cropoli a fancy to grace his hostelry with a pompous title. But his quality of an Italian was no recommendation in these times, and his small, well-concealed fortune forbade attracting too much attention.

When he found himself about to die, which happened in 1643, just after the death of Louis XIII., he called to him his son, a young cook of great promise, and with tears in his eyes, he recommended him to preserve carefully the secret of the macaroni, to Frenchify his name, and at length, when the political horizon should be cleared from the clouds which obscured it--this was practiced then as in our day, to order of the nearest smith a handsome sign, upon which a famous painter, whom he named, should design two queens' portraits, with these words as a legend: "TO THE MEDICI."

The worthy Cropoli, after these recommendations, had only sufficient time to point out to his young successor a chimney, under the slab of which he had hidden a thousand ten-franc pieces, and then expired.

Cropoli the younger, like a man of good heart, supported the loss with resignation, and the gain without insolence. He began by accustoming the public to sound the final i of his name so little, that by the aid of general complaisance, he was soon called nothing but M. Cropole, which is quite a French name. He then married, having had in his eye a little French girl, from whose parents he extorted a reasonable dowry by showing them what there was beneath the slab of the chimney.

These two points accomplished, he went in search of the painter who was to paint the sign; and he was soon found. He was an old Italian, a rival of the Raphaels and the Caracci, but an unfortunate rival. He said he was of the Venetian school, doubtless from his fondness for color. His works, of which he had never sold one, attracted the eye at a distance of a hundred paces; but they