The Circular Study by Anna Katharine Green (ebook offline .txt) 📕

me. How came I to hear this man's cries in Mr. Adams's study, and yet find him on the second floor when I came to search the house? He had not time to mount the stairs while I was passing down the hall."

"It is a case of mistaken impression. Your ears played you false. The cries came from above, not from Mr. Adams's study."

"My ears are not accustomed to play me tricks. You must seek another explanation."

"I have ransacked the house; there are no back stairs."

"If there were, the study does not communicate with them."

"And you heard his voice in the study?"

"Plainly."

"Well, you have given me a poser, madam."

"And I will give you another. If he was the perpetrator of this crime, how comes it that he was not detected and denounced by the young people I saw going out? If, on the contrary, he was simply the witness of another man's blow—a blow which horrified him so much that it unseated his reason—how comes it that he was able to slide away from the door where he must have stood without attracting the attention and bringing down upon himself the vengeance of the guilty murderer?"

"He may be one of the noiseless kind, or, rather, may have been such before this shock unsettled his mind."

"True, but he would have been seen. Recall the position of the doorway. If Mr. Adams fell where he was struck, the assailant must have had that door directly before him. He could not have helped seeing any one standing in it."

"That is true; your observations are quite correct. But those young people were in a disordered state of mind. The condition in which they issued from the house proves this. They probably did not trouble themselves about this man. Escape was all they sought. And, you see, they did escape."

"But you will find them. A man who can locate a woman in this great city of ours with no other clew than five spangles, dropped from her gown, will certainly make this parasol tell the name of its owner."

"Ah, madam, the credit of this feat is not due to me. It was the initial stroke of a young man I propose to adopt into my home and heart; the same who brought you here to-night. Not much to look at, madam, but promising, very promising. But I doubt if even he can discover the young lady you mean, with no other aid than is given by this parasol. New York is a big place, ma'am, a big place. Do you know how Sweetwater came to find you? Through your virtues, ma'am; through your neat and methodical habits. Had you been of a careless turn of mind and not given to mending your dresses when you tore them, he might have worn his heart out in a vain search for the lady who had dropped the five spangles in Mr. Adams's study. Now luck, or, rather, your own commendable habit, was in his favor this time; but in the prospective search you mentioned, he will probably have no such assistance."

"Nor will he need it. I have unbounded faith in your genius, which, after all, is back of the skilfulness of this new pupil of yours. You will discover by some means the lady with the dove-colored plumes, and through her the young gentleman who accompanied her."

"We shall at least put our energies to work in that direction. Sweetwater may have an idea——"

"And I may have one."

"You?"

"Yes; I indulged in but little sleep last night. That dreadful room with its unsolved mystery was ever before me. Thoughts would come; possibilities would suggest themselves. I imagined myself probing its secrets to the bottom and——"

"Wait, madam; how many of its so-called secrets do you know? You said nothing about the lantern."

"It was burning with a red light when I entered."

"You did not touch the buttons arranged along the table top?"

"No; if there is one thing I do not touch, it is anything which suggests an electrical contrivance. I am intensely feminine, sir, in all my instincts, and mechanisms of any kind alarm me. To all such things I give a wide berth. I have not even a telephone in my house. Some allowance must be made for the natural timidity of woman."

Mr. Gryce suppressed a smile. "It is a pity," he remarked. "Had you brought another light upon the scene, you might have been blessed with an idea on a subject that is as puzzling as any connected with the whole affair."

"You have not heard what I have to say on a still more important matter," said she. "When we have exhausted the one topic, we may both feel like turning on the fresh lights you speak of. Mr. Gryce, on what does this mystery hinge? On the bit of writing which these young people were so alarmed at having left behind them."

"Ah! It is from that you would work! Well, it is a good point to start from. But we have found no such bit of writing."

"Have you searched for it? You did not know till now that any importance might be attached to a morsel of paper with some half-dozen words written on it."

"True, but a detective searches just the same. We ransacked that room as few rooms have been ransacked in years. Not for a known clew, but for an unknown one. It seemed necessary in the first place to learn who this man was. His papers were consequently examined. But they told nothing. If there had been a scrap of writing within view or in his desk——"

"It was not on his person? You had his pockets searched, his clothes——"

"A man who has died from violence is always searched, madam. I leave no stone unturned in a mysterious case like this."

Miss Butterworth's face assumed an indefinable expression of satisfaction, which did not escape Mr. Gryce's eye, though that member was fixed, according to his old habit, on the miniature of her father which she wore, in defiance of fashion, at her throat.

"I wonder," said she, in a musing tone, "if I imagined or really saw on Mr. Adams's face a most extraordinary expression; something more than the surprise or anguish following a mortal blow? A look of determination, arguing some superhuman resolve taken at the moment of death, or—can you read that face for me? Or did you fail to perceive aught of what I say? It would really be an aid to me at this moment to know."

"I noted that look. It was not a common one. But I cannot read it for you——"

"I wonder if the young man you call Sweetwater can. I certainly think it has a decided bearing on this mystery; such a fold to the lips, such a look of mingled grief and—what was that you said? Sweetwater has not been admitted to the room of death? Well, well, I shall have to make my own suggestion, then. I shall have to part with an idea that may be totally valueless, but which has impressed me so that it must out, if I am to have any peace to-night. Mr. Gryce, allow me to whisper in your ear. Some things lose force when spoken aloud."

And leaning forward, she breathed a short sentence into his ear which made him start and regard her with an amazement which rapidly grew into admiration.

"Madam!" he cried, rising up that he might the better honor her with one of his low bows, "your idea, whether valueless or not, is one which is worthy of the acute lady who proffers it. We will act on it, ma'am, act at once. Wait till I have given my orders. I will not keep you long."

And with another bow, he left the room.

CHAPTER VII. AMOS'S SON.

Miss Butterworth had been brought up in a strict school of manners. When she sat, she sat still; when she moved, she moved quickly, firmly, but with no unnecessary disturbance. Fidgets were unknown to her. Yet when she found herself alone after this interview, it was with difficulty she could restrain herself from indulging in some of those outward manifestations of uneasiness which she had all her life reprobated in the more nervous members of her own sex. She was anxious, and she showed it, like the sensible woman she was, and was glad enough when Mr. Gryce finally returned and, accosting her with a smile, said almost gayly:

"Well, that is seen to! And all we have to do now is to await the result. Madam, have you any further ideas? If so, I should be glad to have the benefit of them."

Her self-possession was at once restored.

"You would?" she repeated, eying him somewhat doubtfully. "I should like to be assured of the value of the one I have already advanced, before I venture upon another. Let us enter into a conference instead; compare notes; tell, for instance, why neither of us look on Bartow as the guilty man."

"I thought we had exhausted that topic. Your suspicions were aroused by the young couple you saw leaving the house, while mine—well, madam, to you, at least, I may admit that there is something in the mute's gestures and general manner which conveys to my mind the impression that he is engaged in rehearsing something he has seen, rather than something he has done; and as yet I have seen no reason for doubting the truth of this impression."

"I was affected in the same way, and would have been, even if I had not already had my suspicions turned in another direction. Besides, it is more natural for a man to be driven insane by another's act than by his own."

"Yes, if he loved the victim."

"And did not Bartow?"

"He does not mourn Mr. Adams."

"But he is no longer master of his emotions."

"Very true; but if we take any of his actions as a clew to the situation, we must take all. We believe from his gestures that he is giving us a literal copy of acts he has seen performed. Then, why pass over the gleam of infernal joy that lights his face after the whole is over? It is as if he rejoiced over the deed, or at least found immeasurable satisfaction in it."

"Perhaps it is still a copy of what he saw; the murderer may have rejoiced. But no, there was no joy in the face of the young man I saw rushing away from this scene of violence. Quite the contrary. Mr. Gryce, we are in deep waters. I feel myself wellnigh submerged by them."

"Hold up your head, madam. Every flood has its ebb. If you allow yourself to go under, what will become of me?"

"You are disposed to humor, Mr. Gryce. It is a good sign. You are never humorous when perplexed. Somewhere you must see daylight."

"Let us proceed with our argument. Illumination frequently comes from the most unexpected quarter."

"Very well, then, let us put the old man's joy down as one of the mysteries to be explained later. Have you thought of him as a possible accomplice?"

"Certainly; but this supposition is open to the same objection as that which made him the motive power in this murder. One is not driven insane by an expected horror. It takes shock to unsettle the brain. He was not looking for the death of his master."

"True. We may consider that matter as settled. Bartow was an innocent witness of this crime, and, having nothing to fear, may be trusted to reproduce in his pantomimic action its exact features."

"Very good. Continue, madam. Nothing but profit is likely to follow an argument presented by Miss Butterworth."

The old detective's tone was serious, his manner perfect; but Miss Butterworth, ever on the look-out for sarcasm from his lips, bridled a little, though in no other way did she show her displeasure.

"Let us, then, recall his precise gestures, remembering that he must have surprised the assailant from the study doorway, and so have seen the assault from over his master's shoulder."

"In other words, directly in front of him. Now what was his first move?"

"His first move, as now seen, is to raise his right arm and stretch it behind him, while he leans forward for the imaginary dagger. What does that mean?"

"I should find it hard to say. But I did not see him do that. When I came upon him, he was thrusting with his left hand across his own body—a vicious thrust and with his left hand. That is a point, Mr. Gryce."

"Yes, especially as the doctors agree that Mr. Adams was killed by a left-handed blow."

"You don't say! Don't you see the difficulty, then?"

"The difficulty, madam?"

"Bartow was standing face to face with the assailant. In imitating him, especially in his unreasoning state of mind, he would lift the arm opposite