The Last Man by Mary Wollstonecraft Shelley (most romantic novels .TXT) 📕

my aching heart, by even now taking an interest in what in my youth I had ardently longed to see. Every part of Rome is replete with relics of ancient times. The meanest streets are strewed with truncated columns, broken capitals—Corinthian and Ionic, and sparkling fragments of granite or porphyry. The walls of the most penurious dwellings enclose a fluted pillar or ponderous stone, which once made part of the palace of the Cæsars; and the voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man.

I embraced the vast columns of the temple of Jupiter Stator, which survives in the open space that was the Forum, and leaning my burning cheek against its cold durability, I tried to lose the sense of present misery and present desertion, by recalling to the haunted cell of my brain vivid memories of times gone by. I rejoiced at my success, as I figured Camillus, the Gracchi, Cato, and last the heroes of Tacitus, which shine meteors of surpassing brightness during the murky night of the empire;—as the verses of Horace and Virgil, or the glowing periods of Cicero thronged into the opened gates of my mind, I felt myself exalted by long forgotten enthusiasm. I was delighted to know that I beheld the scene which they beheld—the scene which their wives and mothers, and crowds of the unnamed witnessed, while at the same time they honoured, applauded, or wept for these matchless specimens of humanity. At length, then, I had found a consolation. I had not vainly sought the storied precincts of Rome—I had discovered a medicine for my many and vital wounds.

I sat at the foot of these vast columns. The Coliseum, whose naked ruin is robed by nature in a verdurous and glowing veil, lay in the sunlight on my right. Not far off, to the left, was the Tower of the Capitol. Triumphal arches, the falling walls of many temples, strewed the ground at my feet. I strove, I resolved, to force myself to see the Plebeian multitude and lofty Patrician forms congregated around; and, as the Diorama of ages passed across my subdued fancy, they were replaced by the modern Roman; the Pope, in his white stole, distributing benedictions to the kneeling worshippers; the friar in his cowl; the dark-eyed girl, veiled by her mezzera; the noisy, sun-burnt rustic, leading his herd of buffaloes and oxen to the Campo Vaccino. The romance with which, dipping our pencils in the rainbow hues of sky and transcendent nature, we to a degree gratuitously endow the Italians, replaced the solemn grandeur of antiquity. I remembered the dark monk, and floating figures of “The Italian,” and how my boyish blood had thrilled at the description. I called to mind Corinna ascending the Capitol to be crowned, and, passing from the heroine to the author, reflected how the Enchantress Spirit of Rome held sovereign sway over the minds of the imaginative, until it rested on me—sole remaining spectator of its wonders.

I was long wrapt by such ideas; but the soul wearies of a pauseless flight; and, stooping from its wheeling circuits round and round this spot, suddenly it fell ten thousand fathom deep, into the abyss of the present— into self-knowledge—into tenfold sadness. I roused myself—I cast off my waking dreams; and I, who just now could almost hear the shouts of the Roman throng, and was hustled by countless multitudes, now beheld the desart ruins of Rome sleeping under its own blue sky; the shadows lay tranquilly on the ground; sheep were grazing untended on the Palatine, and a buffalo stalked down the Sacred Way that led to the Capitol. I was alone in the Forum; alone in Rome; alone in the world. Would not one living man —one companion in my weary solitude, be worth all the glory and remembered power of this time-honoured city? Double sorrow—sadness, bred in Cimmerian caves, robed my soul in a mourning garb. The generations I had conjured up to my fancy, contrasted more strongly with the end of all —the single point in which, as a pyramid, the mighty fabric of society had ended, while I, on the giddy height, saw vacant space around me.

From such vague laments I turned to the contemplation of the minutiae of my situation. So far, I had not succeeded in the sole object of my desires, the finding a companion for my desolation. Yet I did not despair. It is true that my inscriptions were set up for the most part, in insignificant towns and villages; yet, even without these memorials, it was possible that the person, who like me should find himself alone in a depopulate land, should, like me, come to Rome. The more slender my expectation was, the more I chose to build on it, and to accommodate my actions to this vague possibility.

It became necessary therefore, that for a time I should domesticate myself at Rome. It became necessary, that I should look my disaster in the face— not playing the school-boy’s part of obedience without submission; enduring life, and yet rebelling against the laws by which I lived.

Yet how could I resign myself? Without love, without sympathy, without communion with any, how could I meet the morning sun, and with it trace its oft repeated journey to the evening shades? Why did I continue to live— why not throw off the weary weight of time, and with my own hand, let out the fluttering prisoner from my agonized breast?—It was not cowardice that withheld me; for the true fortitude was to endure; and death had a soothing sound accompanying it, that would easily entice me to enter its demesne. But this I would not do. I had, from the moment I had reasoned on the subject, instituted myself the subject to fate, and the servant of necessity, the visible laws of the invisible God—I believed that my obedience was the result of sound reasoning, pure feeling, and an exalted sense of the true excellence and nobility of my nature. Could I have seen in this empty earth, in the seasons and their change, the hand of a blind power only, most willingly would I have placed my head on the sod, and closed my eyes on its loveliness for ever. But fate had administered life to me, when the plague had already seized on its prey—she had dragged me by the hair from out the strangling waves—By such miracles she had bought me for her own; I admitted her authority, and bowed to her decrees. If, after mature consideration, such was my resolve, it was doubly necessary that I should not lose the end of life, the improvement of my faculties, and poison its flow by repinings without end. Yet how cease to repine, since there was no hand near to extract the barbed spear that had entered my heart of hearts? I stretched out my hand, and it touched none whose sensations were responsive to mine. I was girded, walled in, vaulted over, by seven-fold barriers of loneliness. Occupation alone, if I could deliver myself up to it, would be capable of affording an opiate to my sleepless sense of woe. Having determined to make Rome my abode, at least for some months, I made arrangements for my accommodation—I selected my home. The Colonna Palace was well adapted for my purpose. Its grandeur— its treasure of paintings, its magnificent halls were objects soothing and even exhilarating.

I found the granaries of Rome well stored with grain, and particularly with Indian corn; this product requiring less art in its preparation for food, I selected as my principal support. I now found the hardships and lawlessness of my youth turn to account. A man cannot throw off the habits of sixteen years. Since that age, it is true, I had lived luxuriously, or at least surrounded by all the conveniences civilization afforded. But before that time, I had been “as uncouth a savage, as the wolf-bred founder of old Rome”—and now, in Rome itself, robber and shepherd propensities, similar to those of its founder, were of advantage to its sole inhabitant. I spent the morning riding and shooting in the Campagna—I passed long hours in the various galleries—I gazed at each statue, and lost myself in a reverie before many a fair Madonna or beauteous nymph. I haunted the Vatican, and stood surrounded by marble forms of divine beauty. Each stone deity was possessed by sacred gladness, and the eternal fruition of love. They looked on me with unsympathizing complacency, and often in wild accents I reproached them for their supreme indifference—for they were human shapes, the human form divine was manifest in each fairest limb and lineament. The perfect moulding brought with it the idea of colour and motion; often, half in bitter mockery, half in self-delusion, I clasped their icy proportions, and, coming between Cupid and his Psyche’s lips, pressed the unconceiving marble.

I endeavoured to read. I visited the libraries of Rome. I selected a volume, and, choosing some sequestered, shady nook, on the banks of the Tiber, or opposite the fair temple in the Borghese Gardens, or under the old pyramid of Cestius, I endeavoured to conceal me from myself, and immerse myself in the subject traced on the pages before me. As if in the same soil you plant nightshade and a myrtle tree, they will each appropriate the mould, moisture, and air administered, for the fostering their several properties—so did my grief find sustenance, and power of existence, and growth, in what else had been divine manna, to feed radiant meditation. Ah! while I streak this paper with the tale of what my so named occupations were—while I shape the skeleton of my days—my hand trembles—my heart pants, and my brain refuses to lend expression, or phrase, or idea, by which to image forth the veil of unutterable woe that clothed these bare realities. O, worn and beating heart, may I dissect thy fibres, and tell how in each unmitigable misery, sadness dire, repinings, and despair, existed? May I record my many ravings—the wild curses I hurled at torturing nature—and how I have passed days shut out from light and food—from all except the burning hell alive in my own bosom?

I was presented, meantime, with one other occupation, the one best fitted to discipline my melancholy thoughts, which strayed backwards, over many a ruin, and through many a flowery glade, even to the mountain recess, from which in early youth I had first emerged.

During one of my rambles through the habitations of Rome, I found writing materials on a table in an author’s study. Parts of a manuscript lay scattered about. It contained a learned disquisition on the Italian language; one page an unfinished dedication to posterity, for whose profit the writer had sifted and selected the niceties of this harmonious language —to whose everlasting benefit he bequeathed his labours.

I also will write a book, I cried—for whom to read?—to whom dedicated? And then with silly flourish (what so capricious and childish as despair?) I wrote,

DEDICATION
TO THE ILLUSTRIOUS DEAD.
SHADOWS, ARISE, AND READ YOUR FALL!
BEHOLD THE HISTORY OF THE
LAST MAN.

Yet, will not this world be re-peopled, and the children of a saved pair of lovers, in some to me unknown and unattainable seclusion, wandering to these prodigious relics of the ante-pestilential race, seek to learn how beings so wondrous in their achievements, with imaginations infinite, and powers godlike, had departed from their home to an unknown country?

I will write and leave in this most ancient city, this “world’s sole monument,” a record of these things. I will leave a monument of the existence of Verney, the Last Man. At first I thought only to speak of plague, of death, and last, of desertion; but I lingered fondly on my early years, and recorded with sacred zeal the virtues of my companions. They have been with me during the fulfilment of my task. I have brought it to an end—I lift my eyes from my paper—again they are lost to me. Again I feel that I am alone.

A year has passed since I have been thus occupied. The seasons have made their wonted round, and decked this eternal city in a changeful robe of surpassing beauty. A year has passed; and I no longer guess at my state or my prospects—loneliness is my familiar, sorrow my inseparable companion. I have endeavoured to brave the storm—I have endeavoured to school myself to fortitude—I have sought to imbue myself with the lessons of wisdom. It will not do. My hair has become nearly grey—my voice, unused now to utter sound, comes strangely on my ears. My person, with its human powers and features, seem to me a monstrous excrescence of nature. How express in human language a woe human being until this hour never knew! How give intelligible expression to a pang none