Our Mutual Friend by Charles Dickens (good books to read .txt) 📕

'How, the trying-on?' asked Riah.

'What a mooney godmother you are, after all!' returned Miss Wren. 'Look here. There's a Drawing Room, or a grand day in the Park, or a Show, or a Fete, or what you like. Very well. I squeeze among the crowd, and I look about me. When I see a great lady very suitable for my business, I say “You'll do, my dear!” and I take particular notice of her, and run home and cut her out and baste her. Then another day, I come scudding back again to try on, and then I take particular notice of her again. Sometimes she plainly seems to say, 'How that little creature is staring!' and sometimes likes it and sometimes don't, but much more often yes than no. All the time I am only saying to myself, “I must hollow out a bit here; I must slope away there;” and I am making a perfect slave of her, with making her try on my doll's dress. Evening parties are severer work for me, because there's only a doorway for a full view, and what with hobbling among the wheels of the carriages and the legs of the horses, I fully expect to be run over some night. However, there I have 'em, just the same. When they go bobbing into the hall from the carriage, and catch a glimpse of my little physiognomy poked out from behind a policeman's cape in the rain, I dare say they think I am wondering and admiring with all my eyes and heart, but they little think they're only working for my dolls! There was Lady Belinda Whitrose. I made her do double duty in one night. I said when she came out of the carriage, “you'll do, my dear!” and I ran straight home and cut her out and basted her. Back I came again, and waited behind the men that called the carriages. Very bad night too. At last, “Lady Belinda Whitrose's carriage! Lady Belinda Whitrose coming down!” And I made her try on—oh! and take pains about it too—before she got seated. That's Lady Belinda hanging up by the waist, much too near the gaslight for a wax one, with her toes turned in.'

When they had plodded on for some time nigh the river, Riah asked the way to a certain tavern called the Six Jolly Fellowship Porters. Following the directions he received, they arrived, after two or three puzzled stoppages for consideration, and some uncertain looking about them, at the door of Miss Abbey Potterson's dominions. A peep through the glass portion of the door revealed to them the glories of the bar, and Miss Abbey herself seated in state on her snug throne, reading the newspaper. To whom, with deference, they presented themselves.

Taking her eyes off her newspaper, and pausing with a suspended expression of countenance, as if she must finish the paragraph in hand before undertaking any other business whatever, Miss Abbey demanded, with some slight asperity: 'Now then, what's for you?'

'Could we see Miss Potterson?' asked the old man, uncovering his head.

'You not only could, but you can and you do,' replied the hostess.

'Might we speak with you, madam?'

By this time Miss Abbey's eyes had possessed themselves of the small figure of Miss Jenny Wren. For the closer observation of which, Miss Abbey laid aside her newspaper, rose, and looked over the half-door of the bar. The crutch-stick seemed to entreat for its owner leave to come in and rest by the fire; so, Miss Abbey opened the half-door, and said, as though replying to the crutch-stick:

'Yes, come in and rest by the fire.'

'My name is Riah,' said the old man, with courteous action, 'and my avocation is in London city. This, my young companion—'

'Stop a bit,' interposed Miss Wren. 'I'll give the lady my card.' She produced it from her pocket with an air, after struggling with the gigantic door-key which had got upon the top of it and kept it down. Miss Abbey, with manifest tokens of astonishment, took the diminutive document, and found it to run concisely thus:—

MISS JENNY WREN DOLLS' DRESSMAKER.

Dolls attended at their own residences.

'Lud!' exclaimed Miss Potterson, staring. And dropped the card.

'We take the liberty of coming, my young companion and I, madam,' said Riah, 'on behalf of Lizzie Hexam.'

Miss Potterson was stooping to loosen the bonnet-strings of the dolls' dressmaker. She looked round rather angrily, and said: 'Lizzie Hexam is a very proud young woman.'

'She would be so proud,' returned Riah, dexterously, 'to stand well in your good opinion, that before she quitted London for—'

'For where, in the name of the Cape of Good Hope?' asked Miss Potterson, as though supposing her to have emigrated.

'For the country,' was the cautious answer,—'she made us promise to come and show you a paper, which she left in our hands for that special purpose. I am an unserviceable friend of hers, who began to know her after her departure from this neighbourhood. She has been for some time living with my young companion, and has been a helpful and a comfortable friend to her. Much needed, madam,' he added, in a lower voice. 'Believe me; if you knew all, much needed.'

'I can believe that,' said Miss Abbey, with a softening glance at the little creature.

'And if it's proud to have a heart that never hardens, and a temper that never tires, and a touch that never hurts,' Miss Jenny struck in, flushed, 'she is proud. And if it's not, she is not.'

Her set purpose of contradicting Miss Abbey point blank, was so far from offending that dread authority, as to elicit a gracious smile. 'You do right, child,' said Miss Abbey, 'to speak well of those who deserve well of you.'

'Right or wrong,' muttered Miss Wren, inaudibly, with a visible hitch of her chin, 'I mean to do it, and you may make up your mind to that, old lady.'

'Here is the paper, madam,' said the Jew, delivering into Miss Potterson's hands the original document drawn up by Rokesmith, and signed by Riderhood. 'Will you please to read it?'

'But first of all,' said Miss Abbey, '—did you ever taste shrub, child?'

Miss Wren shook her head.

'Should you like to?'

'Should if it's good,' returned Miss Wren.

'You shall try. And, if you find it good, I'll mix some for you with hot water. Put your poor little feet on the fender. It's a cold, cold night, and the fog clings so.' As Miss Abbey helped her to turn her chair, her loosened bonnet dropped on the floor. 'Why, what lovely hair!' cried Miss Abbey. 'And enough to make wigs for all the dolls in the world. What a quantity!'

'Call that a quantity?' returned Miss Wren. 'Poof! What do you say to the rest of it?' As she spoke, she untied a band, and the golden stream fell over herself and over the chair, and flowed down to the ground. Miss Abbey's admiration seemed to increase her perplexity. She beckoned the Jew towards her, as she reached down the shrub-bottle from its niche, and whispered:

'Child, or woman?'

'Child in years,' was the answer; 'woman in self-reliance and trial.'

'You are talking about Me, good people,' thought Miss Jenny, sitting in her golden bower, warming her feet. 'I can't hear what you say, but I know your tricks and your manners!'

The shrub, when tasted from a spoon, perfectly harmonizing with Miss Jenny's palate, a judicious amount was mixed by Miss Potterson's skilful hands, whereof Riah too partook. After this preliminary, Miss Abbey read the document; and, as often as she raised her eyebrows in so doing, the watchful Miss Jenny accompanied the action with an expressive and emphatic sip of the shrub and water.

'As far as this goes,' said Miss Abbey Potterson, when she had read it several times, and thought about it, 'it proves (what didn't much need proving) that Rogue Riderhood is a villain. I have my doubts whether he is not the villain who solely did the deed; but I have no expectation of those doubts ever being cleared up now. I believe I did Lizzie's father wrong, but never Lizzie's self; because when things were at the worst I trusted her, had perfect confidence in her, and tried to persuade her to come to me for a refuge. I am very sorry to have done a man wrong, particularly when it can't be undone. Be kind enough to let Lizzie know what I say; not forgetting that if she will come to the Porters, after all, bygones being bygones, she will find a home at the Porters, and a friend at the Porters. She knows Miss Abbey of old, remind her, and she knows what-like the home, and what-like the friend, is likely to turn out. I am generally short and sweet—or short and sour, according as it may be and as opinions vary—' remarked Miss Abbey, 'and that's about all I have got to say, and enough too.'

But before the shrub and water was sipped out, Miss Abbey bethought herself that she would like to keep a copy of the paper by her. 'It's not long, sir,' said she to Riah, 'and perhaps you wouldn't mind just jotting it down.' The old man willingly put on his spectacles, and, standing at the little desk in the corner where Miss Abbey filed her receipts and kept her sample phials (customers' scores were interdicted by the strict administration of the Porters), wrote out the copy in a fair round character. As he stood there, doing his methodical penmanship, his ancient scribelike figure intent upon the work, and the little dolls' dressmaker sitting in her golden bower before the fire, Miss Abbey had her doubts whether she had not dreamed those two rare figures into the bar of the Six Jolly Fellowships, and might not wake with a nod next moment and find them gone.

Miss Abbey had twice made the experiment of shutting her eyes and opening them again, still finding the figures there, when, dreamlike, a confused hubbub arose in the public room. As she started up, and they all three looked at one another, it became a noise of clamouring voices and of the stir of feet; then all the windows were heard to be hastily thrown up, and shouts and cries came floating into the house from the river. A moment more, and Bob Gliddery came clattering along the passage, with the noise of all the nails in his boots condensed into every separate nail.

'What is it?' asked Miss Abbey.

'It's summut run down in the fog, ma'am,' answered Bob. 'There's ever so many people in the river.'

'Tell 'em to put on all the kettles!' cried Miss Abbey. 'See that the boiler's full. Get a bath out. Hang some blankets to the fire. Heat some stone bottles. Have your senses about you, you girls down stairs, and use 'em.'

While Miss Abbey partly delivered these directions to Bob—whom she seized by the hair, and whose head she knocked against the wall, as a general injunction to vigilance and presence of mind—and partly hailed the kitchen with them—the company in the public room, jostling one another, rushed out to the causeway, and the outer noise increased.

'Come and look,' said Miss Abbey to her visitors. They all three hurried to the vacated public room, and passed by one of the windows into the wooden verandah overhanging the river.

'Does anybody down there know what has happened?' demanded Miss Abbey, in her voice of authority.

'It's a steamer, Miss Abbey,' cried one blurred figure in the fog.

'It always is a steamer, Miss Abbey,' cried another.

'Them's her lights, Miss Abbey, wot you see a-blinking yonder,' cried another.

'She's a-blowing off her steam, Miss Abbey, and that's what makes the fog and the