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- Author: George Eliot
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“I will not urge you against the voice of your own heart,” said Dinah. “I must hasten back to her, for it is wonderful how she clings now, and was not willing to let me out of her sight. She used never to make any return to my affection before, but now tribulation has opened her heart. Farewell, Adam. Our heavenly Father comfort you and strengthen you to bear all things.” Dinah put out her hand, and Adam pressed it in silence.
Bartle Massey was getting up to lift the stiff latch of the door for her, but before he could reach it, she had said gently, “Farewell, friend,” and was gone, with her light step down the stairs.
“Well,” said Bartle, taking off his spectacles and putting them into his pocket, “if there must be women to make trouble in the world, it’s but fair there should be women to be comforters under it; and she’s one—she’s one. It’s a pity she’s a Methodist; but there’s no getting a woman without some foolishness or other.”
Adam never went to bed that night. The excitement of suspense, heightening with every hour that brought him nearer the fatal moment, was too great, and in spite of his entreaties, in spite of his promises that he would be perfectly quiet, the schoolmaster watched too.
“What does it matter to me, lad?” Bartle said: “a night’s sleep more or less? I shall sleep long enough, by and by, underground. Let me keep thee company in trouble while I can.”
It was a long and dreary night in that small chamber. Adam would sometimes get up and tread backwards and forwards along the short space from wall to wall; then he would sit down and hide his face, and no sound would be heard but the ticking of the watch on the table, or the falling of a cinder from the fire which the schoolmaster carefully tended. Sometimes he would burst out into vehement speech,
“If I could ha’ done anything to save her—if my bearing anything would ha’ done any good... but t’ have to sit still, and know it, and do nothing... it’s hard for a man to bear... and to think o’ what might ha’ been now, if it hadn’t been for him.... O God, it’s the very day we should ha’ been married.”
“Aye, my lad,” said Bartle tenderly, “it’s heavy—it’s heavy. But you must remember this: when you thought of marrying her, you’d a notion she’d got another sort of a nature inside her. You didn’t think she could have got hardened in that little while to do what she’s done.”
“I know—I know that,” said Adam. “I thought she was loving and tender-hearted, and wouldn’t tell a lie, or act deceitful. How could I think any other way? And if he’d never come near her, and I’d married her, and been loving to her, and took care of her, she might never ha’ done anything bad. What would it ha’ signified—my having a bit o’ trouble with her? It ’ud ha’ been nothing to this.”
“There’s no knowing, my lad—there’s no knowing what might have come. The smart’s bad for you to bear now: you must have time—you must have time. But I’ve that opinion of you, that you’ll rise above it all and be a man again, and there may good come out of this that we don’t see.”
“Good come out of it!” said Adam passionately. “That doesn’t alter th’ evil: her ruin can’t be undone. I hate that talk o’ people, as if there was a way o’ making amends for everything. They’d more need be brought to see as the wrong they do can never be altered. When a man’s spoiled his fellow-creatur’s life, he’s no right to comfort himself with thinking good may come out of it. Somebody else’s good doesn’t alter her shame and misery.”
“Well, lad, well,” said Bartle, in a gentle tone, strangely in contrast with his usual peremptoriness and impatience of contradiction, “it’s likely enough I talk foolishness. I’m an old fellow, and it’s a good many years since I was in trouble myself. It’s easy finding reasons why other folks should be patient.”
“Mr. Massey,” said Adam penitently, “I’m very hot and hasty. I owe you something different; but you mustn’t take it ill of me.”
“Not I, lad—not I.”
So the night wore on in agitation till the chill dawn and the growing light brought the tremulous quiet that comes on the brink of despair. There would soon be no more suspense.
“Let us go to the prison now, Mr. Massey,” said Adam, when he saw the hand of his watch at six. “If there’s any news come, we shall hear about it.”
The people were astir already, moving rapidly, in one direction, through the streets. Adam tried not to think where they were going, as they hurried past him in that short space between his lodging and the prison gates. He was thankful when the gates shut him in from seeing those eager people.
No; there was no news come—no pardon—no reprieve.
Adam lingered in the court half an hour before he could bring himself to send word to Dinah that he was come. But a voice caught his ear: he could not shut out the words.
“The cart is to set off at half-past seven.”
It must be said—the last good-bye: there was no help.
In ten minutes from that time, Adam was at the door of the cell. Dinah had sent him word that she could not come to him; she could not leave Hetty one moment; but Hetty was prepared for the meeting.
He could not see her when he entered, for agitation deadened his senses, and the dim cell was almost dark to him. He stood a moment after the door closed behind him, trembling and stupefied.
But he began to see through the dimness—to see the dark eyes lifted up to him once more, but with no smile in them. O God, how sad they looked! The last time they had met his was when he parted from her with his heart full of joyous hopeful love, and they looked out with a tearful smile from a pink, dimpled, childish face. The face was marble now; the sweet lips were pallid and half-open and quivering; the dimples were all gone—all but one, that never went; and the eyes—O, the worst of all was the likeness they had to Hetty’s. They were Hetty’s eyes looking at him with that mournful gaze, as if she had come back to him from the dead to tell him of her misery.
She was clinging close to Dinah; her cheek was against Dinah’s. It seemed as if her last faint strength and hope lay in that contact, and the pitying love that shone out from Dinah’s face looked like a visible pledge of the Invisible Mercy.
When the sad eyes met—when Hetty and Adam looked at each other—she felt the change in him too, and it seemed to strike her with fresh fear. It was the first time she had seen any being whose face seemed to reflect the change in herself: Adam was a new image of the dreadful past and the dreadful present. She trembled more as she looked at him.
“Speak to him, Hetty,” Dinah said; “tell him what is in your heart.”
Hetty obeyed her, like a little child.
“Adam... I’m very sorry... I behaved very wrong to you... will you forgive me... before I die?”
Adam answered with a half-sob, “Yes, I forgive thee Hetty. I forgave thee long ago.”
It had seemed to Adam as if his brain would burst with the anguish of meeting Hetty’s eyes in the first moments, but the sound of her voice uttering these penitent words touched a chord which had been less strained. There was a sense of relief from what was becoming unbearable, and the rare tears came—they had never come before, since he had hung on Seth’s neck in the beginning of his sorrow.
Hetty made an involuntary movement towards him, some of the love that she had once lived in the midst of was come near her again. She kept hold of Dinah’s hand, but she went up to Adam and said timidly, “Will you kiss me again, Adam, for all I’ve been so wicked?”
Adam took the blanched wasted hand she put out to him, and they gave each other the solemn unspeakable kiss of a lifelong parting.
“And tell him,” Hetty said, in rather a stronger voice, “tell him... for there’s nobody else to tell him... as I went after him and couldn’t find him... and I hated him and cursed him once... but Dinah says I should forgive him... and I try... for else God won’t forgive me.”
There was a noise at the door of the cell now—the key was being turned in the lock, and when the door opened, Adam saw indistinctly that there were several faces there. He was too agitated to see more—even to see that Mr. Irwine’s face was one of them. He felt that the last preparations were beginning, and he could stay no longer. Room was silently made for him to depart, and he went to his chamber in loneliness, leaving Bartle Massey to watch and see the end.
The Last Moment
It was a sight that some people remembered better even than their own sorrows—the sight in that grey clear morning, when the fatal cart with the two young women in it was descried by the waiting watching multitude, cleaving its way towards the hideous symbol of a deliberately inflicted sudden death.
All Stoniton had heard of Dinah Morris, the young Methodist woman who had brought the obstinate criminal to confess, and there was as much eagerness to see her as to see the wretched Hetty.
But Dinah was hardly conscious of the multitude. When Hetty had caught sight of the vast crowd in the distance, she had clutched Dinah convulsively.
“Close your eyes, Hetty,” Dinah said, “and let us pray without ceasing to God.”
And in a low voice, as the cart went slowly along through the midst of the gazing crowd, she poured forth her soul with the wrestling intensity of a last pleading, for the trembling creature that clung to her and clutched her as the only visible sign of love and pity.
Dinah did not know that the crowd was silent, gazing at her with a sort of awe—she did not even know how near they were to the fatal spot, when the cart stopped, and she shrank appalled at a loud shout hideous to her ear, like a vast yell of demons. Hetty’s shriek mingled with the sound, and they clasped each other in mutual horror.
But it was not a shout of execration—not a yell of exultant cruelty.
It was a shout of sudden excitement at the appearance of a horseman cleaving the crowd at full gallop. The horse is hot and distressed, but answers to the desperate spurring; the rider looks as if his eyes were glazed by madness, and he saw nothing but what was unseen by others. See, he has something in his hand—he is holding it up as if it were a signal.
The Sheriff knows him: it is Arthur Donnithorne, carrying in his hand a hard-won release from death.
Another Meeting in the Wood
The next day, at evening, two men were walking from opposite points towards the same scene, drawn thither by a common memory. The scene was the Grove by Donnithorne Chase: you know who the men were.
The old squire’s funeral had taken place that morning, the will had been read, and now in the first breathing-space, Arthur Donnithorne had come out for a lonely walk, that he might look fixedly at the new future before him and confirm himself in a sad resolution. He thought he could do that best in the Grove.
Adam too had come from Stoniton on Monday evening, and to-day he had not left home, except to go to the family at the Hall Farm and tell them everything that Mr. Irwine had left untold. He had agreed with the Poysers that he would follow them to their new neighbourhood, wherever that might be, for he meant to give up the management of the woods, and, as soon as it was practicable, he would wind up his business with Jonathan Burge and settle with his mother and Seth in a home within reach of the friends to whom he felt bound by a mutual sorrow.
“Seth and me are sure to find work,” he said. “A man that’s got our trade at his finger-ends is at home everywhere; and we must make a new start. My mother won’t stand in the way, for she’s told me, since I came home, she’d made up her mind to being buried in another parish, if I wished it,
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