Told in a French Garden by Mildred Aldrich (howl and other poems txt) 📕

that Homer would have lived as long as he has, if he had not made the reputation of his tales by singing them centuries before any one tried to read them. Now no one _dares_ to say they bore him. The reading public, and the editors who cater to it, are just like some stupid theatrical managers I know of, who will never let an author read a play to them for fear that he may give the play some charm that the fool theatrical man might not have felt from mere type written words on white or yellow paper. By Jove, I know the case of a manager who once bought the option on a foreign play from a scenario provided by a clever friend of mine and paid a stiff price for it, too, and when he got the manuscript wrote to the chap who did the scenario 'Play dashety dashed rot. If it had been as good as your scenario, it would have gone.' And, what is more, he sacrificed the tidy five thousand he had paid, and let his option slide. Now, when the fellow who did the scenario wrote: 'If you found anything in the scenario that you did not discover in the play, it is because I gave you the effect it would have behind the footlights, which you have not the imagination to see in the printed words,' the Manager only replied 'You are a nice chap. I like you very much, but you are a blanketty blanketty fool.'"

"Which was right?" asked the Journalist.

"The scenario man."

"How do you know?"

"How do I know? Why simply because the play was produced later ran five years, and drew a couple of million dollars. That's how I know."

"By cricky," exclaimed the Youngster, "I believe he thinks his story could earn a million if it had a chance."

"I don't say 'no,'" said the Critic, yawning, "but it will never get a chance. I burned the manuscript this morning, and now being delivered of it, I have no more interest in it than a sparrow has in her last year's offspring."

"The trouble with you is that you haven't any patience, any staying power. That ought to have been a three volume novel. We would have heard all about their first meeting, their first love, their separation, his marriage, her _debuts_, etc., etc.," declared the Journalist.

"Oh, thunder," said the Doctor. "I think there was quite enough of it. Don't throw anything at me I liked it I liked it! Only I'm sorry she died."

"So am I," said the Critic. "That really hurt me."

"Because," said the Doctor, shying away toward the door, "I should have liked to know if the child turned out to be a genius. That kind do sometimes," and he disappeared into the doorway.

"Anyhow," said the Critic, "I am going to wear laurels until some one tells a better and I'd like to know why the Journalist looks so pensively thoughtful?"

"I am trying to recall who she was Margaret Dillon."

"Don't fret she may be a 'poor thing,' but she is all 'mine own' a genuine creation, Mr. Journalist. I am no reporter."

"Ah? Then you are more of a sentimentalist than I even dared to dream."

"Don't deny it," said the Critic, as he rose and yawned. "So I am going to bed to sleep on my laurels while I may. Good night."

"Well," called the Sculptor after him, as he sauntered away, "as one of our mutual friends used to say 'The Indian Summer of Passion scorches.'"

"But, alas!" added the other, "it does not _always_ kill."

"Witness " began the Journalist, but the Critic cut him short.

"As you love me not that famous list of yours including so many of the actresses we all know. I can't bear THAT to night. After all the French have a better phrase for it 'La Crise de quarante ans.'"

The Nurse and Divorcee had been very quiet, but here they locked hands, and the former remarked that they prepared to withdraw:

"That is our cue to disappear and you, too, Youngster. These men are far too wise."

So we of the discussed sex made a circle with our clasped hand about the Youngster and danced him into the house. The last I saw of the garden that night, as I looked out of my window toward the northeast, with "Namur" beating in my head, the five men had their heads still together, but whether "the other sex" was getting scientifically torn to bits, or they, too, had Namur in their minds I never knew.


IV

THE DOCTOR'S STORY

AS ONE DREAMS

THE TALE OF AN ADOLESCENT


The next day was very peaceful. We were becoming habituated to the situation. It was a Sunday, and the weather was warm. There had been no real news so far as we knew, except that Japan had lined up with the Allies. The Youngster had come near to striking fire by wondering how the United States, with her dislike for Japan, would view the entering into line of the yellow man, but the spark flickered out, and I imagine we settled down for the story with more eagerness than on the previous evening, especially when the Doctor thrust his hands into his pockets and lifted his chin into the air, as if he were in the tribune. More than one of us smiled at his resemblance to Pierre Janet entering the tribune at the _College de France_, and the Youngster said, under his breath, "A _Clinique_, I suppose."

The Doctor's ears were sharp. "Not a bit," he answered, running his keen brown eyes over us to be sure we were listening before he began:

* * * * *

In the days when it was thought that the South End was to be the smart part of Boston, and when streets were laid out along wide tree shaded malls, with a square in the centre, in imitation of some quarters of London, for Boston was in those days much more English in appearance than it is now, there was in one of those squares a famous private school. In those days it was rather smart to go to a private school. It was in the days before Boston had much of an immigrant quarter, when some smart families still lived in the old Colonial houses at the North End, and ministers and lawyers and all professional men sent their sons and their daughters to the public schools, at that time probably the best in the world.

At this private school, there was, at the time of which I speak, what one might almost call a "principal girl."

She was the daughter of a rich banker his only daughter. The gods all seemed to have been very good to her. She was not only a really beautiful girl, she was, for her age, a distinguished girl, one of the sort who seemed to do everything better than any one else, and with a lack of self consciousness or pretension. Every one admired her. Some of her comrades would have loved her if she had given them the chance. But no one could ever get intimate with her. She came and went from school quite alone, in the habit of the American girl of those days before the chaperon became the correct thing. She was charming to every one, but she kept every one a little at arm's length. Of course such a girl would be much talked over by the other type of girl to whom confidences were necessary.

As always happens in any school there was a popular teacher. She taught history and literature, and I imagine girls get more intimate with such a teacher than they ever do with the mathematics.

Also, as always happens, there was a "teacher's pet," one of those girls that has to adore something, and the literature teacher, as she was smart and good looking, was as convenient to adore as anything else, and more adjacent.

Of course "teacher's pet" never has any secrets from the teacher, and does not mean to be a sneak either. Just can't help turning herself inside out for her idol, and when the heart of a girl of seventeen turns itself inside out, almost always something comes out that is not her business. That was how it happened that one day the literature teacher was told that the "Principal Girl" was receiving wonderful boxes of violets at the school door, and "Don't you know ONE DAY she was seen by a group of pupils who happened to be going home, and were just behind her, getting into a closed carriage and driving away from the corner of the street!"

Now the literature teacher did not, as a rule, encourage such confidences, but this time it seemed useful. She liked the Principal Girl admired her, in fact. She was terribly shocked. She warned her pet to talk to no one else, and then she went at once to the clergyman who was at the head of the school. She knew that he felt responsible for his pupils, and this had an unpleasant look. He took the pains to verify the two statements. Then there was but one thing to do to lay the matter before the parents of the girl.

Now, as so often happens in American families, the banker and his wife stood in some awe of their daughter. There was not that confidence between them which one traditionally supposes to exist between parents and children. I imagine that there is no doubt that the adolescent finds it much easier to confide in some one other than the parents who would seem to be her proper confidants.

At any rate the banker and his wife were simply staggered. They dared not broach the subject to the Principal Girl, and in their distress turned to the family lawyer. As they were too cowardly to take his first advice perhaps they were afraid the daughter would lie, they sometimes do in the best regulated families, it was decided to put a discreet person "on the job," and discover first of all what was really going on.

The result of the investigation was at first consoling, and then amazing.

They discovered that the bunches of violets were ordered at a smart down town florist by the girl herself, and by her order delivered at the school door by a liveried messenger boy, who, by her orders, awaited her arrival. As for the closed carriage, that she also bespoke herself at a smart livery stable where she was known. When she entered it, she was at once driven to the Park Street station, where she bought a round trip ticket to Waltham. There she walked to the river, hired a boat, rowed herself up stream, tied her boat at a wooden bank, climbed the slope, and sat there all the afternoon, sometimes reading, and sometimes merely staring out at the river, or up at the sky. At sunset she rowed back to the town, returned to the city, and walked from the station to her home.

This all seemed simple enough, but it puzzled the father, it made him unquiet in his mind. Why all this mystery? Why well, why a great many things,