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a character.

“Quarrel, sir?” said the captain; “I am not seeking a quarrel, though I care not how soon I find one. Only I wish you to understand you must be neighbourly, that's all. What if we should go over the water to the garden, and see a bull hanked this fine morning—'sdeath, will you do nothing?”

“Something I am strangely tempted to do at this moment,” said Nigel.

“Videlicet,” said Colepepper, with a swaggering air, “let us hear the temptation.”

“I am tempted to throw you headlong from the window, unless you presently make the best of your way down stairs.”

“Throw me from the window?—hell and furies!” exclaimed the captain; “I have confronted twenty crooked sabres at Buda with my single rapier, and shall a chitty-faced, beggarly Scots lordling, speak of me and a window in the same breath?—Stand off, old Pillory, let me make Scotch collops of him—he dies the death!”


Original

“For the love of Heaven, gentlemen,” exclaimed the old miser, throwing himself between them, “do not break the peace on any consideration! Noble guest, forbear the captain—he is a very Hector of Troy—Trusty Hector, forbear my guest, he is like to prove a very Achilles-ugh-ugh——”

Here he was interrupted by his asthma, but, nevertheless, continued to interpose his person between Colepepper (who had unsheathed his whinyard, and was making vain passes at his antagonist) and Nigel, who had stepped back to take his sword, and now held it undrawn in his left hand.

“Make an end of this foolery, you scoundrel!” said Nigel—“Do you come hither to vent your noisy oaths and your bottled-up valour on me? You seem to know me, and I am half ashamed to say I have at length been able to recollect you—remember the garden behind the ordinary,—you dastardly ruffian, and the speed with which fifty men saw you run from a drawn sword.—Get you gone, sir, and do not put me to the vile labour of cudgelling such a cowardly rascal down stairs.”

The bully's countenance grew dark as night at this unexpected recognition; for he had undoubtedly thought himself secure in his change of dress, and his black patch, from being discovered by a person who had seen him but once. He set his teeth, clenched his hands, and it seemed as if he was seeking for a moment's courage to fly upon his antagonist. But his heart failed, he sheathed his sword, turned his back in gloomy silence, and spoke not until he reached the door, when, turning round, he said, with a deep oath, “If I be not avenged of you for this insolence ere many days go by, I would the gallows had my body and the devil my spirit!”

So saying, and with a look where determined spite and malice made his features savagely fierce, though they could not overcome his fear, he turned and left the house. Nigel followed him as far as the gallery at the head of the staircase, with the purpose of seeing him depart, and ere he returned was met by Mistress Martha Trapbois, whom the noise of the quarrel had summoned from her own apartment. He could not resist saying to her in his natural displeasure—“I would, madam, you could teach your father and his friends the lesson which you had the goodness to bestow on me this morning, and prevail on them to leave me the unmolested privacy of my own apartment.”

“If you came hither for quiet or retirement, young man,” answered she, “you have been advised to an evil retreat. You might seek mercy in the Star-Chamber, or holiness in hell, with better success than quiet in Alsatia. But my father shall trouble you no longer.”

So saying, she entered the apartment, and, fixing her eyes on the casket, she said with emphasis—“If you display such a loadstone, it will draw many a steel knife to your throat.”

While Nigel hastily shut the casket, she addressed her father, upbraiding him, with small reverence, for keeping company with the cowardly, hectoring, murdering villain, John Colepepper.

“Ay, ay, child,” said the old man, with the cunning leer which intimated perfect satisfaction with his own superior address—“I know—I know—ugh—but I'll crossbite him—I know them all, and I can manage them—ay, ay—I have the trick on't—ugh-ugh.”

“You manage, father!” said the austere damsel; “you will manage to have your throat cut, and that ere long. You cannot hide from them your gains and your gold as formerly.”

“My gains, wench? my gold?” said the usurer; “alack-a-day, few of these and hard got—few and hard got.”

“This will not serve you, father, any longer,” said she, “and had not served you thus long, but that Bully Colepepper had contrived a cheaper way of plundering your house, even by means of my miserable self.—But why do I speak to him of all this,” she said, checking herself, and shrugging her shoulders with an expression of pity which did not fall much short of scorn. “He hears me not—he thinks not of me.—Is it not strange that the love of gathering gold should survive the care to preserve both property and life?”

“Your father,” said Lord Glenvarloch, who could not help respecting the strong sense and feeling shown by this poor woman, even amidst all her rudeness and severity, “your father seems to have his faculties sufficiently alert when he is in the exercise of his ordinary pursuits and functions. I wonder he is not sensible of the weight of your arguments.”

“Nature made him a man senseless of danger, and that insensibility is the best thing I have derived from him,” said she; “age has left him shrewdness enough to tread his old beaten paths, but not to seek new courses. The old blind horse will long continue to go its rounds in the mill, when it would stumble in the open meadow.”

“Daughter!—why, wench—why, housewife!” said the old man, awakening out of some dream, in which he had been sneering and chuckling in imagination, probably over a successful piece of roguery,—“go to chamber, wench—go to chamber—draw bolts and chain—look sharp to door—let none in or out but worshipful Master Grahame—I must take my cloak, and go to Duke Hildebrod—ay, ay, time has been, my own warrant was enough; but the lower we lie, the more are we under the wind.”

And, with his wonted chorus of muttering and coughing, the old man left the apartment. His daughter stood for a moment looking after him, with her usual expression of discontent and sorrow.

“You ought to persuade your father,” said Nigel, “to leave this evil neighbourhood, if you are in reality apprehensive for his safety.”

“He would be safe in no other quarter,” said the daughter; “I would rather the old man were dead than publicly dishonoured. In other quarters he would be pelted and pursued, like an owl which ventures into sunshine. Here he was safe, while his comrades could avail themselves of his talents; he is now squeezed and fleeced by them on every pretence. They consider him as a vessel on the strand, from which each may snatch a prey; and the very jealousy which they entertain respecting him as a common property, may perhaps induce them to guard him from more private and daring assaults.”

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