The Chaplet of Pearls by Charlotte M. Yonge (i am reading a book .txt) 📕

No change was made in the life of the captives of Nid de Merle after the answer from Paris, except that Pere Bonami, who had already once or twice dined at the Chevalier’s table, was requested to make formal exposition of the errors of the Reformers and of the tenets of his own Church to the Baron de Ribaumont.

Philip took such good care not to be deluded that, though he sat by to see fair play, yet it was always with his elbows on the table and his fingers in his ears, regardless of appearing to the priest in the character of the deaf adder. After all, he was not the object, and good Pere Bonami at first thought the day his own, when he found that almost all his arguments against Calvinism were equally impressed upon Berenger’s mind, but the differences soon revealed themselves; and the priest, though a good man, was not a very happily-chosen champion, for he was one of the old-fashioned, scantily-instructed country priests, who were more numerous before the Jesuit revival of learning, and knew nothing of controversy save that adapted to the doctrines of Calvin; so that in dealing with an Anglican of the school of Ridley and Hooker, it was like bow ad arrow against sword. And tin those days of change, controversial reading was one of the primary studies even of young laymen, and Lord Walwyn, with a view to his grandson’s peculiar position, had taken care that he should be well instructed, so that he was not at all unequal to the contest. Moreover, apart from argument, he clung as a point of honour to the Church as to the wife that he had accepted in his childhood; and often tried to recall the sketch that Philip Sidney had once given him of a tale that a friend of his designed to turn into a poem, like Ariosto’s, in terza rima, of a Red Cross knight separated from his Una as the true faith, and tempted by a treacherous Duessa, who impersonated at once Falsehood and Rome. And he knew so well that the last relaxation of his almost terrified resistance would make him so entirely succumb to Diane’s beauty and brilliancy, that he kept himself stiffly frigid and reserved.

Diane never openly alluded to the terms on which he stood, but he often found gifts from unknown hands placed in his room. The books which he had found there were changed when he had had time to study them; and marks were placed in some of the most striking passages. They were of the class that turned the brain of the Knight of La Mancha, but with a predominance of the pastoral, such as Diane of George of Montemayor and his numerous imitators—which Philip thought horrible stuff—enduring nothing but a few of the combats of Amadis de Gaul or Palmerin of England, until he found that Madame de Selinville prodigiously admired the ‘silly swains more silly than their sheep,’ and was very anxious that M. le Baron should be touched by their beauties; whereupon honest Philip made desperate efforts to swallow them in his brother’s stead, but was always found fast asleep in the very middle of arguments between Damon and Thyrsis upon the devoirs of love, or the mournings of some disconsolate nymph over her jealousies of a favoured rival.

One day, a beautiful ivory box, exhaling sweet perfume, appeared in the prison chamber, and therewith a sealed letter in verse, containing an affecting description of how Corydon had been cruelly torn by the lions in endeavouring to bear away Sylvie from her cavern, how Sylvie had been rent from him and lost, and how vainly he continued to bewail her, and disregard the loving lament of Daphne, who had ever mourned and pined for him as she kept her flock, made the rivulets, the brooks, the mountains re-echo with her sighs and plaints, and had wandered through the hills and valleys, gathering simples wherewith she had compounded a balsam that might do away with the scars that the claws of the lions had left, so that he might again appear with the glowing cheeks and radiant locks that had excited the envy of the god of day.

Berenger burst out laughing over the practical part of this poetical performance, and laughed the more at Philip’s hurt, injured air at his mirth. Philip, who would have been the first to see the absurdity in any other Daphne, thought this a passing pleasant device, and considered it