The Complete Golfer by Harry Vardon (most popular novels .TXT) đź“•
CHAPTER XVIII
GOLF FOR LADIES 198
As to its being a ladies' game--A sport of freedom--The lady on the links--The American lady golfer--English ladies are improving--Where they fail, and why--Good pupils--The same game as the man's--No short swings for ladies--Clubs of too light weight--Their disadvantages--A common fault with the sex--Bad backward swings--The lady who will find out for herself--Foundations of a bad style--The way to success.
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The common method of playing a stymie is by pitching your ball over that of your opponent, but this is not always possible. All depends on how near the other ball is to the hole, and how far the balls are apart. If the ball that stymies you is on the lip and your own is three yards away, it is obvious that you cannot pitch over it. From such a distance your own ball could not be made to clear the other one and drop again in time to fall into the tin. But, when an examination of the situation makes it clear that there is really space enough to pitch over and get into the hole, take the most lofted club in your bag—either a highly lofted mashie or even a niblick—and when making the little pitch shot that is demanded, apply cut to the ball in the way I have already directed, and aim to the left-hand side of the tin. The stroke should be very short and quick, the blade of the club not passing through a space of more than nine inches or a foot. The cut will make the ball lift quickly, and, with the spin upon it, it is evident that the left-hand side of the hole is the proper one to play to. Everything depends upon the measurements of the situation as to whether you ought to pitch right into the hole or to pitch short and run in, but in any case you should pitch close up, and in a general way four or five inches would be a fair distance to ask the ball to run. When your own ball is many yards away from the hole, and the one that makes the stymie is also far from it as well as far from yours, a pitch shot seems very often to be either inadequate or impossible. Usually it will be better to aim at going very near to the stymie with the object of getting up dead, making quite certain at the same time that you do not bungle the whole thing by hitting the other ball, or else to play to the left with much cut, so that with a little luck you may circle into the hole. Evidently the latter would be a somewhat hazardous stroke to make.
There is one other way of attacking a stymie, and that is by the application of the run-through method, when the ball in front of you is on the edge of the hole and your own is very close to it—only just outside the six inches limit that makes the stymie. If the balls are much more than a foot apart, the "follow-through method" of playing stymies is almost certain to fail. This system is nothing more than the follow-through shot at billiards, and the principles upon which the strokes in the two games are made are much the same. Hit your own ball very high up,—that is to say, put all the top and run on it that you can, and strike the other ball fairly in the centre and fairly hard. The object is to knock the stymie right away over the hole, and to follow through with your own and drop in. If you don't hit hard enough you will only succeed in holing your opponent's ball and earning his sarcastic thanks. And if you don't get top enough on your own ball you will not follow through, however hard you bang up against the other. This is a very useful stroke to practise, for the particular kind of stymie to which it applies occurs very frequently, and is one of the most exasperating of all.
Most of these fancy putting strokes stand a very poor chance of success on a very slow green. Cut and top and all these other niceties will not work on a dull one. It is the sharp, fiery green that comes to the rescue of the resourceful golfer in circumstances such as we have been discussing. It seems to me that golfers in considering their putts very often take too little pains to come to an accurate determination of the speed of the greens. There are a score of changing circumstances which affect that speed, but it frequently happens that only a casual glance is given to the state of the turf, and the rest of the time is spent in considering the distance and the inclines that have to be contended against. The golfer should accustom himself to making a minute survey of the condition of things. Thus, to how many players does it occur that the direction in which the mowing machine has been passed over it makes an enormous difference to the speed of the particular piece of the green that has to be putted over? All the blades of grass are bent down in the direction that the machine has taken, and their points all face that way. Therefore the ball that is being putted in the opposite direction encounters all the resistance of these points, and in the aggregate this resistance is very considerable. On the other hand, the ball that has to be putted in the same direction that the machine went has an unusually smooth and slippery surface to glide over. It is very easy to see which way the machine has gone. On a newly-cut green there are stripes of different shades of green. The points of the grass give the deeper tints, and therefore the machine has been coming towards you on the dark stripes, and along them you must putt harder than on the others.
The variety of the circumstances to be taken into consideration render putting on undulating greens very attractive to the man who makes a proper and careful study of this part of the game, as every player ought to do.
CHAPTER XVSOME GENERAL HINTS
Too much golf—Analysis of good strokes—One's attitude towards one's opponent—Inaccurate counting of strokes—Tactics in match play—Slow couples on the course—Asking for halves—On not holing out when the half is given—Golfing attire—Braces better than belts—Shoes better than boots—How the soles should be nailed—On counting your strokes—Insisting on the rules—Play in frosty weather—Chalked faces for wet days—Against gloves—Concerning clubs—When confidence in a club is lost—Make up your mind about your shot—The golfer's lunch—Keeping the eye on the ball—The life of a rubber-core—A clean ball—The caddie's advice—Forebodings of failure—Experiments at the wrong time—One kind of golf at a time—Bogey beaten, but how?—Tips for tee shots—As to pressing—The short approach and the wayward eye—Swinging too much—For those with defective sight—Your opponent's caddie—Making holes in the bunkers—The golfer's first duty—Swinging on the putting greens—Practise difficult shots and not easy ones, etc.
The following are detached suggestions, each of which, I think, is of value and importance. In most cases they are such as I have not had an opportunity of making in any other chapter; but in a few others they are repetitions of former injunctions, for the sake of further emphasis:—
Don't play too much golf if you want to get on in the game. Three rounds a day are too much for any man, and if he makes a practice of playing them whenever he has the opportunity, his game is sure to suffer. He often says that his third round is the best of the day. But what about the first next morning? Two rounds a day are enough, and these two rounds on three days of the week are as much golf as is good for any player who does not want to become careless and stale.
Remember that the player who first settles down to the serious business of a hard match has the advantage. In a majority of cases concentrated purpose is the secret of victory.
You must be thoughtful if you want to get on in golf. Most players when they make an exceptionally good stroke gaze delightedly at the result, and then begin to talk about it to their opponent and the caddie. They rarely give a thought as to exactly how they did it, though it must be obvious that for that good result to have been obtained the stroke must have been played in a particularly correct and able manner. Unless by pure accident, no good ever comes of a bad stroke. When you have made a really wonderfully good shot—for you—bring yourself up sharply to find out exactly how you did it. Notice your stance, your grip, and try to remember the exact character of the swing that you made and precisely how you followed through. Then you will be able to do the same thing next time with great confidence. Usually when a player makes a really bad stroke you see him trying the swing over again—without the ball—wondering what went wrong. It would pay him much better to do the good strokes over again in the same way every time he makes them, so as to impress the method of execution firmly upon his mind.
Don't praise your own good shots. Leave that function to your partner, who, if a good sort, will not be slow in performing it. His praise will be more discriminating and worth more than yours. And don't say spiteful and unkind things about his good shots, or be continually talking about his luck. If you do he will hate you before the game is over.
When a hole is being keenly contested, and you look as though you are having the worst of it, try not to appear pleased when your opponent makes a bad stroke or gets into serious trouble, however relieved or even delighted you may feel. It is human nature to feel the better for your opponent's mistake in a crisis of this kind, but it is not good manners to show that you feel it. And, however well you may know your friend, it is not half so funny as you think it is to laugh at such a time or shout out that you rejoice. It is simply bad taste, for your opponent at that time is suffering from a sense of keen disappointment, and is temporarily quite unable to appreciate jokes of this kind. He is inclined to think he has been mistaken in you all along, and that you are much less of a gentleman and a sportsman than he had imagined.
If he is playing several more in a vain endeavour to extricate himself from a bunker, do not stand near him and audibly count his strokes. It would be justifiable homicide if he wound up his pitiable exhibition by applying his niblick to your head. It is better to pretend that you do not notice these things. On the other hand, do not go out of your way to say that you are sorry when these misfortunes happen. Such expressions imply a kind of patronage for which
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