The Sacred Formulas of the Cherokees by James Mooney (learn to read activity book TXT) 📕

summer and winter, with never-varying regularity, have given to each a name which should indicate these characteristics, thus showing how the human mind constantly moves on along the same channels. Missionaries have naturally, but incorrectly, assumed this apportioner of all things to be the suppositional “Great Spirit” of the Cherokees, and hence the word is used in the Bible translation as synonymous with God. In ordinary conversation and in the lesser myths the sun is called Nû´ntâ. The sun is invoked chiefly by the ball-player, while the hunter prays to the fire; but every important ceremony—whether connected with medicine, love, hunting, or the ball play—contains a prayer to the “Long Person,” the formulistic name for water, or, more strictly speaking, for the river. The wind, the storm, the cloud, and the frost are also invoked in different formulas.

But few inanimate gods are included in the category, the principal being the Stone, to which the shaman prays while endeavoring to find a lost article by means of a swinging pebble suspended by a string; the Flint, invoked when the shaman is about to scarify the patient with a flint arrow-head before rubbing on the medicine; and the Mountain, which is addressed in one or two of the formulas thus far translated. Plant gods do not appear prominently, the chief one seeming to be the ginseng, addressed in the formulas as the “Great Man” or “Little Man,” although its proper Cherokee name signifies the “Mountain Climber.”

A number of personal deities are also invoked, the principal being the Red Man. He is one of the greatest of the gods, being repeatedly called upon in formulas of all kinds, and is hardly subordinate to the Fire, the Water, or the Sun. His identity is as yet uncertain, but he seems to be intimately connected with the Thunder family. In a curious marginal note in one of the Gahuni formulas (page 350), it is stated that when the patient is a woman the doctor must pray to the Red Man, but when treating a man he must pray to the Red Woman, so that this personage seems to have dual sex characteristics. Another god invoked in the hunting songs is Tsu´l’kalû´, or “Slanting Eyes” (see Cherokee Myths), a giant hunter who lives in one of the great mountains of the Blue Ridge and owns all the game. Others are the Little Men, probably the two Thunder boys; the Little People, the fairies who live in the rock cliffs; and even the De´tsata, a diminutive sprite who holds the place of our Puck. One unwritten formula, which could not be obtained correctly by dictation, was addressed to the “Red-Headed Woman, whose hair hangs down to the ground.”

The personage invoked is always selected in accordance with the theory of the formula and the duty to be performed. Thus, when a sickness is caused by a fish, the Fish-hawk, the Heron, or some other fish-eating bird is implored to come and seize the intruder and destroy it, so that the patient may find relief. When the trouble is caused by a worm or an insect, some insectivorous bird is called in for the same purpose. When a flock of redbirds is pecking at the vitals of the sick man the Sparrow-hawk is brought down to scatter them, and when the rabbit, the great mischief-maker, is the evil genius, he is driven out by the Rabbit-hawk. Sometimes after the intruder has been thus expelled “a small portion still remains,” in the words of the formula, and accordingly the Whirlwind is called down from the treetops to carry the remnant to the uplands and there scatter it so that it shall never reappear. The hunter prays to the fire, from which he draws his omens; to the reed, from which he makes his arrows; to Tsu´l’kalû, the great lord of the game, and finally addresses in songs the very animals which he intends to kill. The lover prays to the Spider to hold fast the affections of his beloved one in the meshes of his web, or to the Moon, which looks down upon him in the dance. The warrior prays to the Red War-club, and the man about to set out on a dangerous expedition prays to the Cloud to envelop him and conceal him from his enemies.

Each spirit of good or evil has its distinct and appropriate place of residence. The Rabbit is declared to live in the broomsage on the hillside, the Fish dwells in a bend of the river under the pendant hemlock branches, the Terrapin lives in the great pond in the West, and the Whirlwind abides in the leafy treetops. Each disease animal, when driven away from his prey by some more powerful animal, endeavors to find shelter in his accustomed haunt. It must be stated here that the animals of the formulas are not the ordinary, everyday animals, but their great progenitors, who live in the upper world (galû´nlati) above the arch of the firmament.

COLOR SYMBOLISM.

Color symbolism plays an important part in the shamanistic system of the Cherokees, no less than in that of other tribes. Each one of the cardinal points has its corresponding color and each color its symbolic meaning, so that each spirit invoked corresponds in color and local habitation with the characteristics imputed to him, and is connected with other spirits of the same name, but of other colors, living in other parts of the upper world and differing widely in their characteristics. Thus the Red Man, living in the east, is the spirit of power, triumph, and success, but the Black Man, in the West, is the spirit of death. The shaman therefore invokes the Red Man to the assistance of his client and consigns his enemy to the fatal influences of the Black Man.

The symbolic color system of the Cherokees, which will be explained more fully in connection with the formulas, is as follows:

East = red = success; triumph. North = blue = defeat; trouble. West = black = death. South = white = peace; happiness. Above? = brown = unascertained, but propitious. ——— = yellow = about the same as blue.

There is a great diversity in the color systems of the various tribes, both as to the location and significance of the colors, but for obvious reasons black was generally taken as the symbol of death; while white and red signified, respectively, peace and war. It is somewhat remarkable that red was the emblem of power and triumph among the ancient Oriental nations no less than among the modern Cherokees.9

IMPORTANCE ATTACHED TO NAMES.

In many of the formulas, especially those relating to love and to life-destroying, the shaman mentions the name and clan of his client, of the intended victim, or of the girl whose affections it is desired to win. The Indian regards his name, not as a mere label, but as a distinct part of his personality, just as much as are his eyes or his teeth, and believes that injury will result as surely from the malicious handling of his name as from a wound inflicted on any part of his physical organism. This belief was found among the various tribes from the Atlantic to the Pacific, and has occasioned a number of curious regulations in regard to the concealment and change of names. It may be on this account that both Powhatan and Pocahontas are known in history under assumed appellations, their true names having been concealed from the whites until the pseudonyms were too firmly established to be supplanted. Should his prayers have no apparent effect when treating a patient for some serious illness, the shaman sometimes concludes that the name is affected, and accordingly goes to water, with appropriate ceremonies, and christens the patient with a new name, by which he is henceforth to be known. He then begins afresh, repeating the formulas with the new name selected for the patient, in the confident hope that his efforts will be crowned with success.

LANGUAGE OF THE FORMULAS.

A few words remain to be said in regard to the language of the formulas. They are full of archaic and figurative expressions, many of which are unintelligible to the common people, and some of which even the shamans themselves are now unable to explain. These archaic forms, like the old words used by our poets, lend a peculiar beauty which can hardly be rendered in a translation. They frequently throw light on the dialectic evolution of the language, as many words found now only in the nearly extinct Lower Cherokee dialect occur in formulas which in other respects are written in the Middle or Upper dialect. The R sound, the chief distinguishing characteristic of the old Lower dialect, of course does not occur, as there are no means of indicating it in the Cherokee syllabary. Those who are accustomed to look to the Bible for all beauty in sacred expression will be surprised to find that these formulas abound in the loftiest nights of poetic imagery. This is especially true of the prayers used to win the love of a woman or to destroy the life of an enemy, in which we find such expressions as—"Now your soul fades away—your spirit shall grow less and dwindle away, never to reappear;" “Let her be completely veiled in loneliness—O Black Spider, may you hold her soul in your web, so that it may never get through the meshes;” and the final declaration of the lover, “Your soul has come into the very center of my soul, never to turn away.”

In the translation it has been found advisable to retain as technical terms a few words which could not well be rendered literally, such as ada´wĕhĭ and ugistā´‘tĭ. These words will be found explained in the proper place. Transliterations of the Cherokee text of the formulas are given, but it must be distinctly understood that the translations are intended only as free renderings of the spirit of the originals, exact translations with grammatic and glossarial notes being deferred until a more extended study of the language has been made, when it is hoped to present with more exactness of detail the whole body of the formulas, of which the specimens here given are but a small portion.

The facsimile formulas are copies from the manuscripts now in possession of the Bureau of Ethnology, and the portraits are from photographs taken by the author in the field.

SPECIMEN FORMULAS. NOTE ON THE ORTHOGRAPHY AND TRANSLATION.

In the Cherokee text both d and g have a medial sound, approximating the sounds of t and k respectively. The other letters are pronounced in regular accordance with the alphabet of the Bureau of Ethnology. The language abounds in nasal and aspirate sounds, the most difficult of the latter being the aspirate ‘l, which to one familiar only with English sounds like tl.

A few words whose meaning could not be satisfactorily ascertained have been distinctively indicated in the Cherokee text by means of italics. In the translation the corresponding expression has been queried, or the space left entirely blank. On examining the text the student can not fail to be struck by the great number of verbs ending in iga. This is a peculiar form hardly ever used excepting in these formulas, where almost every paragraph contains one or more such verbs. It implies that the subject has just come and is now performing the action, and that he came for that purpose. In addition to this, many of these verbs may be either assertive or imperative (expressing entreaty), according to the accent. Thus hatû´ngani´ga means “you have just come and are listening and it is for that purpose you came.” By slightly accenting the final syllable it becomes “come at once to listen.” It will thus be seen that the great majority