England's Antiphon by George MacDonald (best fantasy books to read txt) 📕

As never was by mortal finger strook-
Divinely warbled voice
Answering the stringéd noise,
As all their souls in blissful rapture took:
The air, such pleasure loath to lose,
With thousand echoes still prolongs each heavenly close.

Nature, that heard such sound,
Beneath the hollow round
Of Cynthia's seat[113] the airy region thrilling,
Now was almost won
To think her part was done,
And that her reign had here its last fulfilling:
She knew such harmony alone
Could hold all heaven and earth in happier union.

At last surrounds their sight
A globe of circular light,
That with long beams the shame-faced night arrayed;
The helméd cherubim
And sworded seraphim
Are seen in glittering ranks with wings displayed,
Harping in loud and solemn choir,
With unexpressive[114] notes to heaven's new-born heir.

Such music, as 'tis said,
Before was never made,
But when of old the sons of morning sung,
While the Creator great
His constellations set,
And the well-balanced world on hinges hung,[115]
And cast the dark foundations deep,
And bid the weltering waves their oozy channel keep.

Ring out, ye crystal spheres;
Once bless our human ears-
If ye have power to touch our senses so;[116]
And let your silver chime
Move in melodious time;
And let the bass of heaven's deep organ blow;
And, with your ninefold harmony,
Make up full consort[117] to the angelic symphony.[118]

For if such holy song
Enwrap our fancy long,
Time will run back and fetch the age of gold;
And speckled vanity
Will sicken soon and die;[119]
And leprous sin will melt from earthly mould;
And hell itself will pass away,
And leave her dolorous mansions to the peering day.

Yea, truth and justice then
Will down return to men,
Orbed in a rainbow; and, like glories wearing,
Mercy will sit between,
Throned in celestial sheen,
With radiant feet the tissued clouds down steering;
And heaven, as at some festival,
Will open wide the gates of her high palace-hall.

But wisest Fate says "No;
This must not yet be so."
The babe lies yet in smiling infancy,
That on the bitter cross
Must redeem our loss,
So both himself and us to glorify.
Yet first, to those y-chained in sleep,
The wakeful trump of doom must thunder through the deep,

With such a horrid clang
As on Mount Sinai rang,
While the red fire and smouldering clouds outbrake:
The agéd earth, aghast
With terror of that blast,
Shall from the surface to the centre shake,
When, at the world's last sessiön,
The dreadful Judge in middle air shall spread his throne.

And then at last our bliss
Full and perfect is:
But now begins; for from this happy day,
The old dragon, under ground
In straiter limits bound,
Not half so far casts his usurped sway;
And, wroth to see his kingdom fail,
Swinges[120] the scaly horror of his folded tail.[121]

The oracles are dumb:[122]
No voice or hideous hum
Runs through the archéd roof in words deceiving;
Apollo from his shrine
Can no more divine,
With hollow shriek the steep of Delphos leaving;
No nightly trance, or breathed spell,
Inspires the pale-eyed priest from the prophetic cell.

The lonely mountains o'er,
And the resounding shore,
A voice of weeping heard and loud lament;
From haunted spring and dale,
Edged with poplar pale,
The parting genius[123] is with sighing sent;
With flower-inwoven tresses torn,
The nymphs in twilight shade of tangled thickets mourn.

In consecrated earth,
And on the holy hearth,
The Lars and Lemures[124] moan with midnight plaint;
In urns and altars round,
A drear and dying sound
Affrights the flamens[125] at their service quaint;
And the chill marble seems to sweat,
While each peculiar power foregoes his wonted seat.

Peor and Baälim
Forsake their temples dim,
With that twice-battered god of Palestine;
And moonéd Ashtaroth, the Assyrian Venus .
Heaven's queen and mother both,
Now sits not girt with tapers' holy shine;
The Lybic Hammon shrinks his horn;[126]
In vain the Tyrian maids their wounded Thammuz[127] mourn.

And sullen Moloch, fled,
Hath left in shadows dread
His burning idol, all of blackest hue:
In vain with cymbals' ring
They call the grisly[128] king,
In dismal dance about the furnace blue.
The brutish gods of Nile as fast-
Isis and Orus and the dog Anubis-haste.

Nor is Osiris[129] seen
In Memphian grove or green,
Trampling the unshowered[130] grass with lowings loud;
Nor can he be at rest
Within his sacred chest;
Nought but profoundest hell can be his shroud;
In vain, with timbrelled anthems dark,
The sable-stoléd sorcerers bear his worshipped ark:

He feels, from Judah's land,
The dreaded infant's hand;
The rays of Bethlehem blind his dusky eyn.
Nor all the gods beside
Longer dare abide-
Not Typhon huge, ending in snaky twine:
Our babe, to show his Godhead true,
Can in his swaddling bands control the damnéd crew.

So, when the sun in bed,
Curtained with cloudy red,
Pillows his chin upon an orient wave,
The flocking shadows pale
Troop to the infernal jail-
Each fettered ghost slips to his several grave;
And the yellow-skirted fays
Fly after the night-steeds, leaving their moon-loved maze.

But see, the Virgin blest
Hath laid her babe to rest:
Time is our tedious song should here have ending;
Heaven's youngest-teemed star[131]
Hath fixed her polished car,
Her sleeping Lord with handmaid lamp attending;
And all about the courtly stable
Bright-harnessed[132] angels sit, in order serviceable.[133]

If my reader should think some of the rhymes bad, and some of the words oddly used, I would remind him that both pronunciations and meanings have altered since: the probability is, that the older forms in both are the better. Milton will not use a wrong word or a bad rhyme. With regard to the form of the poem, let him observe the variety of length of line in the stanza, and how skilfully the varied lines are associated-two of six syllables and one of ten; then the same repeated; then one of eight and one of twelve-no two, except of the shortest, coming together of the same length. Its stanza is its own: I do not know another poem written in the same; and its music is exquisite. The probability is that, if the reader note any fact in the poem, however trifling it might seem to the careless eye, it will repay him by unfolding both