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great stretch of courtesy to show to a foreigner, even had she not been related to the princess in whose honor the ball was given; but the dukes and peers fired up at the arrangement, as if an insult had been offered them. They held a meeting at which they resolved that no member of their families should attend, and carried out their resolution so obstinately that at five o'clock, when the dancing was to commence, except the royal princesses there were only three ladies in the room. The king, who, following the example of Louis XIV., acted on these occasions as his own master of ceremonies, was forced to send special and personal orders to some of those who had absented themselves to attend without delay. And so by seven o'clock twelve or fourteen couples were collected[6] (the number of persons admitted to such entertainments was always extremely small), and the rude disloyalty of the protest was to outward appearance effaced by the submission of the recusants.

But all the troubles which arose out of the wedding festivities were not so easily terminated. Little as was the good-will which subsisted between Louis XV. and the Parisians, the civic authorities thought their own credit at stake in doing appropriate honor to an occasion so important as the marriage of the heir of the monarchy, and on the 30th of May they closed a succession of balls and banquets by a display of fire-works, in which the ingenuity of the most celebrated artists had been exhausted to outshine all previous displays of the sort. Three sides of the Place Louis XV. were filled up with pyramids and colonnades. Here dolphins darted out many-colored flames from their ever-open mouths. There, rivers of fire poured forth cascades spangled with all the variegated brilliancy with which the chemist's art can embellish the work of the pyrotechnist. The centre was occupied with a gorgeous Temple of Hymen, which seemed to lean for support on the well-known statue of the king, in front of which it was constructed; and which was, as it were, to be carried up to the skies by above three thousand rockets and fire-balls into which it was intended to dissolve. The whole square was packed with spectators, the pedestrians in front, the carriages in the rear, when one of the explosions set fire to a portion of the platforms on which the different figures had been constructed. At first the increase of the blaze was regarded only as an ingenious surprise on the part of the artist. But soon it became clear that the conflagration was undesigned and real; panic-succeeded to delight, and the terror-stricken crowd, seeing themselves surrounded with flames, began to make frantic efforts to escape from the danger; but there was only one side of the square uninclosed, and that was blocked up by carriages. The uproar and the glare made the horses unmanageable, and in a few moments the whole mass, human beings and animals, was mingled in helpless confusion, making flight impossible by their very eagerness to fly, and trampling one another underfoot in bewildered misery. Of those who did succeed in extricating themselves from the square, half made their way to the road which runs along the bank of the river, and found that they had only exchanged one danger for another, which, though of an opposite character, was equally destructive. Still overwhelmed with terror, though the first peril was over, the fugitives pushed one another into the stream, in which great numbers were drowned. The number of the killed could never be accurately ascertained: but no calculation estimated the number of those who perished at less than six hundred, while those who were grievously injured were at least as many more.

The dauphin and dauphiness were deeply shocked by a disaster so painfully at variance with their own happiness, which, in one sense, had caused it. Their first thought was, as far as they might be able, to mitigate it. Most of the victims were of the poorer class, the grief of whose surviving relatives was, in many instances, aggravated by the loss of the means of livelihood which the labors of those who had been cut off had hitherto supplied; and, to give temporary succor to this distress, the dauphin and dauphiness at once drew out from the royal treasury the sums allowed to them for their private expenses for the month, and sent the money to the municipal authorities to be applied to the relief of the sufferers. But Marie Antoinette did more. She felt that to give money only was but cold benevolence; and she made personal visits to many of those families which had been most grievously afflicted, showing the sincerity of her sympathy by the touching kindness of her language, and by the tears which she mingled with those of the widow and the orphan.[7] Such unmerited kindness made a deep impression on the citizens. Since the time of Henry IV. no prince had ever shown the slightest interest in the happiness or misery of the lower classes; and the feeling of affectionate gratitude which this unprecedented recognition of their claims to be sympathized with as fellow-creatures awakened was fixed still more deeply in their hearts a short time afterward, when, at one of the hunting-parties which took place at Fontainebleau, the stag charged a crowd of the spectators and severely wounded a peasant with his horns. Marie Antoinette sprung to the ground at the sight, helped to bind up the wound, and had the man driven in her own carriage to his cabin, whither she followed him herself to see that every proper attention was paid to him.[8] And the affection which she thus inspired among the poor was fully shared by the chief personage in the kingdom, the sovereign himself. A life of profligacy had not rendered Louis wholly insensible to the superior attractions of innocence and virtue. Perhaps a secret sense of shame at the slavery in which his vices held him, and which, as he well knew, excited the contempt of even his most dissolute courtiers, though he had not sufficient energy to shake it off, may have for a moment quickened his better feelings; and the fresh beauty of the young princess, who, from the first moment of her arrival at the court, treated him with the most affectionate and caressing respect, awakened in him a genuine admiration and good-will. He praised her beauty and her grace to all his nobles with a warmth that excited the jealousy of his infamous mistress, the Countess du Barri. He made allowance for some childishness of manner as natural at her age,[9] showed an anxiety for every thing which could amuse or gratify her, which afforded a marked contrast to his ordinary apathy. And, though in so young a girl it was rather the promise of future beauty than its developed perfection that her feat-* as yet presented, they already exhibited sufficient charms to exempt those who extolled them from the suspicion of flattery. A clear and open forehead, a delicately cut nose, a complexion of dazzling brilliancy, with bright blue eyes, whose ever-varying lustre seemed equally calculated to show every feeling which could move her heart; which could, at times seem almost fierce with anger, indignation, or contempt, but whose prevailing expression was that of kindly benevolence or light-hearted mirth were united with a figure of exquisite proportions, sufficiently tall for dignity, though as yet, of course, slight and unformed, and every movement of which was directed by a grace that could neither be taught nor imitated. If any defect could be discovered in her face, it consisted in a somewhat undue thickness of the lips, especially of the lower lip, which had for some generations been the prevailing characteristic of her family.

Accordingly, a month after her marriage, Mercy could report to Maria Teresa that she had had complete success, and was a universal favorite; that, besides the king, who openly expressed his satisfaction, she had won the heart of the dauphin, who had been very unqualified in the language in which he had praised both her beauty and her agreeable qualities to his aunts; and that even those princesses were "enchanted" with her. The whole court, and the people in general, extolled her affability, and the graciousness with which she said kind things to all who approached her. Though the well-informed embassador had already discovered signs of the cabals which the mistress and her partisans were forming against her, and had been rendered a little uneasy by the handle which she had more than once afforded to her secret enemies, when, "in gayety of heart and without the slightest ill-will," she had allowed herself to jest on some persons and circumstances which struck her as ridiculous, her jests being seasoned with a wit and piquancy which rendered them keener to those who were their objects, and more so mischievous to herself. He especially praised the unaffected dignity with which she had received the mistress who had attended in her apartments to pay her court, though in no respect deceived as to the lady's disposition, her penetration into the characters of all with whom she had been brought into contact, denoting, as it struck him, "a sagacity" which, at her age, was "truly astonishing.[10]"


CHAPTER IV.

Marie Antoinette gives her Mother her First Impressions of the Court and of her own Position and Prospects.--Court Life at Versailles.--Marie Antoinette shows her Dislike of Etiquette.--Character of the Duc d'Aiguillon.--Cabals against the Dauphiness.--Jealousy of Mme. du Barri.-- The Aunts, too, are Jealous of Her.--She becomes more and more Popular.-- Parties for Donkey-riding.--Scantiness of the Dauphiness's Income.--Her Influence over the King.--The Duc de Choiseul is dismissed.--She begins to have Great Influence over the Dauphin.

Marie Antoinette herself was inclined to be delighted with all that befell her, and to make light of what she could hardly regard as pleasant or becoming; and two of her first letters to her mother, written in the early part of July,[1] give us an insight into the feelings with which she regarded her new family and her own position, as well as a picture of her daily occupations and of the singular customs of the French court, strangely inconsistent in what it permitted and in what it disallowed, and, in the publicity in which its princes lived, curiously incompatible with ordinary ideas of comfort and even delicacy.

"The king," she says, "is full of kindnesses toward me, and I love him tenderly. But it is pitiable to see his weakness for Madame du Barri, who is the silliest and most impertinent creature that it is possible to conceive. She has played with us every evening at Marly,[2] and she has twice been seated next to me; but she has not spoken to me, and I have not attempted to engage in conversation with her; but, when it was necessary, I have said a word or two to her.

"As for my dear husband, he is greatly changed, and in a most advantageous manner. He shows a great deal of affection for me, and is even beginning to treat me with great confidence. He certainly does not like M. de la, Vauguyon; but he is afraid of him. A curious thing happened about the duke the other day. I was alone with my husband, when M. de la Vauguyon stole hurriedly up to the doors to listen. A servant, who was either a fool or a very honest man, opened the door, and there stood his grace the duke planted like a sentinel, without being able to retreat. I pointed out to my husband the inconvenience that there was in having people listening at the doors, and he took my remark very well."

She did not tell the empress the whole of this occurrence; she had been too indignant at the duke's meanness to
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