Famous Modern Ghost Stories by - (short books to read .TXT) đź“•
The Shadows On The Wall by Mary E. Wilkins Freeman
The Messenger by Robert W. Chambers
Lazarus by Leonid Andreyev
The Beast With Five Fingers by W. F. Harvey
The Mass Of Shadows by Anatole France
What Was It? by Fitz-James O'Brien
The Middle Toe Of The Right Foot by Ambrose Bierce
The Shell Of Sense by Olivia Howard Dunbar
The Woman At Seven Brothers by Wilbur Daniel Steele
At The Gate by Myla Jo Closser
Ligeia by Edgar Allan Poe
The Haunted Orchard by Richard Le Gallienne
The Bowmen by Arthur Machen
A Ghost by Guy De Maupassant
Read free book «Famous Modern Ghost Stories by - (short books to read .TXT) 📕» - read online or download for free at americanlibrarybooks.com
- Author: -
- Performer: -
Read book online «Famous Modern Ghost Stories by - (short books to read .TXT) 📕». Author - -
I guess I did laugh when I went aloft to clean the lamp and found everything so free and breezy, gulls flying high and little whitecaps making under a westerly. It was like feeling a big load dropped off your shoulders. Fedderson came up with his dust-rag and cocked his head at me.
"What's the matter, Ray?" said he.
"Nothing," said I. And then I couldn't help it. "Seems kind of out of place for society notes," said I, "out here at Seven Brothers."
He was the other side of the lens, and when he looked at me he had a thousand eyes, all sober. For a minute I thought he was going on dusting, but then he came out and sat down on a sill.
"Sometimes," said he, "I get to thinking it may be a mite dull for her out here. She's pretty young, Ray. Not much more'n a girl, hardly."
"Not much more'n a girl!" It gave me a turn, sir, as though I'd seen my aunt in short dresses.
"It's a good home for her, though," he went on slow. "I've seen a lot worse ashore, Ray. Of course if I could get a shore light——"
"Kingdom Come's a shore light."
He looked at me out of his deep-set eyes, and then he turned them around the light-room, where he'd been so long.
"No," said he, wagging his head. "It ain't for such as me."
I never saw so humble a man.
"But look here," he went on, more cheerful. "As I was telling her just now, a month from yesterday's our fourth anniversary, and I'm going to take her ashore for the day and give her a holiday—new hat and everything. A girl wants a mite of excitement now and then, Ray."
There it was again, that "girl." It gave me the fidgets, sir. I had to do something about it. It's close quarters for last names in a light, and I'd taken to calling him Uncle Matt soon after I came. Now, when I was at table that noon I spoke over to where she was standing by the stove, getting him another help of chowder.
"I guess I'll have some, too, Aunt Anna," said I, matter of fact.
She never said a word nor gave a sign—just stood there kind of round-shouldered, dipping the chowder. And that night at prayers I hitched my chair around the table, with its back the other way.
You get awful lazy in a lighthouse, some ways. No matter how much tinkering you've got, there's still a lot of time and there's such a thing as too much reading. The changes in weather get monotonous, too, by and by; the light burns the same on a thick night as it does on a fair one. Of course there's the ships, north-bound, south-bound—wind-jammers, freighters, passenger-boats full of people. In the watches at night you can see their lights go by, and wonder what they are, how they're laden, where they'll fetch up, and all. I used to do that almost every evening when it was my first watch, sitting out on the walk-around up there with my legs hanging over the edge and my chin propped on the railing—lazy. The Boston boat was the prettiest to see, with her three tiers of port-holes lit, like a string of pearls wrapped round and round a woman's neck—well away, too, for the ledge must have made a couple of hundred fathoms off the Light, like a white dog-tooth of a breaker, even on the darkest night.
Well, I was lolling there one night, as I say, watching the Boston boat go by, not thinking of anything special, when I heard the door on the other side of the tower open and footsteps coming around to me.
By and by I nodded toward the boat and passed the remark that she was fetching in uncommon close to-night. No answer. I made nothing of that, for oftentimes Fedderson wouldn't answer, and after I'd watched the lights crawling on through the dark a spell, just to make conversation I said I guessed there'd be a bit of weather before long.
"I've noticed," said I, "when there's weather coming on, and the wind in the northeast, you can hear the orchestra playing aboard of her just over there. I make it out now. Do you?"
"Yes. Oh—yes—! I hear it all right!"
You can imagine I started. It wasn't him, but her. And there was something in the way she said that speech, sir—something—well—unnatural. Like a hungry animal snapping at a person's hand.
I turned and looked at her sidewise. She was standing by the railing, leaning a little outward, the top of her from the waist picked out bright by the lens behind her. I didn't know what in the world to say, and yet I had a feeling I ought not to sit there mum.
"I wonder," said I, "what that captain's thinking of, fetching in so handy to-night. It's no way. I tell you, if 'twasn't for this light, she'd go to work and pile up on the ledge some thick night——"
She turned at that and stared straight into the lens. I didn't like the look of her face. Somehow, with its edges cut hard all around and its two eyes closed down to slits, like a cat's, it made a kind of mask.
"And then," I went on, uneasy enough—"and then where'd all their music be of a sudden, and their goings-on and their singing——"
"And dancing!" She clipped me off so quick it took my breath.
"D-d-dancing?" said I.
"That's dance-music," said she. She was looking at the boat again.
"How do you know?" I felt I had to keep on talking.
Well, sir—she laughed. I looked at her. She had on a shawl of some stuff or other that shined in the light; she had it pulled tight around her with her two hands in front at her breast, and I saw her shoulders swaying in tune.
"How do I know?" she cried. Then she laughed again, the same kind of a laugh. It was queer, sir, to see her, and to hear her. She turned, as quick as that, and leaned toward me. "Don't you know how to dance, Ray?" said she.
"N-no," I managed, and I was going to say "Aunt Anna," but the thing choked in my throat.
I tell you she was looking square at me all the time with her two eyes and moving with the music as if she didn't know it. By heavens, sir, it came over me of a sudden that she wasn't so bad-looking, after all. I guess I must have sounded like a fool.
"You—you see," said I, "she's cleared the rip there now, and the music's gone. You—you hear?"
"Yes," said she, turning back slow. "That's where it stops every night—night after night—it stops just there—at the rip."
When she spoke again her voice was different. I never heard the like of it, thin and taut as a thread. It made me shiver, sir.
"I hate 'em!" That's what she said. "I hate 'em all. I'd like to see 'em dead. I'd love to see 'em torn apart on the rocks, night after night. I could bathe my hands in their blood, night after night."
And do you know, sir, I saw it with my own eyes, her hands moving in each other above the rail. But it was her voice, though. I didn't know what to do, or what to say, so I poked my head through the railing and looked down at the water. I don't think I'm a coward, sir, but it was like a cold—ice-cold—hand, taking hold of my beating heart.
When I looked up finally, she was gone. By and by I went in and had a look at the lamp, hardly knowing what I was about. Then, seeing by my watch it was time for the old man to come on duty, I started to go below. In the Seven Brothers, you understand, the stair goes down in a spiral through a well against the south wall and first there's the door to the keeper's room and then you come to another, and that's the living-room, and then down to the store-room. And at night, if you don't carry a lantern, it's as black as the pit.
Well, down I went, sliding my hand along the rail, and as usual I stopped to give a rap on the keeper's door, in case he was taking a nap after supper. Sometimes he did.
I stood there, blind as a bat, with my mind still up on the walk-around. There was no answer to my knock. I hadn't expected any. Just from habit, and with my right foot already hanging down for the next step, I reached out to give the door one more tap for luck.
Do you know, sir, my hand didn't fetch up on anything. The door had been there a second before, and now the door wasn't there. My hand just went on going through the dark, on and on, and I didn't seem to have sense or power enough to stop it. There didn't seem any air in the well to breathe, and my ears were drumming to the surf—that's how scared I was. And then my hand touched the flesh of a face, and something in the dark said, "Oh!" no louder than a sigh.
Next thing I knew, sir, I was down in the living-room, warm and yellow-lit, with Fedderson cocking his head at me across the table, where he was at that eternal Jacob's-ladder of his.
"What's the matter, Ray?" said he. "Lord's sake, Ray!"
"Nothing," said I. Then I think I told him I was sick. That night I wrote a letter to A.L. Peters, the grain-dealer in Duxbury, asking for a job—even though it wouldn't go ashore for a couple of weeks, just the writing of it made me feel better.
It's hard to tell you how those two weeks went by. I don't know why, but I felt like hiding in a corner all the time. I had to come to meals, but I didn't look at her, though, not once, unless it was by accident. Fedderson thought I was still ailing and nagged me to death with advice and so on. One thing I took care not to do, I can tell you, and that was to knock on his door till I'd made certain he wasn't below in the living-room—though I was tempted to.
Yes, sir; that's a queer thing, and I wouldn't tell you if I hadn't set out to give you the truth. Night after night, stopping there on the landing in that black pit, the air gone out of my lungs and the surf drumming in my ears and sweat standing cold on my neck—and one hand lifting up in the air—God forgive me, sir! Maybe I did wrong not to look at her more, drooping about her work in her gingham apron, with her hair stringing.
When the Inspector came off with the tender, that time, I told him I was through. That's when he took the dislike to me, I guess, for he looked at me kind of sneering and said, soft as I was, I'd have to put up with it till next relief. And then, said he, there'd be a whole house-cleaning at Seven Brothers, because he'd gotten Fedderson the berth at Kingdom Come. And with that he slapped the old man on the back.
I wish you could have seen Fedderson, sir. He sat down on my cot as if his knees had given 'way. Happy? You'd think he'd be happy, with all his dreams come true. Yes, he was happy, beaming all over—for a minute. Then, sir, he began to shrivel up. It was like seeing a man cut down in his prime before your eyes. He began to wag his head.
"No," said he. "No, no; it's not for such as me. I'm good
Comments (0)