Varney the Vampire; Or, the Feast of Blood by Prest and Rymer (most recommended books .txt) đź“•
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- Author: Prest and Rymer
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The figure turns half round, and the light falls upon the face. It is perfectly white—perfectly bloodless. The eyes look like polished tin; the lips are drawn back, and the principal feature next to those dreadful eyes is the teeth—the fearful looking teeth—projecting like those of some wild animal, hideously, glaringly white, and fang-like. It approaches the bed with a strange, gliding movement. It clashes together the long nails that literally appear to hang from the finger ends. No sound comes from its lips. Is she going mad—that young and beautiful girl exposed to so much terror? she has drawn up all her limbs; she cannot even now say help. The power of articulation is gone, but the power of movement has returned to her; she can draw herself slowly along to the other side of the bed from that towards which the hideous appearance is coming.
But her eyes are fascinated. The glance of a serpent could not have produced a greater effect upon her than did the fixed gaze of those awful, metallic-looking eyes that were bent on her face. Crouching down so that the gigantic height was lost, and the horrible, protruding, white face was the most prominent object, came on the figure. What was it?—what did it want there?—what made it look so hideous—so unlike an inhabitant of the earth, and yet to be on it?
Now she has got to the verge of the bed, and the figure pauses. It seemed as if when it paused she lost the power to proceed. The clothing of the bed was now clutched in her hands with unconscious power. She drew her breath short and thick. Her bosom heaves, and her limbs tremble, yet she cannot withdraw her eyes from that marble-looking face. He holds her with his glittering eye.
The storm has ceased—all is still. The winds are hushed; the church clock proclaims the hour of one: a hissing sound comes from the throat of the hideous being, and he raises his long, gaunt arms—the lips move. He advances. The girl places one small foot from the bed on to the floor. She is unconsciously dragging the clothing with her. The door of the room is in that direction—can she reach it? Has she power to walk?—can she withdraw her eyes from the face of the intruder, and so break the hideous charm? God of Heaven! is it real, or some dream so like reality as to nearly overturn the judgment for ever?
The figure has paused again, and half on the bed and half out of it that young girl lies trembling. Her long hair streams across the entire width of the bed. As she has slowly moved along she has left it streaming across the pillows. The pause lasted about a minute—oh, what an age of agony. That minute was, indeed, enough for madness to do its full work in.
With a sudden rush that could not be foreseen—with a strange howling cry that was enough to awaken terror in every breast, the figure seized the long tresses of her hair, and twining them round his bony hands he held her to the bed. Then she screamed—Heaven granted her then power to scream. Shriek followed shriek in rapid succession. The bed-clothes fell in a heap by the side of the bed—she was dragged by her long silken hair completely on to it again. Her beautifully rounded limbs quivered with the agony of her soul. The glassy, horrible eyes of the figure ran over that angelic form with a hideous satisfaction—horrible profanation. He drags her head to the bed's edge. He forces it back by the long hair still entwined in his grasp. With a plunge he seizes her neck in his fang-like teeth—a gush of blood, and a hideous sucking noise follows. The girl has swooned, and the vampyre is at his hideous repast!
CHAPTER II. THE ALARM.—THE PISTOL SHOT.—THE PURSUIT AND ITS CONSEQUENCES.Lights flashed about the building, and various room doors opened; voices called one to the other. There was an universal stir and commotion among the inhabitants.
"Did you hear a scream, Harry?" asked a young man, half-dressed, as he walked into the chamber of another about his own age.
"I did—where was it?"
"God knows. I dressed myself directly."
"All is still now."
"Yes; but unless I was dreaming there was a scream."
"We could not both dream there was. Where did you think it came from?"
"It burst so suddenly upon my ears that I cannot say."
There was a tap now at the door of the room where these young men were, and a female voice said,—
"For God's sake, get up!"
"We are up," said both the young men, appearing.
"Did you hear anything?"
"Yes, a scream."
"Oh, search the house—search the house; where did it come from—can you tell?"
"Indeed we cannot, mother."
Another person now joined the party. He was a man of middle age, and, as he came up to them, he said,—
"Good God! what is the matter?"
Scarcely had the words passed his lips, than such a rapid succession of shrieks came upon their ears, that they felt absolutely stunned by them. The elderly lady, whom one of the young men had called mother, fainted, and would have fallen to the floor of the corridor in which they all stood, had she not been promptly supported by the last comer, who himself staggered, as those piercing cries came upon the night air. He, however, was the first to recover, for the young men seemed paralysed.
"Henry," he cried, "for God's sake support your mother. Can you doubt that these cries come from Flora's room?"
The young man mechanically supported his mother, and then the man who had just spoken darted back to his own bed-room, from whence he returned in a moment with a pair of pistols, and shouting,—
"Follow me, who can!" he bounded across the corridor in the direction of the antique apartment, from whence the cries proceeded, but which were now hushed.
That house was built for strength, and the doors were all of oak, and of considerable thickness. Unhappily, they had fastenings within, so that when the man reached the chamber of her who so much required help, he was helpless, for the door was fast.
"Flora! Flora!" he cried; "Flora, speak!"
All was still.
"Good God!" he added; "we must force the door."
"I hear a strange noise within," said the young man, who trembled violently.
"And so do I. What does it sound like?"
"I scarcely know; but it nearest resembles some animal eating, or sucking some liquid."
"What on earth can it be? Have you no weapon that will force the door? I shall go mad if I am kept here."
"I have," said the young man. "Wait here a moment."
He ran down the staircase, and presently returned with a small, but powerful, iron crow-bar.
"This will do," he said.
"It will, it will.—Give it to me."
"Has she not spoken?"
"Not a word. My mind misgives me that something very dreadful must have happened to her."
"And that odd noise!"
"Still goes on. Somehow, it curdles the very blood in my veins to hear it."
The man took the crow-bar, and with some difficulty succeeded in introducing it between the door and the side of the wall—still it required great strength to move it, but it did move, with a harsh, crackling sound.
"Push it!" cried he who was using the bar, "push the door at the same time."
The younger man did so. For a few moments the massive door resisted. Then, suddenly, something gave way with a loud snap—it was a part of the lock,—and the door at once swung wide open.
How true it is that we measure time by the events which happen within a given space of it, rather than by its actual duration.
To those who were engaged in forcing open the door of the antique chamber, where slept the young girl whom they named Flora, each moment was swelled into an hour of agony; but, in reality, from the first moment of the alarm to that when the loud cracking noise heralded the destruction of the fastenings of the door, there had elapsed but very few minutes indeed.
"It opens—it opens," cried the young man.
"Another moment," said the stranger, as he still plied the crowbar—"another moment, and we shall have free ingress to the chamber. Be patient."
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