Literary Lapses by Stephen Leacock (i love reading books TXT) đź“•
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- Author: Stephen Leacock
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Insurance up to Date
A man called on me the other day with the idea of insuring my life. Now, I detest life-insurance agents; they always argue that I shall some day die, which is not so. I have been insured a great many times, for about a month at a time, but have had no luck with it at all.
So I made up my mind that I would outwit this man at his own game. I let him talk straight ahead and encouraged him all I could, until he finally left me with a sheet of questions which I was to answer as an applicant. Now this was what I was waiting for; I had decided that, if that company wanted information about me, they should have it, and have the very best quality I could supply. So I spread the sheet of questions before me, and drew up a set of answers for them, which, I hoped, would settle for ever all doubts as to my eligibility for insurance.
Question.—What is your age? Answer.—I can't think.
Q.—What is your chest measurement? A.—Nineteen inches.
Q.—What is your chest expansion? A.—Half an inch.
Q.—What is your height? A.—Six feet five, if erect, but less when I walk on all fours.Q.—Is your grandfather dead? A.—Practically.
Q.—Cause of death, if dead? A.—Dipsomania, if dead.
Q.—Is your father dead? A.—To the world.
Q.—Cause of death? A.—Hydrophobia.
Q.—Place of father's residence? A.—Kentucky.
Q.—What illness have you had? A.—As a child, consumption, leprosy, and water on the knee. As a man, whooping-cough, stomach-ache, and water on the brain.Q.—Have you any brothers? A.—Thirteen; all nearly dead.
Q.—Are you aware of any habits or tendencies which might be expected to shorten your life? A.—I am aware. I drink, I smoke, I take morphine and vaseline. I swallow grape seeds and I hate exercise.I thought when I had come to the end of that list that I had made a dead sure thing of it, and I posted the paper with a cheque for three months' payment, feeling pretty confident of having the cheque sent back to me. I was a good deal surprised a few days later to receive the following letter from the company:
"DEAR SIR,—We beg to acknowledge your letter of application and cheque for fifteen dollars. After a careful comparison of your case with the average modern standard, we are pleased to accept you as a first-class risk."
Borrowing a Match
You might think that borrowing a match upon the street is a simple thing. But any man who has ever tried it will assure you that it is not, and will be prepared to swear to the truth of my experience of the other evening.
I was standing on the corner of the street with a cigar that I wanted to light. I had no match. I waited till a decent, ordinary-looking man came along. Then I said:
"Excuse me, sir, but could you oblige me with the loan of a match?"
"A match?" he said, "why certainly." Then he unbuttoned his overcoat and put his hand in the pocket of his waistcoat. "I know I have one," he went on, "and I'd almost swear it's in the bottom pocket—or, hold on, though, I guess it may be in the top—just wait till I put these parcels down on the sidewalk."
"Oh, don't trouble," I said, "it's really of no consequence."
"Oh, it's no trouble, I'll have it in a minute; I know there must be one in here somewhere"—he was digging his fingers into his pockets as he spoke—"but you see this isn't the waistcoat I generally..."
I saw that the man was getting excited about it. "Well, never mind," I protested; "if that isn't the waistcoat that you generally—why, it doesn't matter."
"Hold on, now, hold on!" the man said, "I've got one of the cursed things in here somewhere. I guess it must be in with my watch. No, it's not there either. Wait till I try my coat. If that confounded tailor only knew enough to make a pocket so that a man could get at it!"
He was getting pretty well worked up now. He had thrown down his walking-stick and was plunging at his pockets with his teeth set. "It's that cursed young boy of mine," he hissed; "this comes of his fooling in my pockets. By Gad! perhaps I won't warm him up when I get home. Say, I'll bet that it's in my hip-pocket. You just hold up the tail of my overcoat a second till I..."
"No, no," I protested again, "please don't take all this trouble, it really doesn't matter. I'm sure you needn't take off your overcoat, and oh, pray don't throw away your letters and things in the snow like that, and tear out your pockets by the roots! Please, please don't trample over your overcoat and put your feet through the parcels. I do hate to hear you swearing at your little boy, with that peculiar whine in your voice. Don't—please don't tear your clothes so savagely."
Suddenly the man gave a grunt of exultation, and drew his hand up from inside the lining of his coat.
"I've got it," he cried. "Here you are!" Then he brought it out under the light.
It was a toothpick.
Yielding to the impulse of the moment I pushed him under the wheels of a trolley-car, and ran.
A Lesson in Fiction
Suppose that in the opening pages of the modern melodramatic novel you find some such situation as the following, in which is depicted the terrific combat between Gaspard de Vaux, the boy lieutenant, and Hairy Hank, the chief of the Italian banditti:
"The inequality of the contest was apparent. With a mingled yell of rage and contempt, his sword brandished above
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