The Hohenzollerns in America<br />With the Bolsheviks in Berlin and Other Impossibilities by Stephen Leacock (ereader for textbooks .txt) 📕

"For a moment the King paused irresolute, the uplifted quill in his hand, while his crafty, furtive eyes indicated that he might yet break his plighted faith with the assembled barons.

"Ned laid his mailed hand upon the parchment.

"'Sign it,' he said sternly, 'or take the consequences.'

"The King signed.

"'Ned,' said the Baron de Bohun, as he removed his iron vizor from his bronze face, 'thou hast this day saved all England.'"

In the stories of our boyhood in which Ned figured, there was no such thing as a heroine, or practically none. At best she was brought in as an afterthought. It was announced on page three hundred and one that at the close of Ned's desperate adventures in the West Indies he married the beautiful daughter of Don Diego, the Spanish governor of Portobello; or else, at the end of the great war with Napoleon, that he married a beautiful and accomplished French girl whose parents had perished in the Revolution.

Ned generally married away from home. In fact his marriages were intended to cement the nations, torn asunder by Ned's military career. But sometimes he returned to his native town, all sunburned, scarred and bronzed from battle (the bronzing effect of being in battle is always noted): he had changed from a boy to a man: that is, from a boy of fifteen to a man of sixteen. In such a case Ned marries in his own home town. It is done after this fashion:

"But who is this who advances smiling to greet him as he crosses the familiar threshold of the dear old house? Can this tall, beautiful girl be Gwendoline, the child-playmate of his boyhood?"

Well, can it? I ask it of every experienced reader—can it or can it not?

Ned had his day, in the boyhood of each of us. We presently passed him by. I am speaking, of course, of those of us who are of maturer years and can look back upon thirty or forty years of fiction reading. "Ned," flourishes still, I understand, among the children of today. But now he flies in aeroplanes, and dives in submarines, and gives his invaluable military advice to General Joffre and General Pershing.

But with the oncoming of adolescent years something softer was needed than Ned with his howling cannibals and his fusillade of revolver shots.

So the "Ned" of the Adventure Books was supplanted by the Romantic Heroine of the Victorian Age and the Long-winded Immaculate who accompanied her as the Hero.

I do not know when these two first opened their twin career. Whether Fenimore Cooper or Walter Scott began them, I cannot say. But they had an undisputed run on two continents for half a century.

This Heroine was a sylph. Her chiefest charm lay in her physical feebleness. She was generally presented to us in some such words as these:

"Let us now introduce to our readers the fair Madeline of Rokewood. Slender and graceful and of a form so fragile that her frame scarce fitted to fulfil its bodily functions...she appeared rather as one of those ethereal beings of the air who might visit for a brief moment this terrestrial scene, than one of its earthly inhabitants. Her large, wondering eyes looked upon the beholder in childlike innocence."

Sounds simple, doesn't it? One might suspect there was something wrong with the girl's brain. But listen to this:—

"The mind of Madeline, elegantly formed by the devoted labours of the venerable Abbe, her tutor, was of a degree of culture rarely found in one so young. Though scarce eighteen summers had flown over her head at the time when we introduce her to our readers, she was intimately conversant with the French, Italian, Spanish, and Provencal tongues. The abundant pages of history, both ancient and modern, sacred and profane, had been opened for her by her devoted instructor. In music she played with exquisite grace and accuracy upon both the spinet and the harpsichord, while her voice, though lacking something in compass, was sweet and melodious to a degree."

From such a list of accomplishments it is clear that Madeline could have matriculated, even at the Harvard Law School, with five minutes preparation. Is it any wonder that there was a wild rush for Madeline? In fact, right after the opening description of the Heroine, there follows an ominous sentence such as this:—

"It was this exquisite being whose person Lord Rip de Viperous, a man whose reputation had shamed even the most licentious court of the age, and had led to his banishment from the presence of the king, had sworn to get within his power."

Personally I don't blame Lord Rip a particle; it must have been very rough on him to have been banished from the presence of the king—enough to inflame a man to do anything.

With two such characters in the story, the scene was set and the plot and adventures followed as a matter of course. Lord Rip de Viperous pursued the Heroine. But at every step he is frustrated. He decoys Madeline to a ruined tower at midnight, her innocence being such and the gaps left in her education by the Abbe being so wide, that she is unaware of the danger of ruined towers after ten thirty P.M. In fact, "tempted by the exquisite clarity and fulness of the moon, which magnificent orb at this season spread its widest effulgence over all nature, she accepts the invitation of her would-be-betrayer to gather upon the battlements of the ruined keep the strawberries which grew there in wild profusion."

But at the critical moment, Lord de Viperous is balked. At the very instant when he is about to seize her in his arms, Madeline turns upon him and says in such icy tones, "Titled villain that you are, unhand me," that the man is "cowed." He slinks down the ruined stairway "cowed." And at every later turn, at each renewed attempt, Madeline "cows" him in like fashion.

Moreover while Lord de Viperous is being thus cowed by Madeline the Heroine, he is also being "dogged" by the Hero. This counterpart of Madeline who shared her popularity for fifty years can best be described as the Long-winded Immaculate Hero. Entirely blameless in his morals, and utterly virtuous in his conduct, he possessed at least one means of defending himself. He could make speeches. This he did on all occasions. With these speeches he "dogged" Lord de Viperous. Here is the style of them:—

"'My Lord,' said Markham..." (incidentally let it be explained that this particular brand of hero was always known by his surname and his surname was always Markham) —"'My lord, the sentiments that you express and the demeanour which you have evinced are so greatly at variance with the title that you bear and the lineage of which you spring that no authority that you can exercise and no threats that you are able to command shall deter me from expressing that for which, however poor and inadequate my powers of speech, all these of whom and for what I am what I am, shall answer to it for the integrity of that, which, whether or not, is at least as it is. My lord, I have done. Or shall I speak more plainly still?'"

Is it to be wondered that after this harangue Lord Rip sank into a chair, a hideous convulsion upon his face, murmuring—"It is enough."