Psmith in the City by P. G. Wodehouse (classic books for 11 year olds TXT) 📕

The City received Mike with the same aloofness with which the more western portion of London had welcomed him on the previous day. Nobody seemed to look at him. He was permitted to alight at St Paul's and make his way up Queen Victoria Street without any demonstration. He followed the human stream till he reached the Mansion House, and eventually found himself at the massive building of the New Asiatic Bank, Limited.

The difficulty now was to know how to make an effective entrance. There was the bank, and here was he. How had he better set about breaking it to the authorities that he had positively arrived and was ready to start earning his four pound ten per mensem? Inside, the bank seemed to be in a state of some confusion. Men were moving about in an apparently irresolute manner. Nobody seemed actually to be working. As a matter of fact, the business of a bank does not start very early in the morning. Mike had arrived before things had really begun to move. As he stood near the doorway, one or two panting figures rushed up the steps, and flung themselves at a large book which stood on the counter near the door. Mike was to come to know this book well. In it, if you were an employe of the New Asiatic Bank, you had to inscribe your name every morning. It was removed at ten sharp to the accountant's room, and if you reached the bank a certain number of times in the year too late to sign, bang went your bonus.

After a while things began to settle down. The stir and confusion gradually ceased. All down the length of the bank, figures could be seen, seated on stools and writing hieroglyphics in large letters. A benevolent-looking man, with spectacles and a straggling grey beard, crossed the gangway close to where Mike was standing. Mike put the thing to him, as man to man.

'Could you tell me,' he said, 'what I'm supposed to do? I've just joined the bank.' The benevolent man stopped, and looked at him with a pair of mild blue eyes. 'I think, perhaps, that your best plan would be to see the manager,' he said. 'Yes, I should certainly do that. He will tell you what work you have to do. If you will permit me, I will show you the way.'

'It's awfully good of you,' said Mike. He felt very grateful. After his experience of London, it was a pleasant change to find someone who really seemed to care what happened to him. His heart warmed to the benevolent man.

'It feels strange to you, perhaps, at first, Mr—'

'Jackson.'

'Mr Jackson. My name is Waller. I have been in the City some time, but I can still recall my first day. But one shakes down. One shakes down quite quickly. Here is the manager's room. If you go in, he will tell you what to do.'

'Thanks awfully,' said Mike.

'Not at all.' He ambled off on the quest which Mike had interrupted, turning, as he went, to bestow a mild smile of encouragement on the new arrival. There was something about Mr Waller which reminded Mike pleasantly of the White Knight in 'Alice through the Looking-glass.'

Mike knocked at the managerial door, and went in.

Two men were sitting at the table. The one facing the door was writing when Mike went in. He continued to write all the time he was in the room. Conversation between other people in his presence had apparently no interest for him, nor was it able to disturb him in any way.

The other man was talking into a telephone. Mike waited till he had finished. Then he coughed. The man turned round. Mike had thought, as he looked at his back and heard his voice, that something about his appearance or his way of speaking was familiar. He was right. The man in the chair was Mr Bickersdyke, the cross-screen pedestrian.

These reunions are very awkward. Mike was frankly unequal to the situation. Psmith, in his place, would have opened the conversation, and relaxed the tension with some remark on the weather or the state of the crops. Mike merely stood wrapped in silence, as in a garment.

That the recognition was mutual was evident from Mr Bickersdyke's look. But apart from this, he gave no sign of having already had the pleasure of making Mike's acquaintance. He merely stared at him as if he were a blot on the arrangement of the furniture, and said, 'Well?'

The most difficult parts to play in real life as well as on the stage are those in which no 'business' is arranged for the performer. It was all very well for Mr Bickersdyke. He had been 'discovered sitting'. But Mike had had to enter, and he wished now that there was something he could do instead of merely standing and speaking.

'I've come,' was the best speech he could think of. It was not a good speech. It was too sinister. He felt that even as he said it. It was the sort of thing Mephistopheles would have said to Faust by way of opening conversation. And he was not sure, either, whether he ought not to have added, 'Sir.'

Apparently such subtleties of address were not necessary, for Mr Bickersdyke did not start up and shout, 'This language to me!' or anything of that kind. He merely said, 'Oh! And who are you?'

'Jackson,' said Mike. It was irritating, this assumption on Mr Bickersdyke's part that they had never met before.