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afraid, fast losing the prestige their colonial mothers enjoyed), the
respect man pays to woman has in Western civilization become the chief
standard of morality. But in the martial ethics of Bushido, the main
water-shed dividing the good and the bad was sought elsewhere. It was
located along the line of duty which bound man to his own divine soul
and then to other souls, in the five relations I have mentioned in the
early part of this paper. Of these we have brought to our reader’s
notice, Loyalty, the relation between one man as vassal and another as
lord. Upon the rest, I have only dwelt incidentally as occasion
presented itself; because they were not peculiar to Bushido. Being
founded on natural affections, they could but be common to all mankind,
though in some particulars they may have been accentuated by conditions
which its teachings induced. In this connection, there comes before me
the peculiar strength and tenderness of friendship between man and man,
which often added to the bond of brotherhood a romantic attachment
doubtless intensified by the separation of the sexes in youth,—a
separation which denied to affection the natural channel open to it in
Western chivalry or in the free intercourse of Anglo-Saxon lands. I
might fill pages with Japanese versions of the story of Damon and
Pythias or Achilles and Patroclos, or tell in Bushido parlance of ties
as sympathetic as those which bound David and Jonathan.
[Footnote 26: I refer to those days when girls were imported from
England and given in marriage for so many pounds of tobacco, etc.]
It is not surprising, however, that the virtues and teachings unique in
the Precepts of Knighthood did not remain circumscribed to the military
class. This makes us hasten to the consideration of
THE INFLUENCE OF BUSHIDOon the nation at large.
We have brought into view only a few of the more prominent peaks which
rise above the range of knightly virtues, in themselves so much more
elevated than the general level of our national life. As the sun in its
rising first tips the highest peaks with russet hue, and then gradually
casts its rays on the valley below, so the ethical system which first
enlightened the military order drew in course of time followers from
amongst the masses. Democracy raises up a natural prince for its leader,
and aristocracy infuses a princely spirit among the people. Virtues are
no less contagious than vices. “There needs but one wise man in a
company, and all are wise, so rapid is the contagion,” says Emerson. No
social class or caste can resist the diffusive power of moral
influence.
Prate as we may of the triumphant march of Anglo-Saxon liberty, rarely
has it received impetus from the masses. Was it not rather the work of
the squires and gentlemen? Very truly does M. Taine say, “These three
syllables, as used across the channel, summarize the history of English
society.” Democracy may make self-confident retorts to such a statement
and fling back the question—“When Adam delved and Eve span, where then
was the gentleman?” All the more pity that a gentleman was not present
in Eden! The first parents missed him sorely and paid a high price for
his absence. Had he been there, not only would the garden have been more
tastefully dressed, but they would have learned without painful
experience that disobedience to Jehovah was disloyalty and dishonor,
treason and rebellion.
What Japan was she owed to the samurai. They were not only the flower of
the nation but its root as well. All the gracious gifts of Heaven flowed
through them. Though they kept themselves socially aloof from the
populace, they set a moral standard for them and guided them by their
example. I admit Bushido had its esoteric and exoteric teachings; these
were eudemonistic, looking after the welfare and happiness of the
commonalty, while those were aretaic, emphasizing the practice of
virtues for their own sake.
In the most chivalrous days of Europe, Knights formed numerically but a
small fraction of the population, but, as Emerson says—“In English
Literature half the drama and all the novels, from Sir Philip Sidney to
Sir Walter Scott, paint this figure (gentleman).” Write in place of
Sidney and Scott, Chikamatsu and Bakin, and you have in a nutshell the
main features of the literary history of Japan.
The innumerable avenues of popular amusement and instruction—the
theatres, the story-teller’s booths, the preacher’s dais, the musical
recitations, the novels—have taken for their chief theme the stories of
the samurai. The peasants round the open fire in their huts never tire
of repeating the achievements of Yoshitsuné and his faithful retainer
Benkei, or of the two brave Soga brothers; the dusky urchins listen with
gaping mouths until the last stick burns out and the fire dies in its
embers, still leaving their hearts aglow with the tale that is told. The
clerks and the shop-boys, after their day’s work is over and the
amado[27] of the store are closed, gather together to relate the story
of Nobunaga and Hidéyoshi far into the night, until slumber overtakes
their weary eyes and transports them from the drudgery of the counter to
the exploits of the field. The very babe just beginning to toddle is
taught to lisp the adventures of Momotaro, the daring conqueror of
ogre-land. Even girls are so imbued with the love of knightly deeds and
virtues that, like Desdemona, they would seriously incline to devour
with greedy ear the romance of the samurai.
[Footnote 27: Outside shutters.]
The samurai grew to be the beau ideal of the whole race. “As among
flowers the cherry is queen, so among men the samurai is lord,” so sang
the populace. Debarred from commercial pursuits, the military class
itself did not aid commerce; but there was no channel of human activity,
no avenue of thought, which did not receive in some measure an impetus
from Bushido. Intellectual and moral Japan was directly or indirectly
the work of Knighthood.
Mr. Mallock, in his exceedingly suggestive book, “Aristocracy and
Evolution,” has eloquently told us that “social evolution, in so far as
it is other than biological, may be defined as the unintended result of
the intentions of great men;” further, that historical progress is
produced by a struggle “not among the community generally, to live, but
a struggle amongst a small section of the community to lead, to direct,
to employ, the majority in the best way.” Whatever may be said about the
soundness of his argument, these statements are amply verified in the
part played by bushi in the social progress, as far as it went, of our
Empire.
How the spirit of Bushido permeated all social classes is also shown in
the development of a certain order of men, known as otoko-daté, the
natural leaders of democracy. Staunch fellows were they, every inch of
them strong with the strength of massive manhood. At once the spokesmen
and the guardians of popular rights, they had each a following of
hundreds and thousands of souls who proffered in the same fashion that
samurai did to daimio, the willing service of “limb and life, of body,
chattels and earthly honor.” Backed by a vast multitude of rash and
impetuous working-men, those born “bosses” formed a formidable check to
the rampancy of the two-sworded order.
In manifold ways has Bushido filtered down from the social class where
it originated, and acted as leaven among the masses, furnishing a moral
standard for the whole people. The Precepts of Knighthood, begun at
first as the glory of the elite, became in time an aspiration and
inspiration to the nation at large; and though the populace could not
attain the moral height of those loftier souls, yet Yamato Damashii,
the Soul of Japan, ultimately came to express the Volksgeist of the
Island Realm. If religion is no more than “Morality touched by
emotion,” as Matthew Arnold defines it, few ethical systems are better
entitled to the rank of religion than Bushido. Motoori has put the mute
utterance of the nation into words when he sings:—
“Isles of blest Japan!
Should your Yamato spirit
Strangers seek to scan,
Say—scenting morn’s sun-lit air,
Blows the cherry wild and fair!”
Yes, the sakura[28] has for ages been the favorite of our people and
the emblem of our character. Mark particularly the terms of definition
which the poet uses, the words the _wild cherry flower scenting the
morning sun_.
[Footnote 28: Cerasus pseudo-cerasus, Lindley.]
The Yamato spirit is not a tame, tender plant, but a wild—in the sense
of natural—growth; it is indigenous to the soil; its accidental
qualities it may share with the flowers of other lands, but in its
essence it remains the original, spontaneous outgrowth of our clime. But
its nativity is not its sole claim to our affection. The refinement and
grace of its beauty appeal to our aesthetic sense as no other flower
can. We cannot share the admiration of the Europeans for their roses,
which lack the simplicity of our flower. Then, too, the thorns that are
hidden beneath the sweetness of the rose, the tenacity with which she
clings to life, as though loth or afraid to die rather than drop
untimely, preferring to rot on her stem; her showy colors and heavy
odors—all these are traits so unlike our flower, which carries no
dagger or poison under its beauty, which is ever ready to depart life at
the call of nature, whose colors are never gorgeous, and whose light
fragrance never palls. Beauty of color and of form is limited in its
showing; it is a fixed quality of existence, whereas fragrance is
volatile, ethereal as the breathing of life. So in all religious
ceremonies frankincense and myrrh play a prominent part. There is
something spirituelle in redolence. When the delicious perfume of the
sakura quickens the morning air, as the sun in its course rises to
illumine first the isles of the Far East, few sensations are more
serenely exhilarating than to inhale, as it were, the very breath of
beauteous day.
When the Creator himself is pictured as making new resolutions in his
heart upon smelling a sweet savor (Gen. VIII, 21), is it any wonder that
the sweet-smelling season of the cherry blossom should call forth the
whole nation from their little habitations? Blame them not, if for a
time their limbs forget their toil and moil and their hearts their pangs
and sorrows. Their brief pleasure ended, they return to their daily
tasks with new strength and new resolutions. Thus in ways more than one
is the sakura the flower of the nation.
Is, then, this flower, so sweet and evanescent, blown whithersoever the
wind listeth, and, shedding a puff of perfume, ready to vanish forever,
is this flower the type of the Yamato spirit? Is the Soul of Japan so
frailly mortal?
IS BUSHIDO STILL ALIVE?
Or has Western civilization, in its march through the land, already
wiped out every trace of its ancient discipline?
It were a sad thing if a nation’s soul could die so fast. That were a
poor soul that could succumb so easily to extraneous influences. The
aggregate of psychological elements which constitute a national
character, is as tenacious as the “irreducible elements of species, of
the fins of fish, of the beak of the bird, of the tooth of the
carnivorous animal.” In his recent book, full of shallow asseverations
and brilliant generalizations, M. LeBon[29] says, “The discoveries due
to the intelligence are the common patrimony of humanity; qualities or
defects of character constitute the exclusive patrimony of each people:
they are the firm rock which the waters must wash day by day for
centuries, before they can wear away even
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