The Art of Perfumery by George William Septimus Piesse (english readers .TXT) π
"Of the use of these luxuries by the Greeks, and afterwards by theRomans, Pliny and Seneca gives much information respecting perfumedrugs, the method of collecting them, and the prices at which theysold. Oils and powder perfumery were most lavishly used, for eventhree times a day did some of the luxurious people anoint andscent themselves, carrying their precious perfumes with them tothe baths in costly and elegant boxes called NARTHECIA."
In the Romish Church incense is used in many ceremonies, andparticularly at the solemn funerals of the hierarchy, and o
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Manipulate as for marrow pomatum.
In all the cheap preparations for the hair, the manufacturing perfumers used the washed French pomatums and the washed French oils for making their greases. Washed pomatums and washed oils are those greases that originally have been the best pomatums and huiles prepared by enfleurage and by maceration with the flowers; which pomades and huiles have been subject to digestion in alcohol for the manufacture of essences for the handkerchief. After the spirit has been on the pomatums, &c., it is poured off; the residue is then called washed pomatum, and still retain an odor strong enough for the manufacture of most hair greases.
For pomatums of other odors it is only necessary to substitute rose, jasmine, tubereuse, and others, in place of the acacia pomatum in the above formulæ.
Pomade Double, Millefleurs.Rose, jasmine, fleur d'orange, violet, tubereuse, &c., are all made in winter, with two-thirds best French pomatum, one-third best French oils; in summer, equal parts.
Pomade a la Heliotrope.Same as the above, substituting rose oil for the pomade.
Philocome.The name of this preparation, which is a compound of Greek and Latin, signifying "a friend to the hair," was first introduced by the Parisian perfumers; and a very good name it is, for Philocome is undoubtedly one of the best unguents for the hair that is made.
Philocome. (First quality.)Melt the wax in the huiles by a water-bath, at the lowest possible temperature. Stir the mixture as it cools; do not pour out the Philocome until it is nearly cool enough to set; let the jars, bottles, or pots into which it is filled for sale be slightly warmed, or at least of the same temperature as the Philocome, otherwise the bottles chill the material as it is poured in, and make it appear of an uneven texture.
Philocome. (Second quality.)Take 1 ounce of wax to 1 pound of oil.
Pommade Hongroise. (For the Moustache.)Color to the tint required with ground amber and sienna in oil; mix the ingredients by first melting the plaster in a vessel in boiling water. Lead plaster is made with oxide of lead boiled with olive oil: it is best to procure it ready made from the wholesale druggists.
Hard or Stick Pomatums.The above recipes produce White Batons. Brown and Black Batons are also in demand. They are made in the same way as the above, but colored with lamp-black or umber ground in oil. Such colors are best purchased ready ground at an artist's colorman's.
Black and Brown Cosmetique.Such as is sold by Rimmel, is prepared with a nicely-scented soap strongly colored with lamp-black or with umber. The soap is melted, and the coloring added while the soap is soft; when cold it is cut up in oblong pieces.
It is used as a temporary dye for the moustache, applied with a small brush and water.
SECTION XIII. HAIR DYES AND DEPILATORY.By way of personal adornment, few practices are of more ancient origin than that of painting the face, dyeing the hair, and blackening the eyebrows and eyelashes.
It is a practice universal among the women of the higher and middle classes in Egypt, and very common among those of the lower orders, to blacken the edge of the eyelids, both above and below the eye, with a black powder, which they term kohhl. The kohhl is applied with a small probe of wood, ivory, or silver, tapering towards the end, but blunt. This is moistened sometimes with rose-water, then dipped in the powder, and drawn along the edges of the eyelids. It is thought to give a very soft expression to the eye, the size of which, in appearance, it enlarges; to which circumstances probably Jeremiah refers when he writes, "Though thou rentest thy face (or thine eyes) with painting, in vain shalt thou make thyself fair."βJer. 4:30. See also Lane's Modern Egyptians, vol. i, p. 41, et seq.
A singular custom is observable both among Moorish and Arab femalesβthat of ornamenting the face between the eyes with clusters of bluish spots or other small devices, and which, being stained, become permanent. The chin is also spotted in a similar manner, and a narrow blue line extends from the point of it, and is continued down the throat. The eyelashes, eyebrows, and also the tips and extremities of the eyelids, are colored black. The soles, and sometimes other parts of the feet, as high as the ankles, the palms of the hands, and the nails, are dyed with a yellowish-red, with the leaves of a plant called Henna (Lawsonia inermis), the leaf of which somewhat resembles the myrtle, and is dried for the purposes above mentioned. The back of the hand is also often colored and ornamented in this way with different devices. On holidays they paint their cheeks of a red brick color, a narrow red line being also drawn down the temples.
In Greece, "for coloring the lashes and sockets of the eye they throw incense or gum labdanum on some coals of fire, intercept the smoke which ascends with a plate, and collect the soot. This I saw applied. A girl, sitting cross-legged as usual on a sofa, and closing one of her eyes, took the two lashes between the forefinger and thumb of her left hand, pulled them forward, and then, thrusting in at the external corner a sort of bodkin or probe which had been immersed in the soot, and withdrawing it, the particles previously adhering to the probe remained within the eyelashes."βChandler's Travels in Greece.
Dr. Shaw states that among other curiosities that were taken out of the tombs at Sahara relating to Egyptian women, he saw a joint of the common reeds, which contained one of these bodkins and an ounce or more of this powder.
In England the same practice is adopted by many persons that have gray hair; but instead of using the black material in the form of a powder, it is employed as a crayon, the color being mixed with a greasy body, such as the brown and black stick pomatums, described in the previous article.
Turkish Hair Dye.In Constantinople there are some persons, particularly Armenians, who devote themselves to the preparation of cosmetics, and obtain large sums of money from those desirous of learning this art. Amongst these cosmetics is a black dye for the hair, which, according to Landerer, is prepared in the following manner:β
Finely pulverized galls are kneaded with a little oil to a paste, which is roasted in an iron pan until the oil vapors cease to evolve, upon which the residue is triturated with water into a paste, and heated again to dryness. At the same time a metallic mixture, which is brought from Egypt to the commercial marts of the East, and which is termed in Turkish Rastiko-petra, or Rastik-Yuzi, is employed for this purpose. This metal, which looks like dross, is by some Armenians intentionally fused, and consists of iron and copper. It obtains its name from its use for the coloration of the hair, and particularly the eyebrowsβfor rastik means eyebrows, and yuzi stone. The fine powder of this metal is as intimately mixed as possible with the moistened gall-mass into a paste, which is preserved in a damp place, by which it acquires the blackening property. In some cases this mass is mixed with, the powder of odorous substances which are used in the seraglio as perfumes, and called harsi, that is, pleasant odor; and of these the principal ingredient is ambergris. To blacken the hair a little of this dye is triturated in the hand or between the fingers, with which the hair or beard is well rubbed. After a few days the hair becomes very beautifully black, and it is a real pleasure to see such fine black beards as are met with in the East among the Turks who use this black dye. Another and important advantage in the use of this dye consists therein, that the hair remains soft, pliant, and for a long time black, when it has been once dyed with this substance. That the coloring properties of this dye are to be chiefly ascribed to the pyrogallic acid, which can be found by treating the mass with water, may be with certainty assumed.
Litharge Hair Dye.Slake the lime, using as little water as possible to make it disintegrate, then mix the whole by a sieve.
Another Way.Mix by sifting, bottle, and well cork.
Directions to be sold with the above.β"Mix the powder with enough water to form a thick creamy fluid; with the aid of a small brush; completely cover the hair to be dyed with this mixture; to dye a light brown, allow it to remain on the hair four hours; dark brown, eight hours; black, twelve hours. As the dye does not act unless it is moist, it is necessary to keep it so by wearing an oiled silk, india-rubber, or other waterproof cap.
"After the hair is dyed, the refuse must be thoroughly washed from the head with plain water; when dry, the hair must be oiled."
Simple Silver Dye. (Otherwise "Vegetable Dye.")Before using this dye it is necessary to free the hair from grease by washing it with soda or pearlash and water. The hair must be quite dry prior to applying the dye, which is best laid on with an old tooth-brush. This dye does not "strike" for several hours. It needs scarcely be observed that its effects are more rapidly produced by exposing the hair to sunshine and air.
Hair Dye, with Mordant. (Brown.)The mordant is to be applied to the hair first; when dry, the silver solution.
Great care must be taken that the sulphuret is fresh made, or at least, well preserved in closed bottles, otherwise, instead of the mordant acting to make to make the hair black, it will tend to impart a yellow hue. When the mordant is good, it has a very disagreeable odor, and although this is the quickest and best dye, its unpleasant smell has given
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