The Book-Hunter by John Hill Burton (top 10 non fiction books of all time .txt) 📕

their titles which, at the present day, sounds rather startling, "for the better suppressing Tories, Robbers, and Rapparees, and for preventing robberies, burglaries, and other heinous crimes." The classes so associated having an unreasonable dislike of being killed, difficulties are thus put in the way of those beneficially employed in killing them, insomuch that they, "upon the killing of any one of their number, are thereby so alarmed and put upon their keeping, that it hath been found impracticable for such person or persons to discover and apprehend or kill any more of them, whereby they are discouraged from discovering and apprehending or killing," and so forth. There is a strange and melancholy historical interest in these grotesque enactments, since they almost verbatim repeat the legislation about the Highland clans passed a century earlier by the Lowland Parliament of Scotland.

There is one shelf of the law library laden with a store of which few will deny the attractive interest—that devoted to the literature of Criminal Trials. It will go hard indeed, if, besides the reports of mere technicalities, there be not here some glimpses of the sad romances which lie at their heart; and, at all events, when the page passes a very slight degree beyond the strictly professional, the technicalities will be found mingled with abundant narrative. The State Trials, for instance—surely a lawyer's book—contains the materials of a thousand romances: nor are these all attached to political offences; as, fortunately, the book is better than its name, and makes a virtuous effort to embrace all the remarkable trials coming within the long period covered by the collection. Some assistance may be got, at the same time, from minor luminaries, such as the Newgate Calendar—not to be commended, certainly, for its literary merits, but full of matters strange and horrible, which, like the gloomy forest of the Castle of Indolence, "sent forth a sleepy horror through the blood."

There are many other books where records of remarkable crimes are mixed up with much rubbish, as, The Terrific Register, God's Revenge against Murder, a little French book called Histoire Générale des Larrons (1623), and if the inquirer's taste turn towards maritime crimes, The History of the Bucaniers, by Esquemeling. A little work in four volumes, called the Criminal Recorder, by a student in the Inner Temple, can be commended as a sort of encyclopædia of this kind of literature. It professes—and is not far from accomplishing the profession—to give biographical sketches of notorious public characters, including "murderers, traitors, pirates, mutineers, incendiaries, defrauders, rioters, sharpers, highwaymen, footpads, pickpockets, swindlers, housebreakers, coiners, receivers, extortioners, and other noted persons who have suffered the sentence of the law for criminal offences." By far the most luxurious book of this kind, however, in the English language, is Captain Johnston's Lives of Highwaymen and Pirates. It is rare to find it now complete. The old folio editions have been often mutilated by over use; the many later editions in octavo are mutilated by design of their editors; and for conveying any idea of the rough truthful descriptiveness of a book compiled in the palmy days of highway robbery, they are worthless.

All our literature of that nature must, however, yield to the French Causes Célèbres, a term rendered so significant by the value and interest of the book it names, as to have been borrowed by writers in this country to render their works attractive. It must be noted as a reason for the success of this work, and also of the German collection by Feuerbach, that the despotic Continental method of procedure by secret inquiry affords much better material for narrative than ours by open trial. We make, no doubt, a great drama of a criminal trial. Everything is brought on the stage at once, and cleared off before an audience excited so as no player ever could excite; but it loses in reading; while the Continental inquiry, with its slow secret development of the plot, makes the better novel for the fireside.

There is a method by which, among ourselves, the trial can be imbedded in a narrative which may carry down to later generations a condensed reflection of that protracted expectation and excitement which disturb society during the investigations and trials occasioned by any great crime. This is by "illustrating" the trial, through a process resembling that which has been already supposed to have been applied to one of Watts's hymns. In this instance there will be all the newspaper scraps—all the hawker's broadsides—the portraits of the criminal, of the chief witnesses, the judges, the counsel, and various other persons,—everything in literature or art that bears on the great question.

He who inherits or has been able to procure a collection of such illustrated trials, a century or so old, is deemed fortunate among collectors, for he can at any time raise up for himself the spectre as it were of the great mystery and exposure that for weeks was the absorbing topic of attraction for millions. The curtains are down—the fire burns bright—the cat purrs on the rug; Atticus, soused in his easy-chair, cannot be at the trouble of going to see Macbeth or Othello—he will sup full of horrors from his own stores. Accordingly he takes down an unseemly volume, characterised by a flabby obesity by reason of the unequal size of the papers contained in it, all being bound to the back, while the largest only reach the margin. The first thing at opening is the dingy pea-green-looking paragraph from the provincial newspaper, describing how the reapers, going to their work at dawn, saw the clay beaten with the marks of struggle, and, following the dictates of curiosity, saw a bloody rag sticking on a tree, the leaves also streaked with red, and, lastly, the instrument of violence hidden in the moss; next comes from another source the lamentations for a young woman who had left her home—then the excitement of putting that and that together—the search, and the discovery of the body. The next paragraph turns suspense into exulting wrath: the perpetrator has been found with his bloody shirt on—a scowling murderous villain as ever was seen—an eminent poacher, and fit for anything. But the next paragraph turns the tables. The ruffian had his own secrets of what he had been about that night, and at last makes a clean breast. It would have been a bad business for him at any other time, but now he is a revealing angel, for he noted this and that in the course of his own little game, and gives justice the thread which leads to a wonderful romance, and brings home desperate crime to that quarter where, from rank, education, and profession, it was least likely to be found. Then comes the trial and the execution; and so, at a sitting, has been swallowed all that excitement which, at some time long ago, chained up the public in protracted suspense for weeks.

The reader will see, from what I have just been saying, that I am not prepared to back Charles Lamb's Index Expurgatorius.[49] It is difficult, almost impossible, to find the book from which something either valuable or amusing may not be found, if the proper alembic be applied. I know books that are curious, and really amusing, from their excessive badness. If you want to find precisely how a thing ought not to be said, you take one of them down, and make it perform the service of the intoxicated Spartan slave. There are some volumes in which, at a chance opening, you are certain to find a mere platitude delivered in the most superb and amazing climax of big words, and others in which you have a like happy facility in finding every proposition stated with its stern forward, as sailors say, or in some other grotesque mismanagement of composition. There are no better farces on or off the stage than when two or three congenial spirits ransack books of this kind, and compete with each other in taking fun out of them.

There is a solid volume, written in an inquiring spirit, but in a manner which reminds one of deep calling unto deep, about the dark superstitions of a country which was once a separate European kingdom. I feel a peculiar interest in it, from the author having informed me, by way of communicating an important fact in literary history, and also as an example to be followed by literary aspirants, that, before committing the book to the press, he had written it over sixteen times. It would have been valuable to have his first manuscript, were it only that one might form some idea of the steps by which he had brought it into the condition in which it was printed. But its perusal in that condition was not entirely thrown away, since I was able to recommend it to a teacher of composition, as containing, within a moderate compass—after the manner, in fact, of a handbook—good practical specimens of every description of depravity of style of which the English language is susceptible.

In the present day, when few scholars have opportunities of enriching the world with their prison hours, perhaps the best conditions for testing how far any volume or portion of printed matter, however hopeless-looking, may yet yield edifying or amusing matter to a sufficient pressure, will occur when a bookish person finds himself imprisoned in a country inn, say for twenty-four hours. Such things are not impossible in this age of rapid movement. It is not long since a train, freighted with musical artistes, sent express to perform at a provincial concert and be back immediately in town for other engagements, were caught by a great snow-storm which obliterated the railway, and had to live for a week or two in a wayside alehouse, in one of the dreariest districts of Scotland. The possessor and user of a large library undergoing such a calamity in a modified shape will be able to form a conception of the resources at his disposal, and to calculate how long it will take him to exhaust the intellectual treasures at his command, just as a millionaire, haunted as such people sometimes are by the dread of coming on the parish, might test how long a life his invested capital would support by spending a winter in a Shetland cottage, and living on what he could procure. Having exhausted all other sources of excitement and interest, the belated traveller is supposed to call for the literature of the establishment. Perhaps the Directory of the county town is the only available volume. Who shall say what the belated traveller may make of this? He may do a turn in local statistics, or, if his ambition rises higher, he may pursue some valuable ethnological inquiries, trying whether Celtic or Saxon names prevail, and testing the justice of Mr Thierry's theory by counting the Norman patronymics, and observing whether any of them are owned by persons following plebeian and sordid occupations. If in after-life the sojourner should come in contact with people interested in the politics or business of that county town, he will surprise them by exhibiting his minute acquaintance with its affairs.

If, besides the Directory, an Almanac, old or new, is to be had, the analysis may be conducted on a greatly widened basis. The rotations of the changes of the seasons may at the same time suggest many appropriate reflections on the progress of man from the cradle to the grave, and all that he meets with between the alpha and omega; and if the prisoner is a man of genius, the announcements of eclipses and other solar phenomena will suggest trains of thought which he can carry up to any height of sublimity. A person in the circumstances supposed, after he