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is the regard to the dispositions and state of mind of the audience; the presenting of topics and considerations that chime in with these dispositions, and the avoiding of everything that would conflict with them. To grasp this comprehensive view, and to follow it out in some of the chief circumstantials of persuasive address--the leading forms of argument, and the appeals to the more prominent feelings,--would soon provide a touchstone to a great oration, and lead us to distinguish the materials of oratory from the use made of them.

Take the circumstance of _negative tact_; by which is meant the careful avoidance of whatever might grate on the minds of those addressed. Forensic oratory in general, and the oratory of Parliamentary leaders in particular, will show this in perfection; and, for a first study of it, there is probably nothing to surpass the Erskine Speeches above cited. It could, however, be found in Macaulay; although in a different proportion to the other merits.

The Macaulay Speeches have the abundance of matter, and the powers of style, that minister to oratory, although not constituting its distinctive feature. In these speeches, we may note how he guages the minds of the men of rank and property, in and out of Parliament, who constituted the opposition to Reform; how tenderly he deals with their prejudices and class interests; how he shapes and adduces his arguments so as to gain those very feelings to the side he advocates; how he brings his accumulated store of historical illustrations to his aid, under the guidance of both the positive and the negative tact of the orator; saying everything to gain, and nothing to alienate the dispositions that he has carefully measured.

After Erskine and Macaulay have yielded their first contribution to the oratorical student, he could turn with profit to Burke, who has the materials of oratory in the same high order as Macaulay, but who in the employment of them so often miscarries--sometimes partially, at other times wholly. It then becomes an exercise to distinguish his successes from his failures; to resolve these into their elementary merits and defects, according to the oratorical scheme. The close study of one or two orations is still the preferable course; and the most profitable transition from the Burke sample is to the selected speech or speeches of some other orator as Canning or Brougham. All the time, the pupil must be enlarging and improving his analytic scheme, which is the means of keeping his mind to the point in hand, amid the distraction of the orator's gorgeous material.

The subsequent stages of oratorical study are much plainer than the commencement. A time comes when the pupil will roam freely over the great field of oratory, modern and ancient, knowing more and more exactly what to appropriate and what to neglect. He will be quite aware of the necessity of rivalling the great masters in resources of knowledge on the one hand, and of style on the other; but he will look for these elsewhere, as well as in the professed orators.

[EXAMPLES OF PERSUASIVE ART.]

Moreover, as the persuasive art is exemplified in men that have never been public speakers, the oratorical pupil will make a selection from the most influential of this class. He will find, for example, in the argumentative treatises of Johnson, in the Letters of Junius, in the writings of Godwin, in Sydney Smith, in Bentham, in Cobbett, in Robert Hall, in Fonblanque, in J.S. Mill, in Whately, and a host besides, the exemplification of oratorical merits, together with materials that are of value. It is understood, however, that the search for materials and the acquisition of oratorical form, are not made to advantage on the same lines, and, for this and other reasons, should not go together.

The extreme test of the principle of concentration as against equal application, is the acquirement of Style, or the extending of our resources of diction and expression in all its particulars. Being a matter of endless minute details, we may feel ourselves at a loss to compass it by the intensive study of a narrow and select example. Still, with due allowance for the speciality of the case, the principle will still be found applicable. We should, however, carry along with us, the maxim exemplified under oratory, of separating in our study, as far as may be, the style from the matter. We begin by choosing a treatise of some great master. We may then operate either (1) by simple reading and re-reading, or (2) by committing portions to memory _verbatim_, or (3), best of all, by making some changes according to an already acquired ideal of good composition. This too shows the great importance of attaining as early as possible some regulating principles of goodness of style: the action and reaction of these, on the most exemplary authors, constitute our progress in the art, and, in the quickest way, store the memory with the resources of good expression.

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[ECONOMICS OF BOOK READING.]

III. The head just now finished includes really by far the greatest portion of the economy of study. There are various other devices of importance in their way, but much less liable to error in practice. Of these, a leading place may be assigned to the best modes of Distributing the Attention in reading. Such questions as the following present themselves for consideration to the earnest student. How many distinct studies can be carried on together? What interval should be allowed in passing from one to another? How much time should be given to the art of reading, and how much to subsequent meditating or ruminating on what has been read? These points are all susceptible of being determined, within moderate limits of error. As to the first, the remark was made by Quintilian, that, in youth, we can most easily pass from one study to another. The reason of this, however, is, that youth does not take very seriously to any study. When a special study becomes engrossing, the alternatives must rather be recreative than acquisitive; not much progress being made in what is slighted, or left over to the exhaustion caused by attention to the favourite topic. A more precise answer can be made to the second and third queries, namely, as to an interval for recall and meditation, after putting down a book, and before turning the attention into other channels. There is a very clear principle of economy here. We should save as far as possible the fatigue of the reading process, or make a given amount of attention to the printed page yield the greatest impression on the memory. This is done by the exercise of recalling without the book; an advantage that we do not possess in listening to a lecture, until the whole is finished, when we have too much to recall. To hurry from book to book is to gain stimulation at the cost of acquisition.

I have alluded to the case of an engrossing subject, which starves all accompanying studies. There are but two ways of obviating the evil, if it be an evil; which it indeed becomes, when the alternative demands also are legitimate. The one is peremptorily to limit the time given to it daily, so as to rescue some portion of the strength for other topics. The other is to intermit it wholly for a certain period, and let other subjects have their swing. In advancing life, and when our studious leisure is only what is left from professional occupation, two different studies can hardly go on together. The alternative of a single study needs to be purely recreative.

One other point may be noted under this head. In the application to a book of importance and difficulty, there are two ways of going to work: to move on slowly, and master as we go; or to move on quickly to the end, and begin again. There is most to be said for the first method, although distinguished men have worked upon the other. The freshness of the matter is taken off by a single reading; the re-reading is so much flatter in point of interest. Moreover, there is a great satisfaction in making our footing sure at each step, as well as in finishing the task when the first perusal is completed. We cannot well dispense with re-reading, but it need not extend to the whole; marked passages should show where the comprehension and mastery are still lagging.

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[DESULTORY READING.]

IV. Another topic is Desultory Reading. This is the whole of the reading of the unstudious mass; it is but a part of the reading of the true student. It may mean, for one thing, jumping from book to book, perhaps reading no one through, except for pure amusement. It may also include the reading of periodicals, where no one subject is treated at any length. As a general rule, such reading does not give us new foundations, or constitute the point of departure of a fresh department of knowledge; yet the amount of labour and thought bestowed upon articles in periodicals, may render them efficacious in adding to a previous stock of materials, or in correcting imperfect views. The truth is, that to the studious man, the desultory is not desultory. The only difference with him is that he has two _attitudes_ that he may assume--the severe and the easy-going; the one is most associated with systematic works on leading subjects; the other with short essays, periodicals, newspapers, and conversation. In this last attitude, which is reserved for hours of relaxation, he skips matters of difficulty, and absorbs scattered and interesting particulars without expressly aiming at the solution of problems or the discussion of abstract principles. There is no reason why an essay in a periodical, a pamphlet, or a speech in Parliament, may not take a first place in anyone's education. All the labour and resource that go to form a work of magnitude may be concentrated in any one of these. Still, they are presented in the form that we are accustomed to associate with our desultory work, and our times of relaxation; and so, they seldom produce in the minds of readers the effect that they are capable of producing. The thorough student will not fail to extract materials from one and all of them, but even he will scarcely choose from such sources the text for the commencement of a new study.

The desultory is not a bad way of increasing our resources of expression. Although there be a systematic and a best mode of acquiring language, there is also an inferior, yet not ineffective mode; namely, reading copiously whatever authors have at once a good style and a sustaining interest. Hence, for this purpose, shifting from book to book, taking up short and light compositions, may be of considerable value; anything is better than not reading at all, or than reading compositions inferior in point of style. The desultory man will not be without a certain flow of language as well as a command of ideas; notwithstanding which, he will never be confounded with the studious man.

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V. A fifth point is the proportion of
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