The Notebooks of Leonardo Da Vinci by Leonardo Da Vinci (moboreader txt) 📕

those who are visible beyond the edges of the flame will be fully lighted by the ruddy glow against a black background. As to their gestures, make those which are near it screen themselves with their hands and cloaks as a defence against the intense heat, and with their faces turned away as if about to retire. Of those farther off represent several as raising their hands to screen their eyes, hurt by the intolerable glare.

Of depicting a tempest (605. 606).

 

605.

 

Describe a wind on land and at sea. Describe a storm of rain.

 

606.

 

HOW TO REPRESENT A TEMPEST.

If you wish to represent a tempest consider and arrange well its effects as seen, when the wind, blowing over the face of the sea and earth, removes and carries with it such things as are not fixed to the general mass. And to represent the storm accurately you must first show the clouds scattered and torn, and flying with the wind, accompanied by clouds of sand blown up from the sea shore, and boughs and leaves swept along by the strength and fury of the blast and scattered with other light objects through the air. Trees and plants must be bent to the ground, almost as if they would follow the course of the gale, with their branches twisted out of their natural growth and their leaves tossed and turned about [Footnote 11: See Pl. XL, No. 2.]. Of the men who are there some must have fallen to the ground and be entangled in their garments, and hardly to be recognized for the dust, while those who remain standing may be behind some tree, with their arms round it that the wind may not tear them away; others with their hands over their eyes for the dust, bending to the ground with their clothes and hair streaming in the wind. [Footnote 15: See Pl. XXXIV, the right hand lower sketch.] Let the sea be rough and tempestuous and full of foam whirled among the lofty waves, while the wind flings the lighter spray through the stormy air, till it resembles a dense and swathing mist. Of the ships that are therein some should be shown with rent sails and the tatters fluttering through the air, with ropes broken and masts split and fallen. And the ship itself lying in the trough of the sea and wrecked by the fury of the waves with the men shrieking and clinging to the fragments of the vessel. Make the clouds driven by the impetuosity of the wind and flung against the lofty mountain tops, and wreathed and torn like waves beating upon rocks; the air itself terrible from the deep darkness caused by the dust and fog and heavy clouds.

Of representing the deluge (607-609).

 

607.

 

TO REPRESENT THE DELUGE.

The air was darkened by the heavy rain whose oblique descent driven aslant by the rush of the winds, flew in drifts through the air not otherwise than as we see dust, varied only by the straight lines of the heavy drops of falling water. But it was tinged with the colour of the fire kindled by the thunderbolts by which the clouds were rent and shattered; and whose flashes revealed the broad waters of the inundated valleys, above which was seen the verdure of the bending tree tops. Neptune will be seen in the midst of the water with his trident, and [15] let AEolus with his winds be shown entangling the trees floating uprooted, and whirling in the huge waves. The horizon and the whole hemisphere were obscure, but lurid from the flashes of the incessant lightning. Men and birds might be seen crowded on the tall trees which remained uncovered by the swelling waters, originators of the mountains which surround the great abysses [Footnote 23: Compare Vol. II. No. 979.].

 

608.

 

OF THE DELUGE AND HOW TO REPRESENT IT IN A PICTURE.

Let the dark and gloomy air be seen buffeted by the rush of contrary winds and dense from the continued rain mingled with hail and bearing hither and thither an infinite number of branches torn from the trees and mixed with numberless leaves. All round may be seen venerable trees, uprooted and stripped by the fury of the winds; and fragments of mountains, already scoured bare by the torrents, falling into those torrents and choking their valleys till the swollen rivers overflow and submerge the wide lowlands and their inhabitants. Again, you might have seen on many of the hill-tops terrified animals of different kinds, collected together and subdued to tameness, in company with men and women who had fled there with their children. The waters which covered the fields, with their waves were in great part strewn with tables, bedsteads, boats and various other contrivances made from necessity and the fear of death, on which were men and women with their children amid sounds of lamentation and weeping, terrified by the fury of the winds which with their tempestuous violence rolled the waters under and over and about the bodies of the drowned. Nor was there any object lighter than the water which was not covered with a variety of animals which, having come to a truce, stood together in a frightened crowd—among them wolves, foxes, snakes and others—fleing from death. And all the waters dashing on their shores seemed to be battling them with the blows of drowned bodies, blows which killed those in whom any life remained [19]. You might have seen assemblages of men who, with weapons in their hands, defended the small spots that remained to them against lions, wolves and beasts of prey who sought safety there. Ah! what dreadful noises were heard in the air rent by the fury of the thunder and the lightnings it flashed forth, which darted from the clouds dealing ruin and striking all that opposed its course. Ah! how many you might have seen closing their ears with their hands to shut out the tremendous sounds made in the darkened air by the raging of the winds mingling with the rain, the thunders of heaven and the fury of the thunderbolts. Others were not content with shutting their eyes, but laid their hands one over the other to cover them the closer that they might not see the cruel slaughter of the human race by the wrath of God. Ah! how many laments! and how many in their terror flung themselves from the rocks! Huge branches of great oaks loaded with men were seen borne through the air by the impetuous fury of the winds. How many were the boats upset, some entire, and some broken in pieces, on the top of people labouring to escape with gestures and actions of grief foretelling a fearful death. Others, with desperate act, took their own lives, hopeless of being able to endure such suffering; and of these, some flung themselves from lofty rocks, others strangled themselves with their own hands, other seized their own children and violently slew them at a blow; some wounded and killed themselves with their own weapons; others, falling on their knees recommended themselves to God. Ah! how many mothers wept over their drowned sons, holding them upon their knees, with arms raised spread out towards heaven and with words and various threatening gestures, upbraiding the wrath of the gods. Others with clasped hands and fingers clenched gnawed them and devoured them till they bled, crouching with their breast down on their knees in their intense and unbearable anguish. Herds of animals were to be seen, such as horses, oxen, goats and swine already environed by the waters and left isolated on the high peaks of the mountains, huddled together, those in the middle climbing to the top and treading on the others, and fighting fiercely themselves; and many would die for lack of food. Already had the birds begun to settle on men and on other animals, finding no land uncovered which was not occupied by living beings, and already had famine, the minister of death, taken the lives of the greater number of the animals, when the dead bodies, now fermented, where leaving the depth of the waters and were rising to the top. Among the buffeting waves, where they were beating one against the other, and, like as balls full of air, rebounded from the point of concussion, these found a resting place on the bodies of the dead. And above these judgements, the air was seen covered with dark clouds, riven by the forked flashes of the raging bolts of heaven, lighting up on all sides the depth of the gloom.

The motion of the air is seen by the motion of the dust thrown up by the horse’s running and this motion is as swift in again filling up the vacuum left in the air which enclosed the horse, as he is rapid in passing away from the air.

Perhaps it will seem to you that you may reproach me with having represented the currents made through the air by the motion of the wind notwithstanding that the wind itself is not visible in the air. To this I must answer that it is not the motion of the wind but only the motion of the things carried along by it which is seen in the air.

THE DIVISIONS. [Footnote 76: These observations, added at the bottom of the page containing the full description of the doluge seem to indicate that it was Leonardo’s intention to elaborate the subject still farther in a separate treatise.]

Darkness, wind, tempest at sea, floods of water, forests on fire, rain, bolts from heaven, earthquakes and ruins of mountains, overthrow of cities [Footnote 81: Spianamenti di citta (overthrow of cities). A considerable number of drawings in black chalk, at Windsor, illustrate this catastrophe. Most of them are much rubbed; one of the least injured is reproduced at Pl. XXXIX. Compare also the pen and ink sketch Pl. XXXVI.].

Whirlwinds which carry water [spouts] branches of trees, and men through the air.

Boughs stripped off by the winds, mingling by the meeting of the winds, with people upon them.

Broken trees loaded with people.

Ships broken to pieces, beaten on rocks.

Flocks of sheep. Hail stones, thunderbolts, whirlwinds.

People on trees which are unable to to support them; trees and rocks, towers and hills covered with people, boats, tables, troughs, and other means of floating. Hills covered with men, women and animals; and lightning from the clouds illuminating every thing.

[Footnote: This chapter, which, with the next one, is written on a loose sheet, seems to be the passage to which one of the compilers of the Vatican copy alluded when he wrote on the margin of fol. 36: “Qua mi ricordo della mirabile discritione del Diluuio dello autore.” It is scarcely necessary to point out that these chapters are among those which have never before been published. The description in No. 607 may be regarded as a preliminary sketch for this one. As the MS. G. (in which it is to be found) must be attributed to the period of about 1515 we may deduce from it the approximate date of the drawings on Pl. XXXIV, XXXV, Nos. 2 and 3, XXXVI and XXXVII, since they obviously belong to this text. The drawings No. 2 on Pl. XXXV are, in the original, side by side with the text of No. 608; lines 57 to 76 are shown in the facsimile. In the drawing in Indian ink given on Pl. XXXIV we see Wind-gods in the sky, corresponding to the allusion to Aeolus in No. 607 1. 15.-Plates XXXVI and XXXVII form one sheet in the original. The texts reproduced on these Plates have however no connection with the sketches, excepting the sketches of clouds on the right hand side. These texts are given as No. 477. The group of