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fellow prisoner, a little seamstress, approached him. She had known Darnay and had learned to trust him. She asked if she might ride with him to the scaffold.

'I am not afraid,' she said, 'but I am little and weak, and, if you will let me ride with you and hold your hand, it will give me courage!'

As the patient eyes were lifted to his face, he saw a sudden doubt in them, and then astonishment. She had discovered that he was not Darnay.

'Are you dying for him?' she whispered.

'For him--and his wife and child. Hush! Yes!'

'Oh, you will let me hold your brave hand, stranger?'

'Hush! Yes, my poor sister; to the last!'

Nobody has ever read A Tale of Two Cities without feeling that this was the moment of Sydney Carton's supreme triumph.

'It is,' he said--and they are the last words in the book--'it is a far, far better thing that I do than I have ever done!'

He had never tasted a joy to be compared with this. He was able to save those he loved by dying for them!

That is precisely the joy of the Cross! That was the light that shone upon the Saviour's path through all the darkness of the world's first Easter. That is why, when He took the bread and wine--the emblems of His body about to be broken and His blood about to be shed--He gave thanks. It is that--and that alone--that accounts for the fact that He entered the Garden of Gethsemane with a song upon His lips. It was for the joy that was set before Him that He endured the Cross, despising its shame!

'Death!' He said. 'What of Death? I am the Life, not only of Myself, but of all who place their hands in Mine!

'The Grave! What of the Grave? I am the Resurrection!

'I am the Resurrection and the Life; he that believeth in Me, though he were dead, yet shall he live; and whosoever liveth and believeth in Me shall never die.'

He felt that it was a great thing--a very great thing--to be able to save those He loved by dying for them.

III

'I am the Resurrection!'--those were the words that Sydney Carton saw written on land and on water, on earth and on sky, on the night on which he made up his mind to die. 'I am the Resurrection!' They were the words that he had heard read beside his father's grave. They are the words that we echo, in challenge and defiance, over all our graves. The rubric of the Church of England requires its ministers to greet the dead at the entrance to the churchyard with the words: 'I am the Resurrection and the Life;' and, following the same sure instinct, the ministers of all the other Churches have adopted a very similar practice. The earth seems to be a garden of graves. We speak of those who have passed from us as 'the great majority.' We appear to be conquered. But it is all an illusion.

'O Grave!' we ask, in every burial service, 'where is thy victory?' And the question answers itself. The victory does not exist. The struggle is not yet ended. 'I am the Resurrection!'

'I am the Life!'--that is what all the echoes were saying as Sydney Carton, cherishing a great heroic purpose in his heart, paced the deserted streets that night.

'I am the Life! I am the Life!'

'He that believeth in Me, though he were dead, yet shall he live!'

'Whosoever believeth in Me shall never die!'

That being so, what does death matter? 'O, death!' we cry, 'where is thy sting?' and once more the question answers itself.

'O Death, where is thy sting?'--'I am the Life!'

'O Grave, where is thy victory?'--'I am the Resurrection!'

The Life and the Resurrection! 'I am the Resurrection and the Life!'

The text that he saw in every sight, and heard in every sound, made all the difference to Sydney Carton. The end soon came, and this is how Dickens tells the story.

The tumbrils arrive at the guillotine. The little seamstress is ordered to go first. 'They solemnly bless each other. The thin hand does not tremble as he releases it. Nothing worse than a sweet, bright constancy is in the patient face. She is gone. The knitting women, who count the fallen heads, murmur twenty-two. And then--

'I am the Resurrection and the Life; he that believeth in Me, though he were dead, yet shall he live; and whosoever liveth and believeth in Me shall never die.'

They said of him about the city that night that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic.

I am the Resurrection! O Grave, where is thy victory?

I am the Life! O Death, where is thy sting?

IV

But there was more in Sydney Carton's experience than we have yet seen. It happens that this great saying about the Resurrection and the Life is not only Sydney Carton's text; it is Frank Bullen's text; and Frank Bullen's experience may help us to a deeper perception of Sydney Carton's. In his With Christ at Sea, Frank Bullen has a chapter entitled 'The Dawn.' It is the chapter in which he describes his conversion. He tells how, at a meeting held in a sail-loft at Port Chalmers, in New Zealand, he was profoundly impressed. After the service, a Christian worker--whom I myself knew well--engaged him in conversation. He opened a New Testament and read these words: 'I am the Resurrection and the Life; he that believeth in Me, though he were dead, yet shall he live; and whosoever liveth and believeth in Me shall never die.' The earnest little gentleman pointed out the insistence on faith: the phrase 'believeth in Me' occurs twice in the text: faith and life go together. Would Frank Bullen exercise that faith?

'Every word spoken by the little man went right to my heart,' Mr. Bullen assures us, 'and, when he ceased, there was an appeal in his eyes that was even more eloquent than his words. But beyond the words and the look was the interpretation of them to me by some mysterious agency beyond my comprehension. For, in a moment, the hidden mystery was made clear to me, and I said quietly, "I see, sir; and I believe!" "Let us thank God!" answered the little man, and together we knelt down by the bench. There was no extravagant joy, no glorious bursting into light and liberty, such as I have read about as happening on those occasions; it was the satisfaction of having found one's way after long groping in darkness and misery--the way that led to peace.'

Now the question is: did those words--the words that came with such power to Frank Bullen in the New Zealand sail-loft, and to Sydney Carton in the Paris streets--have the same effect upon both? Did they lead both of them to penitence and faith and peace? I think they did. Let us return to Sydney Carton as the sun is rising on that memorable morning on which he sees the text everywhere. He leaves the streets in which he has wandered by moonlight and walks beside a stream.

'A trading-boat, with a sail of the softened color of a dead leaf, glided into his view, floated by him, and died away. As its silent track in the water disappeared, the prayer that had broken up out of his heart for a merciful consideration of all his poor blindnesses and errors ended in the words: "I am the Resurrection and the Life."'

'He that believeth in Me ... whosoever believeth in Me!'--the insistent demand for faith.

'He that believeth in Me!'--Sydney Carton believed and found peace.

'He that believeth in Me!'--Frank Bullen believed and found peace.

Paul has a classical passage in which he shows that those who have passed through experiences such as these, have themselves 'risen with Christ into newness of life.'

Risen with Christ! They have found the Resurrection!

Newness of life! They have found the Life!

In his Death in the Desert, Browning describes the attempts that were made to revive the sinking man. It seemed quite hopeless. The most that he would do was--

To smile a little, as a sleeper does,
If any dear one call him, touch his face--
And smiles and loves, but will not be disturbed.

Then, all at once, the boy who had been assisting in these proceedings, moved by some swift inspiration, sprang from his knees and proclaimed a text: 'I am the Resurrection and the Life!' As if by magic, consciousness revisited the prostrate form; the man opened his eyes; sat up; stared about him; and then began to speak. A wondrous virtue seemed to lurk in the majestic words that the boy recited. By that virtue Sydney Carton, Frank Bullen, and a host of others passed from death into life everlasting.

V

I began by saying that it is a great thing--a very great thing--to be able to save those you love by dying for them.

I close by stating the companion truth. It is a great thing--a very great thing--to have been died for.

On the last page of his book Dickens tells us what Sydney Carton would have seen and said if, on the scaffold, it had been given him to read the future.

'I see,' he would have exclaimed, 'I see the lives for which I lay down my life--peaceful, useful, prosperous and happy--in that England which I shall see no more. I see her with a child upon her bosom who bears my name. I see that I hold a sanctuary in all their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed; and I know that each was not more honored and held sacred in the other's soul than I was in the souls of both!'

'I see that I hold a sanctuary in all their hearts!'--it is a lovely phrase.

It is a great thing--a very great thing--to have been died for!

Wherefore let each man be at some pains to build in his heart a sanctuary to Him who, for us men and for our salvation, laid down His life with a song!

V EBENEZER ERSKINE'S TEXT I

It is a lovely Sunday afternoon in the early summer of the year 1690. The graceful and heathery path that winds its way along the banks of the Tweed, from the stately ruins of Melrose to the crumbling gables of Dryburgh, is in its glory. The wooded track by the waterside is luxuriating in bright sunshine, glowing colors and soft shadows. We are traversing one of the most charming and romantic districts that even Scotland can present. Here 'every field has its battle, every rivulet its song.' More than a century hence, this historic neighborhood is destined to furnish the home, and fire the fancy, of Sir Walter Scott; and here, beneath the vaulted aisle of Dryburgh's ancient abbey, he will find his last resting-place. But that time is not yet. Even now, however, in 1690, the hoary cloister is only a battered and weatherbeaten fragment. It is almost covered by the branches of the trees that, planted right against the walls, have spread their limbs like creepers over the mossy ruins, as though endeavoring to protect the venerable pile. And here, sitting on a huge slab that has fallen from the broken arch above, is a small boy of ten. His name is Ebenezer Erskine; he is the son of the minister of Chirnside. Like his father, he was born here at Dryburgh; and to-day the two

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