How to Sing by Lilli Lehmann (best books to read for knowledge .TXT) π
Although she was a Spaniard by birth and an American by early adoption, she was, so to speak, the greatest Italian singer of my time. All was absolutely good, correct, and flawless, the voice like a bell that you seemed to hear long after its singing had ceased.
Yet she could give no explanation of her art, and answered all her colleagues' questions concerning it with an "Ah, je n'en sais rien!"
She possessed, unconsciously, as a gift of nature, a union of all those qualities that all other singers must attain and possess consciously
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A cold shudder runs through even the narrator; his whole being is strained and tense, he must force his mouth to utter the last words.
SECTION XXXIX IN CONCLUSIONThe class of voice is dependent upon the inborn characteristics of the vocal organs. But the development of the voice and all else that appertains to the art of song, can, providing talent is not lacking, be learned through industry and energy.
If every singer cannot become a famous artist, every singer is at least in duty bound to have learned something worth while, and to do his best according to his powers, as soon as he has to appear before any public. As an artist, he should not afford this public merely a cheap amusement, but should acquaint it with the most perfect embodiments of that art whose sole task properly is to ennoble the taste of mankind, and to bestow happiness; to raise it above the miseries of this workaday world, withdraw it from them, to idealize even the hateful things in human nature which it may have to represent, without departing from truth.
But what is the attitude of artists toward these tasks?
Cleveland, January 11, 1902.
NOTE A Good Remedy for Catarrh and HoarsenessPour boiling hot water into a saucer, and let a large sponge suck it all up. Then squeeze it firmly out again. Hold the sponge to the nose and mouth, and breathe alternately through the nose and mouth, in and out.
I sing my exercises, the great scale, passages, etc., and all the vowels into it, and so force the hot steam to act upon the lungs, bronchial tubes, and especially on the mucous membranes, while I am breathing in and out through the sponge. After this has been kept up for ten or fifteen minutes, wash the face in cold water. This can be repeated four to six times a day. The sponge should not be full of water, but must be quite squeezed out. This has helped me greatly, and I can recommend it highly. It can do no injury because it is natural. But after breathing in the hot steam, do not go out immediately into the cold air.
[1] In physiology when the muscles resume their normal state, they are said to be relaxed. But as I wish to avoid giving a false conception in our vocal sensations, I prefer to use the word "loosening."
[2] "Fortpflanzungsform": the preparation made in the vocal organs for taking the next tone before leaving the one under production, so that the succeeding tones shall all be of like character and quality.
[3] The voice of the Erlking is a continuous, soft, uninterrupted stream of tone, upon which the whispered words are hung. The Erlking excites the thoughts of the fever-sick boy. The three enticements must be sung very rapidly, without any interruption of the breath. The first I sing as far as possible in one breath (if I am not hampered by the accompanist), or at most in two; the second in two, the third in three; and here for the first time the words "reizt" and "branch ich Gewalt" emerge from the whispered pianissimo.
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