An Historical Mystery by Honoré de Balzac (the chimp paradox .txt) 📕

ministry), and a maker of the Code, played a great part in Paris, where he bought one of the finest mansions in the Faubuorg Saint-Germain after marrying the only daughter of a rich contractor named Sibuelle. He never came to Gondreville; leaving all matters concerning the property to the management of Grevin, the Arcis notary. After all, what had he to fear?--he, a former representative of the Aube, and president of a club of Jacobins. And yet, the unfavorable opinion of Michu held by the lower classes was shared by the bourgeoisie, and Marion, Grevin, and Malin, without giving any reason or compromising themselves on the subject, showed that they regarded him as an extremely dangerous man. The authorities, who were under instructions from the minister of police to watch the bailiff, did not of course lessen this belief. The neighborhood wondered that he kept his place, but supposed it was in consequence of the terror he inspired. It is easy now, after these explanations, to understand the anxiety and sadness expressed in the face of Michu's wife.

In the first place, Marthe had been piously brought up by her mother. Both, being good Catholics, had suffered much from the opinions and behavior of the tanner. Marthe could never think without a blush of having marched through the street of Troyes in the garb of a goddess. Her father had forced her to marry Michu, whose bad reputation was then increasing, and she feared him too much to be able to judge him. Nevertheless, she knew that he loved her, and at the bottom of her heart lay the truest affection for this awe-inspiring man; she had never known him to do anything that was not just; never did he say a brutal word, to her at least; in fact, he endeavored to forestall her every wish. The poor pariah, believing himself disagreeable to his wife, spent most of his time out of doors. Marthe and Michu, distrustful of each other, lived in what is called in these days an "armed peace." Marthe, who saw no one, suffered keenly from the ostracism which for the last seven years had surrounded her as the daughter of a revolutionary butcher, and the wife of a so-called traitor. More than once she had overheard the laborers of the adjoining farm (held by a man named Beauvisage, greatly attached to the Simeuse family) say as they passed the pavilion, "That's where Judas lives!" The singular resemblance between the bailiff's head and that of the thirteenth apostle, which his conduct appeared to carry out, won him that odious nickname throughout the neighborhood. It was this distress of mind, added to vague but constant fears for the future, which gave Marthe her thoughtful and subdued air. Nothing saddens so deeply as unmerited degradation from which there seems no escape. A painter could have made a fine picture of this family of pariahs in the bosom of their pretty nook in Champagne, where the landscape is generally sad.

"Francois!" called the bailiff, to hasten his son.

Francois Michu, a child of ten, played in the park and forest, and levied his little tithes like a master; he ate the fruits; he chased the game; he at least had neither cares nor troubles. Of all the family, Francois alone was happy in a home thus isolated from the neighborhood by its position between the park and the forest, and by the still greater moral solitude of universal repulsion.

"Pick up these things," said his father, pointing to the parapet, "and put them away. Look at me! You love your father and your mother, don't you?" The child flung himself on his father as if to kiss him, but Michu made a movement to shift the gun and pushed him back. "Very good. You have sometimes chattered about things that are done here," continued the father, fixing his eyes, dangerous as those of a wild-cat, on the boy. "Now remember this; if you tell the least little thing that happens here to Gaucher, or to the Grouage and Bellache people, or even to Marianne who loves us, you will kill your father. Never tattle again, and I will forgive what you said yesterday." The child began to cry. "Don't cry; but when any one questions you, say, as the peasants do, 'I don't know.' There are persons roaming about whom I distrust. Run along! As for you two," he added, turning to the women, "you have heard what I said. Keep a close mouth, both of you."

"Husband, what are you going to do?"

Michu, who was carefully measuring a charge of powder, poured it into the barrel of his gun, rested the weapon against the parapet and said to Marthe:--

"No one knows I own that gun. Stand in front of it."

Couraut, who had sprung to his feet, was barking furiously.

"Good, intelligent fellow!" cried Michu. "I am certain there are spies about--"

Man and beast feel a spy. Couraut and Michu, who seemed to have one and the same soul, lived together as the Arab and his horse in the desert. The bailiff knew the modulations of the dog's voice, just as the dog read his master's meaning in his eyes, or felt it exhaling in the air from his body.

"What do you say to that?" said Michu, in a low voice, calling his wife's attention to two strangers who appeared in a by-path making for the _rond-point_.

"What can it mean?" cried the old mother. "They are Parisians."

"Here they come!" said Michu. "Hide my gun," he whispered to his wife.

The two men who now crossed the wide open space of the _rond-point_ were typical enough for a painter. One, who appeared to be the subaltern, wore top-boots, turned down rather low, showing well-made calves, and colored silk stockings of doubtful cleanliness. The breeches, of ribbed cloth, apricot color with metal buttons, were too large; they were baggy about the body, and the lines of their creases seemed to indicate a sedentary man. A marseilles waistcoat, overloaded with embroidery, open, and held together by one button only just above the stomach, gave to the wearer a dissipated look,--all the more so, because his jet black hair, in corkscrew curls, hid his forehead and hung down his cheeks. Two steel watch-chains were festooned upon his breeches. The shirt was adorned with a cameo in white and blue. The coat, cinnamon-colored, was a treasure to caricaturists by reason of its long tails, which, when seen from behind, bore so perfect a resemblance to a cod that the name of that fish was given to them. The fashion of codfish tails lasted ten years; almost the whole period of the empire of Napoleon. The cravat, loosely fastened, and with numerous small folds, allowed the wearer to bury his face in it up to the nostrils. His pimpled skin, his long, thick, brick-dust colored nose, his high cheek-bones, his mouth, lacking half its teeth but greedy for all that and menacing, his ears adorned with huge gold rings, his low forehead,--all these personal details, which might have seemed grotesque in many men, were rendered terrible in him by two small eyes set in his head like those of a pig, expressive of insatiable covetousness, and of insolent, half-jovial cruelty. These ferreting and perspicacious blue eyes, glassy and glacial, might be taken for the model of that famous Eye, the formidable emblem of the police, invented during the Revolution. Black silk gloves were on his hands and he carried a switch. He was certainly some official personage, for he showed in his bearing, in his way of taking snuff and ramming it into his nose, the bureaucratic importance of an office subordinate, one who signs for his superiors and acquires a passing sovereignty by enforcing their orders.

The other man, whose dress was in the same style, but elegant and elegantly put on and careful in its smallest detail, wore boots _a la_ Suwaroff which came high upon the leg above a pair of tight trousers, and creaked as he walked. Above his coat he wore a spencer, an aristocratic garment adopted by the Clichiens and the young bloods of Paris, which survived both the Clichiens and the fashionable youths. In those days fashions sometimes lasted longer than parties,--a symptom of anarchy which the year of our Lord 1830 has again presented to us. This accomplished dandy seemed to be thirty years of age. His manners were those of good society; he wore jewels of value; the collar of his shirt came to the tops of his ears. His conceited and even impertinent air betrayed a consciousness of hidden superiority. His pallid face seemed bloodless, his thin flat nose had the sardonic expression which we see in a death's head, and his green eyes were inscrutable; their glance was discreet in meaning just as the thin closed mouth was discreet in words. The first man seemed on the whole a good fellow compared with this younger man, who was slashing the air with a cane, the top of which, made of gold, glittered in the sunshine. The first man might have cut off a head with his own hand, but the second was capable of entangling innocence, virtue, and beauty in the nets of calumny and intrigue, and then poisoning them or drowning them. The rubicund stranger would have comforted his victim with a jest; the other was incapable of a smile. The first was forty-five years old, and he loved, undoubtedly, both women and good cheer. Such men have passions which keep them slaves to their calling. But the young man was plainly without passions and without vices. If he was a spy he belonged to diplomacy, and did such work from a pure love of art. He conceived, the other executed; he was the idea, the other was the form.

"This must be Gondreville, is it not, my good woman?" said the young man.

"We don't say 'my good woman' here," said Michu. "We are still simple enough to say 'citizen' and 'citizeness' in these parts."

"Ah!" exclaimed the young man, in a natural way, and without seeming at all annoyed.

Players of ecarte often have a sense of inward disaster when some unknown person sits down at the same table with them, whose manners, look, voice, and method of shuffling the cards, all, to their fancy, foretell defeat. The instant Michu looked at the young man he felt an inward and prophetic collapse. He was struck by a fatal presentiment; he had a sudden confused foreboding of the scaffold. A voice told him that that dandy would destroy him, although there was nothing whatever in common between them. For this reason his answer was rude; he was and he wished to be forbidding.

"Don't you belong to the Councillor of State, Malin?" said the younger man.

"I am my own master," answered Malin.

"Mesdames," said the young man, assuming a most polite air, "are we not at Gondreville? We are expected there by Monsieur Malin."

"There's the park," said Michu, pointing to the open gate.

"Why are you hiding that gun, my fine girl?" said the elder, catching sight of the carbine as he passed through the gate.

"You never let a chance escape you, even in the country!" cried his companion.

They both turned back with a sense of distrust which the bailiff understood at once in spite of their impassible faces. Marthe let them look at the gun, to the tune of Couraut's bark; she was so convinced that her husband was meditating some evil deed that she was thankful for the curiosity of the strangers.

Michu flung a look at his wife which made her tremble; he took the gun and began to load it,