The Complete Celebrated Crimes by Alexandre Dumas (ebook reader below 3000 .txt) 📕

So positive an answer, while it filled her husband with despair, proved to him that he must renounce the hope of obtaining an heir; but since the page was not to blame for this, he fulfilled the promise that he had made, bought him a regiment, and resigned himself to having the most virtuous wife in France. His repentance was not, however, of long duration; he died at the end of three months, after having confided to his friend, the Marquis d’Urban, the cause of his sorrows.

The Marquis d’Urban had a son of marriageable age; he thought that he could find nothing more suitable for him than a wife whose virtue had come triumphantly through such a trial: he let her time of mourning pass, and then presented the young Marquis d’Urban, who succeeded in making his attentions acceptable to the beautiful widow, and soon became her husband. More fortunate than his predecessor, the Marquis d’Urban had three heirs to oppose to his collaterals, when, some two years and a half later, the Chevalier de Bouillon arrived at the capital of the county of Venaissin.

The Chevalier de Bouillon was a typical rake of the period, handsome, young, and well-grown; the nephew of a cardinal who was influential at Rome, and proud of belonging to a house which had privileges of suzerainty. The chevalier, in his indiscreet fatuity, spared no woman; and his conduct had given some scandal in the circle of Madame de Maintenon, who was rising into power. One of his friends, having witnessed the displeasure exhibited towards him by Louis XIV, who was beginning to become devout, thought to do him a service by warning him that the king “gardait une dent” against him. [ Translator’s note.—“Garder une dent,” that is, to keep up a grudge, means literally “to keep a tooth” against him.]

“Pardieu!” replied the chevalier, “I am indeed unlucky when the only tooth left to him remains to bite me.”

This pun had been repeated, and had reached Louis XIV, so that the chevalier presently heard, directly enough this time, that the king desired him to travel for some years. He knew the danger of neglecting—such intimations, and since he thought the country after all preferable to the Bastille, he left Paris, and arrived at Avignon, surrounded by the halo of interest that naturally attends a handsome young persecuted nobleman.

The virtue of Madame d’Urban was as much cried up at Avignon as the ill-behaviour of the chevalier had been reprobated in Paris. A reputation equal to his own, but so opposite in kind, could not fail to be very offensive to him, therefore he determined immediately upon arriving to play one against the other.

Nothing was easier than the attempt. M. d’Urban, sure of his wife’s virtue, allowed her entire liberty; the chevalier saw her wherever he chose to see her, and every time he saw her found means to express a growing passion. Whether because the hour had come for Madame d’Urban, or whether because she was dazzled by the splendour of the chevalier’s belonging to a princely house, her virtue, hitherto so fierce, melted like snow in the May sunshine; and the chevalier, luckier than the poor page, took the husband’s place without any attempt on Madame d’Urban’s part to cry for help.

As all the chevalier desired was public triumph, he took care to make the whole town acquainted at once with his success; then, as some infidels of the neighbourhood still doubted, the chevalier ordered one of his servants to wait for him at the marquise’s door with a lantern and a bell. At one in the morning, the chevalier came out, and the servant walked before him, ringing the bell. At this unaccustomed sound, a great number of townspeople, who had been quietly asleep, awoke, and, curious to see what was happening, opened their windows. They beheld the chevalier, walking gravely behind his servant, who continued to light his master’s way and to ring along the course of the street that lay between Madame d’Urban’s house and his own. As he had made no mystery to anyone of his love affair, nobody took the trouble even to ask him whence he came. However, as there might possibly be persons still unconvinced, he repeated this same jest, for his own satisfaction, three nights running; so that by the morning of the fourth day nobody had any doubts left.

As generally happens in such cases, M. d’Urban did not know a word of what was going on until the moment when his friends warned him that he was the talk of the town. Then he forbade his wife to see her lover again. The prohibition produced the usual results: on the morrow, as, soon as M. d’Urban had gone out, the marquise sent for the chevalier to inform him of the catastrophe in which they were both involved; but she found him far better prepared than herself for such blows, and he tried to prove to her, by reproaches for her imprudent conduct, that all this was her fault; so that at last the poor woman, convinced that it was she who had brought these woes upon them, burst into tears. Meanwhile, M. d’Urban, who, being jealous for the first time, was the more seriously so, having learned that the chevalier was with his wife, shut the doors, and posted himself in the antechamber with his servants, in order to seize him as he came out. But the chevalier, who had ceased to trouble himself about Madame d’Urban’s tears, heard all the preparations, and, suspecting some ambush, opened the window, and, although it was one o’clock in the afternoon and the place was full of people, jumped out of the window into the street, and did not hurt himself at all, though the height was twenty feet, but walked quietly home at a moderate pace.

The same evening, the chevalier, intending to relate his new adventure in all its details, invited some of his friends to sup with him at the pastrycook Lecoq’s. This man, who was a brother of the famous Lecoq of the rue Montorgueil, was the cleverest eating-house- keeper in Avignon; his own unusual corpulence commended his cookery, and, when he stood at the door, constituted an advertisement for his restaurant. The good man, knowing with what delicate appetites he had to deal, did his very best that evening, and that nothing might be wanting, waited upon his guests himself. They spent the night drinking, and towards morning the chevalier and his companions, being then drunk, espied their host standing respectfully at the door, his face wreathed in smiles. The chevalier called him nearer, poured him out a glass of wine and made him drink with them; then, as the poor wretch, confused at such an honour, was thanking him with many bows, he said:—

“Pardieu, you are too fat for Lecoq, and I must make you a capon.”

This strange proposition was received as men would receive it who were drunk and accustomed by their position to impunity. The unfortunate pastrycook was seized, bound down upon the table, and died under their treatment. The vice-legate being informed of the murder by one of the waiters, who had run in on hearing his master’s shrieks, and had found him, covered with blood, in the hands of his butchers, was at first inclined to arrest the chevalier and bring him conspicuously to punishment. But he was restrained by his regard for the Cardinal de Bouillon, the chevalier’s uncle, and contented himself with warning the culprit that unless he left the town instantly he would be put into the hands of the authorities. The chevalier, who was beginning to have had enough of Avignon, did not wait to be told twice, ordered the wheels of his chaise to be greased and horses to be brought. In the interval before they were ready the fancy took him to go and see Madame d’Urban again.

As the house of the marquise was the very last at which, after the manner of his leaving it the day before, the chevalier was expected at such an hour, he got in with the greatest ease, and, meeting a lady’s-maid, who was in his interests, was taken to the room where the marquise was. She, who had not reckoned upon seeing the chevalier again, received him with all the raptures of which a woman in love is capable, especially when her love is a forbidden one. But the chevalier soon put an end to them by announcing that his visit was a visit of farewell, and by telling her the reason that obliged him to leave her. The marquise was like the woman who pitied the fatigue of the poor horses that tore Damien limb from limb; all her commiseration was for the chevalier, who on account of such a trifle was being forced to leave Avignon. At last the farewell had to be uttered, and as the chevalier, not knowing what to say at the fatal moment, complained that he had no memento of her, the marquise took down the frame that contained a portrait of herself corresponding with one of her husband, and tearing out the canvas, rolled, it up and gave it to the chevalier. The latter, so far from being touched by this token of love, laid it down, as he went away, upon a piece of furniture, where the marquise found it half an hour later. She imagined that his mind being so full of the original, he had forgotten the copy, and representing to herself the sorrow which the discovery of this forgetfulness would cause him, she sent for a servant, gave him the picture, and ordered him to take horse and ride after the chevalier’s chaise. The man took a post-horse, and, making great speed, perceived the fugitive in the distance just as the latter had finished changing horses. He made violent signs and shouted loudly, in order to stop the postillion. But the postillion having told his fare that he saw a man coming on at full speed, the chevalier supposed himself to be pursued, and bade him go on as fast as possible. This order was so well obeyed that the unfortunate servant only came up with the chaise a league and a half farther on; having stopped the postillion, he got off his horse, and very respectfully presented to the chevalier the picture which he had been bidden to bring him. But the chevalier, having recovered from his first alarm, bade him go about his business, and take back the portrait—which was of no use to him—to the sender. The servant, however, like a faithful messenger, declared that his orders were positive, and that he should not dare go back to Madame d’Urban without fulfilling them. The chevalier, seeing that he could not conquer the man’s determination, sent his postillion to a farrier, whose house lay on the road, for a hammer and four nails, and with his own hands nailed the portrait to the back of his chaise; then he stepped in again, bade the postillion whip up his horses, and drove away, leaving Madame d’Urban’s messenger greatly astonished at the manner in which the chevalier had used his mistress’s portrait.

At the next stage, the postillion, who was