The Castle of Otranto by Horace Walpole (e textbook reader txt) ๐
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The Castle of Otranto is considered to be the first โGothicโ novelโthat is, containing a combination of tropes, like hidden passages, haunted paintings, mysterious sounds, skeletal ghosts, ancestral curses, and unexplained deaths, that essentially invented the genre later made famous by authors like Edgar Allan Poe, Bram Stoker, or Henry James. Walpole made a point of creating a novel that blends supernatural elements with more realistic depictions of characters and events.
The plot centers around Manfred, the lord of Otranto Castle, who has just witnessed the death of his son under mysterious circumstances, just as his son was about to be married. Manfred is thrust into a galloping and melodramatic series of events that lean heavily on the supernatural.
Walpole initially published The Castle of Otranto under a pseudonym, claiming that his work was a translation of an ancient Italian manuscript. This framing, along with the purposely archaic writing style, gives the supernatural airs of the novel a decidedly authentic flavor. In later editions Walpole acknowledges his authorship.
Otranto remains a fast-paced and familiar read, thanks to the variety of recognizable tropes it introduced and made popular.
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- Author: Horace Walpole
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โWhere is Isabella?โ
โIsabella! my Lord!โ said the astonished Hippolita.
โYes, Isabella,โ cried Manfred imperiously; โI want Isabella.โ
โMy Lord,โ replied Matilda, who perceived how much his behaviour had shocked her mother, โshe has not been with us since your Highness summoned her to your apartment.โ
โTell me where she is,โ said the Prince; โI do not want to know where she has been.โ
โMy good Lord,โ says Hippolita, โyour daughter tells you the truth: Isabella left us by your command, and has not returned since;โ โbut, my good Lord, compose yourself: retire to your rest: this dismal day has disordered you. Isabella shall wait your orders in the morning.โ
โWhat, then, you know where she is!โ cried Manfred. โTell me directly, for I will not lose an instantโ โand you, woman,โ speaking to his wife, โorder your chaplain to attend me forthwith.โ
โIsabella,โ said Hippolita calmly, โis retired, I suppose, to her chamber: she is not accustomed to watch at this late hour. Gracious my Lord,โ continued she, โlet me know what has disturbed you. Has Isabella offended you?โ
โTrouble me not with questions,โ said Manfred, โbut tell me where she is.โ
โMatilda shall call her,โ said the Princess. โSit down, my Lord, and resume your wonted fortitude.โ
โWhat, art thou jealous of Isabella?โ replied he, โthat you wish to be present at our interview!โ
โGood heavens! my Lord,โ said Hippolita, โwhat is it your Highness means?โ
โThou wilt know ere many minutes are passed,โ said the cruel Prince. โSend your chaplain to me, and wait my pleasure here.โ
At these words he flung out of the room in search of Isabella, leaving the amazed ladies thunderstruck with his words and frantic deportment, and lost in vain conjectures on what he was meditating.
Manfred was now returning from the vault, attended by the peasant and a few of his servants whom he had obliged to accompany him. He ascended the staircase without stopping till he arrived at the gallery, at the door of which he met Hippolita and her chaplain. When Diego had been dismissed by Manfred, he had gone directly to the Princessโs apartment with the alarm of what he had seen. That excellent Lady, who no more than Manfred doubted of the reality of the vision, yet affected to treat it as a delirium of the servant. Willing, however, to save her Lord from any additional shock, and prepared by a series of griefs not to tremble at any accession to it, she determined to make herself the first sacrifice, if fate had marked the present hour for their destruction. Dismissing the reluctant Matilda to her rest, who in vain sued for leave to accompany her mother, and attended only by her chaplain, Hippolita had visited the gallery and great chamber; and now with more serenity of soul than she had felt for many hours, she met her Lord, and assured him that the vision of the gigantic leg and foot was all a fable; and no doubt an impression made by fear, and the dark and dismal hour of the night, on the minds of his servants. She and the chaplain had examined the chamber, and found everything in the usual order.
Manfred, though persuaded, like his wife, that the vision had been no work of fancy, recovered a little from the tempest of mind into which so many strange events had thrown him. Ashamed, too, of his inhuman treatment of a Princess who returned every injury with new marks of tenderness and duty, he felt returning love forcing itself into his eyes; but not less ashamed of feeling remorse towards one against whom he was inwardly meditating a yet more bitter outrage, he curbed the yearnings of his heart, and did not dare to lean even towards pity. The next transition of his soul was to exquisite villainy.
Presuming on the unshaken submission of Hippolita, he flattered himself that she would not only acquiesce with patience to a divorce, but would obey, if it was his pleasure, in endeavouring to persuade Isabella to give him her handโ โbut ere he could indulge his horrid hope, he reflected that Isabella was not to be found. Coming to himself, he gave orders that every avenue to the castle should be strictly guarded, and charged his domestics on pain of their lives to suffer nobody to pass out. The young peasant, to whom he spoke favourably, he ordered to remain in a small chamber on the stairs, in which there was a pallet-bed, and the key of which he took away himself, telling the youth he would talk with him in the morning. Then dismissing his attendants, and bestowing a sullen kind of half-nod on Hippolita, he retired to his own chamber.
IIMatilda, who by Hippolitaโs order had retired to her apartment, was ill-disposed to take any rest. The shocking fate of her brother had deeply affected her. She was surprised at not seeing Isabella; but the strange words which had fallen from her father, and his obscure menace to the Princess his wife, accompanied by the most furious behaviour, had filled her gentle mind with terror and alarm. She waited anxiously for the return of Bianca, a young damsel that attended her, whom she had sent to learn what was become of Isabella. Bianca soon appeared, and informed her mistress of what she had gathered from the servants, that Isabella was nowhere to be found. She related the adventure of the young peasant who had been discovered in the vault, though with many simple additions from the incoherent accounts of the domestics; and she dwelt principally on the gigantic leg and foot
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