Those Barren Leaves by Aldous Huxley (100 books to read txt) 📕
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Mrs. Aldwinkle, an English aristocrat of a certain age, has purchased a mansion in the Italian countryside. She wishes to bring a salon of intellectual luminaries into her orbit, and to that end she invites a strange cast of characters to spend time with her in her palazzo: Irene, her young niece; Ms. Thriplow, a governess-turned-novelist; Mr. Calamy, a handsome young man of great privilege and even greater ennui; Mr. Cardan, a worldly gentleman whose main talent seems to be the enjoyment of life; Hovenden, a young motorcar-obsessed lord with a speech impediment; and Mr. Falx, a socialist leader. To this unlikely cast is soon added Mr. Chelifer, an author with an especially florid, overwrought style that is wasted on his day job as editor of The Rabbit Fancier’s Gazette, and the Elvers, a scheming brother who is the guardian of his mentally-challenged sister.
As this unlikely group mingles, they discuss a great many grand topics: love, art, language, life, culture. Yet very early on the reader comes to realize that behind the pompousness of their elaborate discussions lies nothing but vacuity—these characters are a satire of the self-important intellectuals of Huxley’s era.
His skewering of their intellectual barrenness continues as the group moves on to a trip around the surrounding country, in a satire of the Grand Tour tradition. The party brings their English snobbery out in full force as they traipse around Rome, sure of nothing else except in their belief that Italy is culturally superior simply because it’s Italy.
As the vacation winds down, we’re left with a biting lampoon of the elites who suppose themselves to be at the height of art and culture—the kinds of personalities that arise in every generation, sure of their own greatness but unable to actually contribute anything to the world of art and culture that they feel is so important.
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- Author: Aldous Huxley
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“But at Montefiascone,” said Mr. Cardan, concluding the history of the German bishop who gave the famous wine of Montefiascone its curious name, “at Montefiascone Bishop Defuk’s servant found good wine at every shop and tavern; so that when his master arrived he found the prearranged symbol chalked up on a hundred doors. Est, Est, Est—the town was full of them. And the Bishop was so much enraptured with the drink that he decided to settle in Montefiascone for life. For life—but he drank so much that in a very short time it turned out that he had settled here for death. They buried him in the lower church, down there. On his tombstone his servant engraved the Bishop’s portrait with this brief epitaph: ‘Est Est Jo Defuk. Propter nimium hic est. Dominus meus mortuus est.’ Since when the wine has always been called Est Est Est. We’ll have a flask of it dry for serious drinking. And for the frivolous and the feminine, and to sip with the dessert, we’ll have a bottle of the sweet moscato. And now let’s see what there is to eat.” He picked up the menu and holding it out at arm’s length—for he had the long sight of old age—read out slowly, with comments, the various items. It was always Mr. Cardan who ordered the dinner (although it was generally Lord Hovenden or Mrs. Aldwinkle who paid), always Mr. Cardan; for it was tacitly admitted by everyone that Mr. Cardan was the expert on food and wine, the professional eater, the learned and scholarly drinker.
Seeing Mr. Cardan busy with the bill of fare, the landlord approached, rubbing his hands and cordially smiling—as well he might on a Rolls-Royce-full of foreigners—to take orders and give advice.
“The fish,” he confided to Mr. Cardan, “the fish is something special.” He put his fingers to his lips and kissed them. “It comes from Bolsena, from the lake, down there.” He pointed out of the window at the black night. Somewhere, far down through the darkness, lay the Lake of Bolsena.
Mr. Cardan held up his hand. “No, no,” he objected with decision and shook his head. “Don’t talk to me of fish. Never safe in these little places,” he explained to his companions. “Particularly in such hot weather. And then, imagine eating fish from Bolsena—a place where they have miracles, where holy wafers bleed for the edification of the pious and as a proof of the fact of transubstantiation. No, no,” Mr. Cardan repeated, “fishes from Bolsena are altogether too fishy. Let’s stick to fried eggs, with fillet of veal to follow. Or a little roast capon …”
“I want fish,” said Miss Elver. The passionate earnestness of her tone contrasted strikingly with the airiness of Mr. Cardan’s banter.
“I really wouldn’t, you know,” said Mr. Cardan.
“But I like fish.”
“But it may be unwholesome. You never can tell.”
“But I want it,” Miss Elver insisted. “I love fish.” Her large lower lip began to tremble, her eyes filled with tears. “I want it.”
“Well, then, of course you shall have it,” said Mr. Cardan, making haste to console her. “Of course, if you really like it. I was only afraid that it mightn’t perhaps be good. But it probably will be.”
Miss Elver took comfort, blew her long nose and smiled. “Thank you, Tommy,” she said, and blushed as she pronounced the name.
After dinner they went out into the piazza for coffee and liqueurs. The square was crowded and bright with lights. In the middle the band of the local Philharmonic Society was giving its Sunday evening concert. Planted on the rising ground above the piazza Sammicheli’s great church solemnly impended. The lights struck up, illuminating its pilastered walls. The cupola stood out blackly against the sky.
“The choice,” said Mr. Cardan, looking round the piazza, “seems to lie between the Café Moderno and the Bar Ideale. Personally, I should be all for the ideal rather than the real if it wasn’t for the disagreeable fact that in a bar one has to stand. Whereas in a café, however crassly materialistic, one can sit down. I’m afraid the Moderno forces itself upon us.”
He led the way in the direction of the café.
“Talking of Bars,” said Chelifer, as they sat down at a little table in front of the café, “has it ever occurred to you to enumerate the English words that have come to have an international currency? It’s a somewhat curious selection, and one which seems to me to throw a certain light on the nature and significance of our Anglo-Saxon civilization. The three words from Shakespeare’s language that have a completely universal currency are Bar, Sport and W.C. They’re all just as good Finnish now as they are good English. Each of these words possesses what I may call a family. Round the idea ‘Bar’ group themselves various other international words, such as Bitter, Cocktail, Whiskey and the like. ‘Sport’ boasts a large family—Match, for example, Touring Club, the verb to Box, Cycle-Car, Performance (in the sporting sense) and various others. The idea of hydraulic sanitation has only one child that I can think of, namely Tub. Tub—it has a strangely old-world sound in English nowadays; but in Yugo-Slavia, on the other hand, it is exceedingly up-to-date. Which leads us on to that very odd class of international English words that have never been good English at all. A Smoking for example, a Dancing, a Five-o’clock—these have never existed except on the continent of Europe. As for High-Life, so popular a word in Athens, where it is spelt iota, gamma, lambda, iota, phi—that dates from a remote, mid-Victorian epoch in the history of our national culture.”
“And Spleen,” said Mr. Cardan, “you forget Spleen. That comes from much further back. A fine aristocratic word, that; we were fools to allow it to become extinct.
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