Man and Wife by Wilkie Collins (e book reader pc .txt) 📕
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Man and Wife is the ninth novel by Wilkie Collins, and was published in serial form in 1870. Like many of his other novels it has a complex plot and tackles social issues, in this case the then-lax state of the marriage laws, particularly in Scotland and Ireland. As always, Collins deals carefully but frankly with human personal behavior. To avoid offending Victorian morals too greatly, much is implied rather than stated outright. Nevertheless, even dealing with such matters at all led to his novels being derided as “sensation fiction” by his critics. By today’s standards, of course, they wouldn’t even raise an eyebrow.
In Man and Wife, the main character Anne Silvester has fallen pregnant to a muscular and handsome, but boorish man, Geoffrey Delamayn, to whom she is not married. She is working as a governess at a house in Scotland. Anne arranges to meet Delamayn secretly at a garden party and angrily demands that he fulfill his promise to marry her, that very day. He very reluctantly agrees to a secret, private marriage, knowing that a public marriage would badly affect his inheritance prospects. How is the marriage to be arranged quickly but kept quiet? Anne has a plan based on her understanding of the looseness of the marriage laws in Scotland. Naturally, of course, things go badly wrong with this plan and many complexities arise.
Collins is deeply critical of the state of contemporary marriage laws, both in how loosely they were framed, and in how little power over their own lives they gave to women once they were married, even if married to a brutal man. He also uses this novel to denounce the worship of sporting heroes and the obsession with physical prowess rather than mental superiority as a primary indication of male virtue.
Though not as popular as his novels The Woman in White and The Moonstone, Man and Wife received a good critical reception when it was released and was a commercial success.
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- Author: Wilkie Collins
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In that resigned frame of mind he knocked at the door of Lady Lundie’s boudoir.
XXVII OutwittedSir Patrick found his sister-in-law immersed in domestic business. Her ladyship’s correspondence and visiting list, her ladyship’s household bills and ledgers; her ladyship’s diary and memorandum-book (bound in scarlet morocco); her ladyship’s desk, envelope-case, matchbox, and taper candlestick (all in ebony and silver); her ladyship herself, presiding over her responsibilities, and wielding her materials, equal to any calls of emergency, beautifully dressed in correct morning costume, blessed with perfect health both of the secretions and the principles; absolutely void of vice, and formidably full of virtue, presented, to every properly-constituted mind, the most imposing spectacle known to humanity—the British Matron on her throne, asking the world in general, when will you produce the like of me?
“I am afraid I disturb you,” said Sir Patrick. “I am a perfectly idle person. Shall I look in a little later?”
Lady Lundie put her hand to her head, and smiled faintly.
“A little pressure here, Sir Patrick. Pray sit down. Duty finds me earnest; Duty finds me cheerful; Duty finds me accessible. From a poor, weak woman, Duty must expect no more. Now what is it?” (Her ladyship consulted her scarlet memorandum-book.) “I have got it here, under its proper head, distinguished by initial letters. P.—the poor. No. H.M.—heathen missions. No. V.T.A.—Visitors to arrive. No. P.I.P.—Here it is: private interview with Patrick. Will you forgive me the little harmless familiarity of omitting your title? Thank you! You are always so good. I am quite at your service when you like to begin. If it’s anything painful, pray don’t hesitate. I am quite prepared.”
With that intimation her ladyship threw herself back in her chair, with her elbows on the arms, and her fingers joined at the tips, as if she was receiving a deputation. “Yes?” she said, interrogatively. Sir Patrick paid a private tribute of pity to his late brother’s memory, and entered on his business.
“We won’t call it a painful matter,” he began. “Let us say it’s a matter of domestic anxiety. Blanche—”
Lady Lundie emitted a faint scream, and put her hand over her eyes.
“Must you?” cried her ladyship, in a tone of touching remonstrance. “Oh, Sir Patrick, must you?”
“Yes. I must.”
Lady Lundie’s magnificent eyes looked up at that hidden court of human appeal which is lodged in the ceiling. The hidden court looked down at Lady Lundie, and saw—Duty advertising itself in the largest capital letters.
“Go on, Sir Patrick. The motto of woman is self-sacrifice. You shan’t see how you distress me. Go on.”
Sir Patrick went on impenetrably—without betraying the slightest expression of sympathy or surprise.
“I was about to refer to the nervous attack from which Blanche has suffered this morning,” he said. “May I ask whether you have been informed of the cause to which the attack is attributable?”
“There!” exclaimed Lady Lundie with a sudden bound in her chair, and a sudden development of vocal power to correspond. “The one thing I shrank from speaking of! the cruel, cruel, cruel behavior I was prepared to pass over! And Sir Patrick hints on it! Innocently—don’t let me do an injustice—innocently hints on it!”
“Hints on what, my dear Madam?”
“Blanche’s conduct to me this morning. Blanche’s heartless secrecy. Blanche’s undutiful silence. I repeat the words: Heartless secrecy. Undutiful silence.”
“Allow me for one moment, Lady Lundie—”
“Allow me, Sir Patrick! Heaven knows how unwilling I am to speak of it. Heaven knows that not a word of reference to it escaped my lips. But you leave me no choice now. As mistress of the household, as a Christian woman, as the widow of your dear brother, as a mother to this misguided girl, I must state the facts. I know you mean well; I know you wish to spare me. Quite useless! I must state the facts.”
Sir Patrick bowed, and submitted. (If he had only been a bricklayer! and if Lady Lundie had not been, what her ladyship unquestionably was, the strongest person of the two!)
“Permit me to draw a veil, for your sake,” said Lady Lundie, “over the horrors—I cannot, with the best wish to spare you, conscientiously call them by any other name—the horrors that took place upstairs. The moment I heard that Blanche was ill I was at my post. Duty will always find me ready, Sir Patrick, to my dying day. Shocking as the whole thing was, I presided calmly over the screams and sobs of my stepdaughter. I closed my ears to the profane violence of her language. I set the necessary example, as an English gentlewoman at the head of her household. It was only when I distinctly heard the name of a person, never to be mentioned again in my family circle, issue (if I may use the expression) from Blanche’s lips that I began to be really alarmed. I said to my maid: ‘Hopkins, this is not hysteria. This is a possession of the devil. Fetch the chloroform.’ ”
Chloroform, applied in the capacity of an exorcism, was entirely new to Sir Patrick. He preserved his gravity with considerable difficulty. Lady Lundie went on:
“Hopkins is an excellent person—but Hopkins has a tongue. She met our distinguished medical guest in the corridor, and told him. He was so good as to come to the door. I was shocked to trouble him to act in his professional capacity while he was a visitor, an honored visitor, in my house. Besides, I considered it more a case for a
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