The Song of the Lark by Willa Cather (best reads .TXT) 📕
Description
The Song of the Lark, Willa Cather’s third novel, was written in 1915. It is said to have been inspired by the real-life soprano Olive Fremstad, a celebrated Swedish-American singer who, like the protagonist, was active in New York and Europe during the time period depicted in the novel.
The work explores how an artist’s early life influences their work. In the novel, Thea Kronborg discovers her talent as a singer, and goes on to achieve great fame and success once she leaves her tiny village of Moonstone. Cather eschewed depicting rural life as being idyllic, instead focusing on the conservative, restricted, patriarchal structures that its inhabitants live by. Her work is thus considered to be one of the earliest so-called “Revolt Novels.” She depicts a time at the end of the 19th century when the American West was expanding rapidly and Americans were gaining sophistication in their understanding of culture and artists, particularly compared to Europe. The title of the novel comes from the name of a 1884 painting by Jules Breton, which is described and considered in the book itself.
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- Author: Willa Cather
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Thea went up over his shoulder. “It’s hard ground up here,” she panted. “Did I wrench your arm when I slipped then? It was a cactus I grabbed, and it startled me.”
“Now, one more pull and we’re on the level.”
They emerged gasping upon the black plateau. In the last five minutes the darkness had solidified and it seemed as if the skies were pouring black water. They could not see where the sky ended or the plain began. The light at the ranch house burned a steady spark through the rain. Fred drew Thea’s arm through his and they struck off toward the light. They could not see each other, and the rain at their backs seemed to drive them along. They kept laughing as they stumbled over tufts of grass or stepped into slippery pools. They were delighted with each other and with the adventure which lay behind them.
“I can’t even see the whites of your eyes, Thea. But I’d know who was here stepping out with me, anywhere. Part coyote you are, by the feel of you. When you make up your mind to jump, you jump! My gracious, what’s the matter with your hand?”
“Cactus spines. Didn’t I tell you when I grabbed the cactus? I thought it was a root. Are we going straight?”
“I don’t know. Somewhere near it, I think. I’m very comfortable, aren’t you? You’re warm, except your cheeks. How funny they are when they’re wet. Still, you always feel like you. I like this. I could walk to Flagstaff. It’s fun, not being able to see anything. I feel surer of you when I can’t see you. Will you run away with me?”
Thea laughed. “I won’t run far tonight. I’ll think about it. Look, Fred, there’s somebody coming.”
“Henry, with his lantern. Good enough! Halloo! Hallo—o—o!” Fred shouted.
The moving light bobbed toward them. In half an hour Thea was in her big feather bed, drinking hot lentil soup, and almost before the soup was swallowed she was asleep.
VIIIOn the first day of September Fred Ottenburg and Thea Kronborg left Flagstaff by the eastbound express. As the bright morning advanced, they sat alone on the rear platform of the observation car, watching the yellow miles unfold and disappear. With complete content they saw the brilliant, empty country flash by. They were tired of the desert and the dead races, of a world without change or ideas. Fred said he was glad to sit back and let the Santa Fe do the work for a while.
“And where are we going, anyhow?” he added.
“To Chicago, I suppose. Where else would we be going?” Thea hunted for a handkerchief in her handbag.
“I wasn’t sure, so I had the trunks checked to Albuquerque. We can recheck there to Chicago, if you like. Why Chicago? You’ll never go back to Bowers. Why wouldn’t this be a good time to make a run for it? We could take the southern branch at Albuquerque, down to El Paso, and then over into Mexico. We are exceptionally free. Nobody waiting for us anywhere.”
Thea sighted along the steel rails that quivered in the light behind them. “I don’t see why I couldn’t marry you in Chicago, as well as any place,” she brought out with some embarrassment.
Fred took the handbag out of her nervous clasp and swung it about on his finger. “You’ve no particular love for that spot, have you? Besides, as I’ve told you, my family would make a row. They are an excitable lot. They discuss and argue everlastingly. The only way I can ever put anything through is to go ahead, and convince them afterward.”
“Yes; I understand. I don’t mind that. I don’t want to marry your family. I’m sure you wouldn’t want to marry mine. But I don’t see why we have to go so far.”
“When we get to Winslow, you look about the freight yards and you’ll probably see several yellow cars with my name on them. That’s why, my dear. When your visiting-card is on every beer bottle, you can’t do things quietly. Things get into the papers.” As he watched her troubled expression, he grew anxious. He leaned forward on his camp-chair, and kept twirling the handbag between his knees. “Here’s a suggestion, Thea,” he said presently. “Dismiss it if you don’t like it: suppose we go down to Mexico on the chance. You’ve never seen anything like Mexico City; it will be a lark for you, anyhow. If you change your mind, and don’t want to marry me, you can go back to Chicago, and I’ll take a steamer from Vera Cruz and go up to New York. When I get to Chicago, you’ll be at work, and nobody will ever be the wiser. No reason why we shouldn’t both travel in Mexico, is there? You’ll be traveling alone. I’ll merely tell you the right places to stop, and come to take you driving. I won’t put any pressure on you. Have I ever?” He swung the bag toward her and looked up under her hat.
“No, you haven’t,” she murmured. She was thinking that her own position might be less difficult if he had used what he called pressure. He clearly wished her to take the responsibility.
“You have your own future in the back of your mind all the time,” Fred began, “and I have
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