Short Fiction by H. P. Lovecraft (easy books to read in english txt) 📕
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Howard Phillips Lovecraft was one of the most influential writers of horror fiction in the early 20th century. His fame is mostly posthumous: he was only published in pulp magazines in his lifetime, and never saw financial success. Despite that, Lovecraft’s unique blend of gothicism, horror, and the supernatural, set in an imagined but eerily-real New England, marked a gold standard for horror fiction for decades after his death.
Readers of modern fantasy and horror fiction will certainly recognize Cthulhu, the tentacle-mouthed god who lies asleep in a sunken Atlantean ruin; the Necronomicon, a grimoire of unspeakable power and horror penned by the “mad Arab” Abdul Alhazred; and the dark, twisted New England countryside of the Miskatonic Valley. These and other features take shape in Lovecraft’s stories, creating a backdrop of the bizarre and evil behind seemingly day-to-day lives. A thread of cosmic horror soon turns anything normal towards madness.
This edition is small because verifying the U.S. public domain status of Lovecraft’s corpus is a difficult, if not impossible, academic exercise, and finding first-edition copies to transcribe is also difficult. This edition will be updated as more transcriptions become verified and available.
Included in this edition are some of Lovecraft’s juvenalia—in particular, “The Alchemist” was written when he was just seventeen or eighteen.
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- Author: H. P. Lovecraft
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It may well be imagined how powerfully I was affected by the annals of the Harrises. In this continuous record there seemed to me to brood a persistent evil beyond anything in nature as I had known it; an evil clearly connected with the house and not with the family. This impression was confirmed by my uncle’s less systematic array of miscellaneous data—legends transcribed from servant gossip, cuttings from the papers, copies of death certificates by fellow-physicians, and the like. All of this material I cannot hope to give, for my uncle was a tireless antiquarian and very deeply interested in the shunned house; but I may refer to several dominant points which earn notice by their recurrence through many reports from diverse sources. For example, the servant gossip was practically unanimous in attributing to the fungous and malodorous cellar of the house a vast supremacy in evil influence. There had been servants—Ann White especially—who would not use the cellar kitchen, and at least three well-defined legends bore upon the queer quasi-human or diabolic outlines assumed by tree-roots and patches of mold in that region. These latter narratives interested me profoundly, on account of what I had seen in my boyhood, but I felt that most of the significance had in each case been largely obscured by additions from the common stock of local ghost lore.
Ann White, with her Exeter superstition, had promulgated the most extravagant and at the same time most consistent tale; alleging that there must lie buried beneath the house one of those vampires—the dead who retain their bodily form and live on the blood or breath of the living—whose hideous legions send their preying shapes or spirits abroad by night. To destroy a vampire one must, the grandmothers say, exhume it and burn its heart, or at least drive a stake through that organ; and Ann’s dogged insistence on a search under the cellar had been prominent in bringing about her discharge.
Her tales, however, commanded a wide audience, and were the more readily accepted because the house indeed stood on land once used for burial purposes. To me their interest depended less on this circumstance than on the peculiarly appropriate way in which they dovetailed with certain other things—the complaint of the departing servant Preserved Smith, who had preceded Ann and never heard of her, that something “sucked his breath” at night; the death-certificates of the fever victims of 1804, issued by Doctor Chad Hopkins, and showing the four deceased persons all unaccountably lacking in blood; and the obscure passages of poor Rhoby Harris’s ravings, where she complained of the sharp teeth of a glassy-eyed, half-visible presence.
Free from unwarranted superstition though I am, these things produced in me an odd sensation, which was intensified by a pair of widely separated newspaper cuttings relating to deaths in the shunned house—one from the Providence Gazette and Country-Journal of April 12, 1815, and the other from the Daily Transcript and Chronicle of October 27, 1845—each of which detailed an appallingly grisly circumstance whose duplication was remarkable. It seems that in both instances the dying person, in 1815 a gentle old lady named Stafford and in 1845 a schoolteacher of middle age named Eleazar Durfee, became transfigured in a horrible way, glaring glassily and attempting to bite the throat of the attending physician. Even more puzzling, though, was the final case which put an end to the renting of the house—a series of anemia deaths preceded by progressive madnesses wherein the patient would craftily attempt the lives of his relatives by incisions in the neck or wrist.
This was in 1860 and 1861, when my uncle had just begun his medical practise; and before leaving for the front he heard much of it from his elder professional colleagues. The really inexplicable thing was the way in which the victims—ignorant people, for the ill-smelling and widely shunned house could now be rented to no others—would babble maledictions in French, a language they could not possibly have studied to any extent. It made one think of poor Rhoby Harris nearly a century before, and so moved my uncle that he commenced collecting historical data on the house after listening, some time subsequent to his return from the war, to the firsthand account of Doctors Chase and Whitmarsh. Indeed, I could see that my uncle had thought deeply on the subject, and that he was glad of my own interest—an open-minded and sympathetic interest which enabled him to discuss with me matters at which others would merely have laughed. His fancy had not gone so far as mine, but he felt that the place was rare in its imaginative potentialities, and worthy of note as an inspiration in the field of the grotesque and macabre.
For my part, I was disposed to take the whole subject with profound seriousness, and began at once not only to review the evidence, but to accumulate as much more as I could. I talked with the elderly Archer Harris, then owner of the house, many times before his death in 1916; and obtained from him and his still surviving maiden sister Alice an authentic corroboration of all the family data my uncle had collected. When, however, I asked them what connection with France or its language the house could have, they confessed themselves as frankly baffled and ignorant
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