No Name by Wilkie Collins (good books for 7th graders TXT) 📕
Description
No Name is set in England during the 1840s. It follows the fortunes of two sisters, Magdalen Vanstone and her older sister Norah. Their comfortable upper-middle-class lives are shockingly disrupted when, after the sudden deaths of their parents, they discover that they are disinherited and left without either name or fortune. The headstrong Magdalen vows to recover their inheritance, by fair means or foul. Her increasing desperation makes her vulnerable to a wily confidence trickster, Captain Wragge, who promises to assist her in return for a cut of the profits.
No Name was published in serial form like many of Wilkie Collins’ other works. They were tremendously popular in their time, with long queues forming awaiting the publication of each episode. Though not as well known as his The Woman in White and The Moonstone, No Name is their equal in boasting a gripping plot and strong women characters (a rarity in the Victorian era). Collins’ mentor Charles Dickens is on record as considering it to be far the superior of The Woman in White.
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- Author: Wilkie Collins
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“Compose myself?” repeated Mrs. Wragge. “How am I to compose myself when my head feels off my shoulders? The worst buzzing I ever had with the cookery-book was nothing to the buzzing I’ve got now with the ghost. Here’s a miserable end to a holiday! You may take me back again, my dear, whenever you like—I’ve had enough of it already!”
Having at last succeeded in removing the eyebrows, Magdalen was free to combat the unfortunate impression produced on her companion’s mind by every weapon of persuasion which her ingenuity could employ.
The attempt proved useless. Mrs. Wragge persisted—on evidence which, it may be remarked in parenthesis, would have satisfied many wiser ghost-seers than herself—in believing that she had been supernaturally favored by a visitor from the world of spirits. All that Magdalen could do was to ascertain, by cautious investigation, that Mrs. Wragge had not been quick enough to identify the supposed ghost with the character of the old North-country lady in the Entertainment. Having satisfied herself on this point, she had no resource but to leave the rest to the natural incapability of retaining impressions—unless those impressions were perpetually renewed—which was one of the characteristic infirmities of her companion’s weak mind. After fortifying Mrs. Wragge by reiterated assurances that one appearance (according to all the laws and regulations of ghosts) meant nothing unless it was immediately followed by two more—after patiently leading back her attention to the parcels dropped on the floor and on the stairs—and after promising to keep the door of communication ajar between the two rooms if Mrs. Wragge would engage on her side to retire to her own chamber, and to say no more on the terrible subject of the ghost—Magdalen at last secured the privilege of reflecting uninterruptedly on the events of that memorable day.
Two serious consequences had followed her first step forward. Mrs. Lecount had entrapped her into speaking in her own voice, and accident had confronted her with Mrs. Wragge in disguise.
What advantage had she gained to set against these disasters? The advantage of knowing more of Noel Vanstone and of Mrs. Lecount than she might have discovered in months if she had trusted to inquiries made for her by others. One uncertainty which had hitherto perplexed her was set at rest already. The scheme she had privately devised against Michael Vanstone—which Captain Wragge’s sharp insight had partially penetrated when she first warned him that their partnership must be dissolved—was a scheme which she could now plainly see must be abandoned as hopeless, in the case of Michael Vanstone’s son. The father’s habits of speculation had been the pivot on which the whole machinery of her meditated conspiracy had been constructed to turn. No such vantage-ground was discoverable in the doubly sordid character of the son. Noel Vanstone was invulnerable on the very point which had presented itself in his father as open to attack.
Having reached this conclusion, how was she to shape her future course? What new means could she discover which would lead her secretly to her end, in defiance of Mrs. Lecount’s malicious vigilance and Noel Vanstone’s miserly distrust?
She was seated before the looking-glass, mechanically combing out her hair, while that all-important consideration occupied her mind. The agitation of the moment had raised a feverish color in her cheeks, and had brightened the light in her large gray eyes. She was conscious of looking her best; conscious how her beauty gained by contrast, after the removal of the disguise. Her lovely light brown hair looked thicker and softer than ever, now that it had escaped from its imprisonment under the gray wig. She twisted it this way and that, with quick, dexterous fingers; she laid it in masses on her shoulders; she threw it back from them in a heap and turned sidewise to see how it fell—to see her back and shoulders freed from the artificial deformities of the padded cloak. After a moment she faced the looking-glass once more; plunged both hands deep in her hair; and, resting her elbows on the table, looked closer and closer at the reflection of herself, until her breath began to dim the glass. “I can twist any man alive round my finger,” she thought, with a smile of superb triumph, “as long as I keep my looks! If that contemptible wretch saw me now—” She shrank from following that thought to its end, with a sudden horror of herself: she drew back from the glass, shuddering, and put her hands over her face. “Oh, Frank!” she murmured, “but for you, what a wretch I might be!” Her eager fingers snatched the little white silk bag from its hiding-place in her bosom; her lips devoured it with silent kisses. “My darling! my angel! Oh, Frank, how I love you!” The tears gushed into her eyes. She passionately dried them, restored the bag to its place, and turned her back on the looking-glass. “No more of myself,” she thought; “no more of my mad, miserable self for today!”
Shrinking from all further contemplation of her next step in advance—shrinking from the fast-darkening future, with which Noel Vanstone was now associated in her inmost thoughts—she looked impatiently about the room for some homely occupation which might take her out of herself. The disguise which she had flung down between the wall and the bed recurred to her memory. It was impossible to leave it there. Mrs. Wragge (now occupied in sorting her parcels) might weary of her employment, might come in again at a moment’s notice, might pass near the bed, and see the gray cloak. What was to be done?
Her first thought was to put the disguise back in her trunk. But after what had
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